Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where do babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.

After years spent working as a prostitute in her Italian village, middle-aged Mamma Roma has saved enough money to buy herself a fruit stand so that she can have a respectable middle-class life and reestablish contact with the 16-year-old son she abandoned when he was an infant. But her former pimp threatens to expose her sordid past, and her troubled son seems destined to fall into a life of crime and violence.

A young man grows up in Sarajevo in the 1960s, under the shadow of his good, but ailing father, and gets attracted by the world of small-time criminals.

An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening. Later he has an affair with a young lady, who becomes a maid and does similarly with the young man of the house. The young man seduces a married woman. On and on, spinning on the gay carousel of life.

This biblical drama from the Catholic Marxist director focuses on the teachings of Jesus, including the parables that reflect their revolutionary nature. As Jesus travels along the coast of the Sea of Galilee, he gradually gathers more followers, leading him into direct conflict with the authorities.

When a secret marriage is planned between Othello, a Moorish general, and Desdemona, the daughter of Senator Brabantio, her old suitor Roderigo takes it hard. He allies himself with Iago, who has his own grudge against Othello, and the two conspire to bring Othello down. When their first plan, to have him accused of witchcraft, fails, they plant evidence intended to make him believe Desdemona is unfaithful.

A man and his son take an allegorical stroll through life with a talking bird that spouts social and political philosophy.

Giacinto Rossi, a poor driver up to his neck in debt, is imprisoned for simulated crime. He finds himself in a cell with Tagliabue, an unscrupulous murderer; Sorcio, an elderly thief; and Papaleo, an honor-obsessed intellectual who murdered his fiancée's lover. Giacinto is forced by the three men to make a daring escape from prison.

Two dramatic stories. In an undetermined past, a young cannibal (who killed his own father) is condemned to be torn to pieces by some wild beasts. In the second story, Julian, the young son of a post-war German industrialist, is on the way to lie down with his farm's pigs, because he doesn't like human relationships.

Set in the allegorical space of an abandoned room, a frustrated mind feels the distorting effects of aggression and paranoia—including visions of butterflies, the Mona Lisa, and nuclear fallout.

A film director who no longer makes films arrives in Seoul to meet a close friend. When the friend doesn't show up, he wanders the city aimlessly for three days, grabbing drinks and meeting women, with each day playing out like a version of the last.

A reporter is murdered while driving to his job. The Police are contacted by a clairvoyant who saw the death in a vision, but some dark force is preventing him from seeing the man behind the crime...

A young Sicilian is swindled twice, but ends up rich; a man poses as a deaf-mute in a convent of curious nuns; a woman must hide her lover when her husband comes home early; a scoundrel fools a priest on his deathbed; three brothers take revenge on their sister's lover; a young girl sleeps on the roof to meet her boyfriend at night; a group of painters wait for inspiration; a crafty priest attempts to seduce his friend's wife; and two friends make a pact to find out what happens after death.

Julia Ross secures employment, through a rather-noisy employment agency, with a wealthy widow and goes to live at her house. Two days later, she awakens in a different house in different clothes and with a new identity.

A businessman, Tsuda, runs into a childhood friend, Kojima, on the subway. Kojima is working as a semiprofessional boxer. Tsuda soon begins to suspect that Kojima might be having an affair with his fiancée Hizuru. After an altercation, Tsuda begins training rigorously himself, leading to an extremely bloody, violent confrontation.

Running from the law after a bank robbery in Mexico, Dad Longworth finds an opportunity to take the stolen gold and leave his partner Rio to be captured. Years later, Rio escapes from the prison where he has been since, and hunts down Dad for revenge. Dad is now a respectable sheriff in California, and has been living in fear of Rio's return.

Based on the plot of Euripides' Medea. Medea centers on the barbarian protagonist as she finds her position in the Greek world threatened, and the revenge she takes against her husband Jason who has betrayed her for another woman.

A middle-aged businessman meets a band of rowdy youths and is smitten by one, named Francesca.

An anthology film consisting of four stories. (1) A man reads a Dracula novel while in bed, but cannot seem to tell the novel from reality, causing sleep troubles. (2) A man cannot escape the absurd ads he saw at the movie theater that day. (3) A polluted and construction ridden town keeps everybody on edge, sending one man to the doctor. (4) A hunter, a farmer and a couple on a picnic unknowingly cause continuous trouble one another.

Francesco is a Tuscan who is very good at playing American pool, so much so that he is nicknamed "Mr. Quindicipalle", for the time he performed the unlikely feat of pocketing fifteen (quindici) balls (palle) in one shot, using the wooden handle of a broom as his cue stick. Francesco is also an experienced womanizer, like his recently deceased father. Indeed, Francesco meets the woman of his dreams at his father's funeral – a prostitute who calls herself Sissi. The two fall in love, and so Francesco thinks she might be a lucky charm for him, in his training for a big pool tournament. But Sissi frequently infuriates Francesco, compromising his skill and his training for the tournament.