"Let's Get Loud" was Jennifer Lopez's NBC Special, which premiered on November 20, 2002 and was recorded over 2 nights in Puerto Rico in the fall of 2001. It was Jennifer's first-ever headlining concert appearance, showing off her talents as a vocalist and dancer. The performance features a variety of Spanish and English songs, including: "Love Don't Cost A Thing", "If You Had My Love", "I'm Real", "Plenarriqueña", and many more.
The twelve-year-old schoolboy Max escapes from the house and hides under the bridge. There he finds a spray can of nano-paints, and draw a graffiti of a dog. Unexpectedly painted graffiti comes alive and turns into dog-nanorobot with super powers. And now both of them are hunted by a dangerous criminal who will not stop at anything in order to seize this powerful technology. Guy Max falls into a whirlpool of adventure, through which he finds true friends.
Two Bites of Billy Connolly
Shot entirely in high-definition video, the full-length feature documentary studies the controversial, polarizing subject of the video game controversy through a series of interviews with experts on both sides of the matter – some believing that violent games should be banned, others supporting their protection under the First Amendment.
Morbius Jr, now an OId Man, is nearing the end of life, when he finds the last hope for all Morbkind. However, as he fights to protect the future of Morbheads, he finds himself facing off against an unlikely of enemy... HIMSELF.
What does a baby's cry have in common with the echo of a mountain yodler, and what connects the head tone of a Tuvin nomad with the stage show of a vocal artist? The answer is: THE VOICE. Against a background of powerful alpine vistas and modern city landscapes, "heimatklänge" enters the wondrous sonic world of three exceptional Swiss vocal artists. Their universe of sound extends far beyond what we would describe as singing. In their engagement with local and foreign traditions, the powerful mountain landscape becomes a stage as do the landscapes and sonic backdrops of modern life.
A pioneer of visual music and electronic art, Mary Ellen Bute produced over a dozen short abstract animations between the 1930s and the 1950s. Set to classical music by the likes of Bach, Saint-Saëns, and Shoshtakovich, and replete with rapidly mutating geometries, Bute’s filmmaking is at once formally rigorous and energetically high-spirited, like a marriage of high modernism and Merrie Melodies. In the late 1940s, Lewis Jacobs observed that Bute’s films were “composed upon mathematical formulae depicting in ever-changing lights and shadows, growing lines and forms, deepening colors and tones, the tumbling, racing impressions evoked by the musical accompaniment.” Bute herself wrote that she sought to “bring to the eyes a combination of visual forms unfolding along with the thematic development and rhythmic cadences of music.”
Box is a story of two people who meet at a crossroad. Two different destinies, two different lives, face to face in a game of sweat, blood and tears. Rafael (19) is a young boxer who dreams to conquer the world; Cristina (33) is a single mother who lost her balance. Two lives; one running very close to the earth, the other trying to fly high up, too high.
Bill Maher delivers a great stand-up routine based on the political atmosphere heading into the 2012 Presidential Election. Fun and outrageous!
In 1336, Pedro, heir to the Portuguese crown, marries Constanza Manuel de Villena, a Castilian noblewoman, for political reasons; but the impulsive prince ends up giving in to his love for Inés de Castro, his wife's lady-in-waiting.
“We never know how high we are till we are called to rise” could be the motto of this stunningly filmed, high impact and suspenseful motion picture that is based on a true story. Solomon Kalushi Mahlangu is a teenage hawker who is drawn into the liberation movement to fight against an oppressive apartheid South African government. When he and his comrades are accosted by police while on a mission he is charged with two counts of murder. He is in a fight for his life and must prove his innocence.
"I stuck landscape photographs on the faces of a cube and shot them frame-by-frame. It looks like the box is forever revolving, but in truth it only revolves 90 degrees. The trick to this sensation is fundamentally the same as the one used in SPACY. I was aiming at disturbing our awareness of space in the movement from the three-dimensional to a plane and back again." Takashi Ito
The film reproduces a magic act Méliès performed at his Paris theater-of-illusions, the Théâtre Robert-Houdin. Conjuring is notable as Méliès's second film, and as his first to move beyond the actuality film genre pioneered by the Lumière brothers and experiment with using the camera to capture a theatrical magic act. (Later in 1896, with his discovery of the substitution splice technique, Méliès was able to begin augmenting his theatrical illusions with new special effects unique to film.) Conjuring can thus be seen as Méliès's first foray into the world of fiction film. The film was released by Méliès's Star Film Company and numbered 2 in its catalogues.
A tribute to the cameramen of the newsreel companies and the service film units, in the form of a compilation of film of the cameramen themselves, their training and some of their most dramatic film.
A famous US golfer with an extremely rare blood type is taken to a private hospital after falling ill. Her recovery prolongs and she befriends the people there. One day, she sees a TV news report on her death and realizes she's trapped.
Snub goes butterfly hunting in Grffith Park and catches Marie Mosquini by accident. They go to a café where all the men have a lot of hair on their faces and the usual mischief ensues.
Pathé's factory is the scene of the action. The interior of the huge laboratory comes into view, the employer and foreman, apparently in wry intimate relations, passing through on an inspection tour. Several different news of the works follow, after which the employees are shown departing, their day's labor over. One of these going out walks up to the foreman standing nearby, and there is a heated argument because the foreman has accused the laborer of committing a number of thefts which have puzzled everybody. The naughty foreman repeats the accusation, and the laborer, indignant and furious, knocks him down with a blow. The foreman gathers himself together and promises to even accounts, while the worker's comrades restrain him from inflicting further punishment. Complainant and accused now appear before the head of the concern to settle the dispute, and the employer sides with his faithful foreman; as a result, the laborer is discharged. Now the foreman is seen as he really is. ...
A group of friends try to defeat an evil king, and meet some quirky characters along the way.
Three college students - Ethan, Meg and Josh - share an intense friendship that turns emotionally cataclysmic when unspoken attractions come to light. The inescapable truths of the heart will either strengthen or destroy their seemingly fragile bond, but only if they can overcome the fears of trusting each other -- and themselves.
Takes place on an ocean liner from Canada to Poland. It is a story of several people with pasts and problems stemming from uncomfortable confrontations. The main confrontation is between a Polish doctor with a heart condition meeting a man he knew before. Neither of them was willing to admit their differences from the college days. The meeting torments the doctor enough to start him drinking and dying of a heart attack.