After drinking all night, Monty and his friend try to get home, but it turns out to be not easy. The next day, Monty tries to win the heart of a theater actress.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
Sylvester Cat stows away aboard a seagoing passenger liner to try and catch Tweety Bird, who is guarded by his mistress, Granny. Sylvester becomes seasick and runs to the sickbay for a remedy. Tweety mixes nitro into the medicine before Sylvester drinks it. When Granny hits Sylvester with her broom, he is blown sky-high.
Those Vixens are back and bigger than ever. Once again Playboy brings you an ample sample of the buxom and the beautiful. Plus auteur Russ Meyer offers up his unique perspective on awesomely hot twosomes.
Although Chicken does not make an appearance, Chan Ho Nam finds a new love interest in the form of Mei Ling. Meanwhile, Tung Sing returns to cause trouble again for Hung Hing, in the form of new leader Szeto Ho Nam.
A mad man, Spyros, wants to marry Marianna, his lively sister. He wants to give her a dowry apartment, but his money is not enough for that. So he has to ask for a loan from his boss. The boss refuses to serve him but as soon as he knows Marianna, he changes his mind. Spyros tries to think of Marianna, who is smirked for his boss's mistress, but he only manages to lose his job. He wants to marry her with the poor and honest electrician Manolis, who is in love with her.
Kaori is an intense kendo fighter who has been training since she was young. Sanae is a girl who has only participated in kendo casually, but somehow manages to beat Kaori in the final tournament of junior high school. Although Sanae doesn’t particularly care about it, Kaori holds a grudge, setting up a rivalry that bleeds over into high school.
Let’s get SICK’NING for the Holidays! RuPaul’s Drag Race legend Laganja Estanja is here for Hey Qween’s Very Green Christmas Special!
Ashton Redding, a mailroom attendant at Brev Corp, is lured into a strange bond with the Phototron 69 photocopier machine in the office... (ALTER)
The count Egge is barely a visitor in his Alpine family castle Hubertus, being preoccupied with hunting. He's furious when his young adult sons miss an annual municipal hunting concession auction, being both in love with local commoner girls, deemed undesirable although their mother was an actress herself, as is their sister's lover, painter Forbeck. So comital heir Tassilo marries in secret, spare heir Willy courts 'discretely'. Then tragedy strikes, with further consequences for the whole comital family.
David and Cassie Osborne have an argument one night. So the next morning after David goes to work, Cassie runs off to her sister's house for a few days with their daughter Samantha. Only they never get there. David starts looking for them, and her sister, Joanne, thinks David had something to do with their disappearance, and calls the police. Actually Samantha and Cassie are with Roy and Georgina Scudder, and their daughter Jill. Roy picked them up after their car broke down. The only problem is, the Scudders, who seem a little odd at first, won't let them leave or call anyone.
When clay animated John Constantine (Matt Ryan) comes to Los Angeles for the premiere of his new show, he quickly finds the rising darkness has put a clutch in the filmmaking process.
A material science expert is blackmailed to steal designs from a brilliant team of scientists who are building the world's first space elevator.
Criminal detective Roland Hassel and his colleague Bolinder is investigating a criminal gang involved in the meat packing business. Bolinder is murdered in front of Hassel and the criminals are out to kill Hassel, the only witness.
A young boy is possessed by the spirit of an Indian medicine man and begins to terrorize the local population.
The film was inspired by one of the most important documentaries shot by Krzysztof Kieślowski, Talking Heads (1980). The director asked his interlocutors seemingly simple questions, such as “Who are you?” and “What do you want?”.
Without question, this is an incredibly bizarre production. The revised storyline makes little sense, and there is a surprising amount of violence and sexual innuendo. However, the singers are superb, both vocally and in regard to their stage presence and acting, the orchestra plays beautifully, the chorus is wonderful, and the set is as clever as it is strange. It's definitely not for purists, or for someone new to this particular opera. But for someone who's seen Die Entfuhrung before, and is familiar enough with the original story to not miss it, watching Belmonte, Constanze, Blonde, Pedrillo, and Osmin embark on an entirely new adventure -- and push the boundaries of good taste -- is rather enjoyable.