Ashitaka bliver bidt af en dæmon og får en grim infektion. Derfor begiver han sig afsted for at finde guden Shishigami, der efter sigende kan helbrede ham. Undervejs oplever han den åbne konflikt mellem skovens gamle guder. Han er også vidne til minelandsbyens udnyttelser af jordens ressourcer. Ashitaka prøver at mægle, men uden større held.

The erotic novelist Taeko is writing a morbid story of a family destroyed by incest, murder and abuse. Her assistant, Yuji, sets on a mission to uncover the reality of this story, but the reality might be too much to bear.

A provocative and poetic exploration of how the British people have seen their own land through more than a century of cinema. A hallucinated journey of immense beauty and brutality. A kaleidoscopic essay on how magic and madness have linked human beings to nature since the beginning of time.

A second trial begins in November 1975 against French left-wing revolutionary Pierre Goldman, accused of several armed robberies and the death of two chemists.

Bliv, og kæmp, eller rejs. I 2010 har kvinderne i et isoleret, religiøst samfund svært ved at forene deres virkelighed med deres tro.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Denne opdaterede version af det berømte stykke, Richard III, udspiller sig nu i 1930'ernes England. Ian McKellen leverer en frygtindgydende præstation i titelrollen. Han har selv skrevet manuskriptet, og Richard Loncraine har sørget for den opfindsomme iscenesættelse.

Den 17-årige Igby Slocumbs overklasse-teenagetilværelse er det rene, obskure vanvid. Moren er en selvoptaget, kræftsyg kvinde, hvis kærlighed til piller og alkohol er den eneste kærlighed hun overhovedet kender til. Faren har for længst taget skade, og tilbringer sine dage på psykiatrisk afdeling. I Igbys storebror er der heller ikke megen trøst at hente ­ han er en arrogant, jetset-liderlig kyniker med en distanceret tilgang til sin omverden, og ikke så stor i slaget når det kommer til følelser. Igby virker, omstændighederne taget i betragtning, nogenlunde velfungerende. Vel er sarkasme hans vigtigste og eneste forsvar mod sine omgivelser, og vel er han ligesom sin bror en kyniker af bedste skuffe. Men når alt kommer til alt, dog intakt. Som den lille rebel han er, søger han ind til New York, hvor han, bevæbnet med sin mors creditcard, snart stifter bekendtskab med Manhattens bohememiljø.

In this compelling documentary, members of the Thai youth soccer team tell their stories of getting trapped in Tham Luang Cave in 2018 — and surviving.

Traditional Sunday dinners at Mama Joe's (Irma P. Hall) turn sour when sisters Teri (Vanessa L. Williams), Bird (Nia Long) and Maxine (Vivica A. Fox) start bringing their problems to the dinner table in this ensemble comedy. When tragedy strikes, it's up to grandson Ahmad (Brandon Hammond) to pull the family together and put the soul back into the family's weekly gatherings.

Georges Méliès makes a woman disappear, then reappear.

Da hendes mor bliver syg under mystiske omstændigheder, sendes 12-årige Eve af sted for at bo hos sin far og hans slægtninge. Den rige, neurotiske familie ejer et lukrativt byggefirma og bor i en herskabelig villa komplet med tjenestefolk. Men der er knas med både firmaet og familieforholdene, og de selvoptagede familiemedlemmer opdager ikke, at den nytilkomne selv gemmer på en dyster hemmelighed.

A man has a fantastical nightmare involving, among other things, a grinning malevolent moon.

A butcher puts a full-grown live pig into his large box-like machine. Moments later, he draws out a full range of pork products, many already packaged for sale.

It examines the daily life of the residents and cops at a Rio de Janeiro favela one year after the arrival of a Pacifying Police Unit.

Agnès, a bourgeois young woman from Geneva, writes a letter to a friend, telling how she ended up cheating on her husband. Fascinated by the attitudes and gestures adopted by a prostitute to attract clients, Agnès decides to imitate her and seduces the first man she sees, sitting on a garden bench.

Based on a real event that occurred between two deputies, in Chapultepec Park.

To celebrate Yves’ 50th birthday, his friends plan to take him to the sunny paradise of Paros in Greece. But due to a cancelled flight, the holiday will take place in a far less glamorous and much rainier destination: Yves’ family home in Brittany. During the vacation, their bonds are challenged by Antoine’s constant complaining, Yves’ pride, Baptiste’s superstition and Laurent’s jealousy of Jean-Mich’s perfect life and family. On top of that, Antoine’s supposedly harmless joke – offering Yves a DNA ancestry test – has unforeseen consequences…

[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start.

50 år ude i fremtiden, hvor de sidste Critters er blevet besejret på Jorden, finder et rumskib en kokon med Critteræg. Før de ved hvad de har med at gør, får de et tilbud de ikke kan afslå, og snart er Critters løse igen.