En el 1998, David Sanes, un guardia de seguridad de la base militar de la Marina de los Estados Unidos en Vieques, murió a causa de un proyectil por parte de unas prácticas militares. Desde ese incidente, el pueblo de Vieques y Puerto Rico se unieron en una desobediencia civil en el área restringida de la Marina con el fin de que no se tire "ni una bomba más".

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

Lupita Peckinpah viaja por primera vez al hotel The Murray, en Livingston (Montana), el lugar en el que su padre vivió durante los últimos años de su vida. Allí comparte vivencias y recuerdos sobre un hombre que ha inspirado todo tipo de leyendas. Un genio del cine que, con films como Duelo en la alta sierra o La huida, entre otras, revolucionó el arte del montaje cinematográfico y la forma de rodar la violencia en pantalla; un director tempestuoso en los rodajes y también en sus relaciones personales pero que, bajo el personaje público, escondía otras facetas.

She is a 13-foot, 70-pound snake that combines size and strength with a strike faster than the blink of an eye. Meet Squeeze, an eight-year-old African rock python who's capable of hunting in any terrain at any time of day for virtually any prey. As a new mother, her single goal is to incubate her young and keep them from becoming someone else's dinner. Follow her as she discovers that motherhood in the cold-blooded world of the South African savannah is no walk in the park.

Clémence and her parents take part in a big country picnic. Arriving late, Clémence joins the other children who are already playing away from the adults, but it doesn't turn out to be as much fun as she expected.

Grigory Bozovkin, in his youth, beat up a man out of jealousy and was put under investigation. By escaping from the prison cell with the passport of the deceased, Grigory thereby severed all ties with the past. But one day he met Natalya and fell in love with her. And now, awaiting the expiration of the statute of limitations for what he committed.

A young brahmin boy studying in a village away from home and a young widow isolated by her condition form a bond.

Kumaran (Thilakan) is a social worker. Captain Vijay (Mohanlal) is an army captain who is on his annual leave and has come to stay with his maternal uncle. In a turn of events Vijay sees Kumaran injured from an accident and crying for help. He takes Kumaran to a hospital but could not save his life. There develops a strong bond between Kumaran and Vijay which pulls him into finding out the accident was a preplanned murder.

En la tradición de Sunday Too Far Away, esta película independiente se basa en la clásica obra australiana de John Power. La foto cuenta la historia de un grupo de mineros que viven en un campamento en el interior de Australia. Ellos juran, pelean, juegan y beben mucho. En el centro de la historia se encuentra el conflicto entre Tarzán, el líder autoritario del grupo y Pansy, un chiflado vociferante. Esto da como resultado un puñetazo para el desenlace de la película.

Daniel Gelin and Juliette Faber star as a blissfully happy honeymooning couple. They are so happy that they arouse the jealous attentions of Satan. The Dark Prince sends an emissary to beak up the romance, but his advocate is promptly challenged by a representative from "up above."

As the star of his church choir, there's nothing that brings Billy more joy than the opportunity to sing for an audience. However, as his desire to perform grows, the stalwart youth finds that waiting until Sunday to get his fix just simply isn't enough. Going against the advice of his pastor, Billy follows his girlfriend into the world of secular entertainment, joining the local community theatre troupe. There, Billy is introduced to a whole new world, where his fellow thespians dabble in drugs, sexual perversion, and table-top game-play. Yet, for all the newly minted depravities Billy encounters, none could prepare him for the darkest truth of them all: The theatre group is actually a front for a Satanic cult intent on raising Dracula from the grave!

Fear of Blushing bursts forth with irrepressible hand-painted color, corroded emulsion and a menacing soundscape of looped voices, distorted instrumentals, samples & rhythm. Fleeting visions and voices erupt out of the ominous abstraction in unusual juxtapositions, suggesting a cinematic free-association marked by anxiety, pleasure and shame. Best appreciated in the immediate; the 7200 painted frames fly by at an average of 12 per second.

The stooges are traveling salesmen stranded in Valeska, a tropical country prone to earthquakes. Having no luck selling fur coats to the natives they are arrested when they receive a telegram instructing them to "get rid of present wardrobe" and an official thinks they are planning to assassinate president Ward Robey. With the help of Rita, a beautiful revolutionary, the boys escape a firing squad, and are sent on a mission to deliver important plans to the revolutionary leader. When they deliver a rolled up calendar by mistake, they are once again heading for a firing squad but are spared when Rita arrives with the real plans.

Impressionistic surrealism in three acts. The approach is literary experimental with optical effects. There are three mental states that are interesting: amnesia, euphoria and ecstasy. Amnesia is not knowing who you are and wanting desperately to know. I call this the White Night. Euphoria is not knowing who you are and not caring. This is the Dream of Meditation. Ecstasy is knowing exactly who you are and still not caring. I call this the Memory of the Future. This is an autobiographical film funded by the American Film Institute.

Community combo music video for Guilty Gear XX Accent Core Plus R themed around punishing Dizzy's Necro Unleashed (coffin) overdrive.