Judith Abitbol filmed the work of pianist Jean-Louis Haguenauer. More precisely his work on the twenty-four preludes of Claude Debussy. It was a question of filming the elaboration of the work of the interpreter, such as Jean-Louis Haguenauer conceives it, at home, alone, in front of his piano. What does he do for hours at his piano? What is his approach to the work? How does he find his interpretation?
Moment and memory blend as you bear witness to a Samoan rite of passage. IOPU takes you behind the curtain of a resplendent theatre as you follow a queer Samoan-Australian performer who is about to take the stage. Through drama, dress and dance, this VR experience explores the themes of alienation, acceptance and finding our own tribe.
Aulad Ke Dushman is a story of parents who blindly bow down to the demands of their stubborn children thereby adding poison to their future. R. K. Chaudhary is the father believes in fulfilling every whim of his son Vicky to express his love towards him. When Vicky commits a murder, Chaudhary blankets his crime by pouring money. When Vicky insults the vice principal of his college, Chaudhary forces the Vice Principal resign instead of questioning Vicky. Chaudhary's elder brother Papaji does not approve of Vicky's misbehavior and leaves the house.
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.
Russia, January 25, 1725. "Give it all...". The emperor's weakening hand was able to write in his will only these two short incomprehensible words that kept Russia in a bloody struggle for the crown for a century.
Young art student Hideo paints an unnerving portrait of Tomie, who whispers that she loves him. Inexplicably, he reacts by stabbing her to death with a painting trowel. Two friends, Takumi and Shunichi, arrive on the scene and help him dispose of the body. To cheer him up, the boys take the unwitting murderer to the nearest bar for a party... but a mysterious girl named Tomie shows up, bearing a few odd physical resemblances to the dead girl in the ground.
In a near future, a callous smuggler hardened by life guides a pious young woman and her child across the border to safety, unaware that their destinies are inescapably linked in this inhospitable land.
A zombi apokalipszis véget ért 5 éve, az emberiség 85%-a halott, a maradék pedig megpróbálja az életét visszaterelni a rendes kerékvágásba és birkózik a következményekkel. A rendért az R-Division néven futó kommandós egység felel. Ők mészárolják le a vissza-visszatérő élőholtakat, nyomoznak zombikat bújtató vagy velük kísérletező emberek után, megpróbálják megakadályozni, hogy egy második invázió törjön ki.
The Venice Hongwanji Buddhist Temple had an opportunity to take part in an episode of East of Main Street, an HBO documentary series that has been produced for the past three years to celebrate Asian Pacific American Heritage Month. This year’s episode, Milestones, focuses on how different groups of Asian Americans mark the milestones throughout their lives.
The film tells the story of a man who joins a secret cult, kills his wife in a ritual sacrifice, gains enormous wealth as a reward, and is afterwards haunted by the dead wife's ghost.
A peaceful family-life is suddenly disturbed when the children enter puberty. The children take over the house and disrupt the lives of their parents.
Jack a jövőből érkezett. Most 1991-et írunk. Trancer ügynökként Hop Pohlyt kell megvédeni. A "jövő" McNulty-t is visszaküldte, hogy Jacket és Dr. Wardo-t visszavigye. Jack azonban nem akar visszamenni. Új otthon talált, Lenát feleségül is vette. Dr. Wardo létrehozta a Zöldvilág Holdingot, ami nem más, mint egy Tracers farm. Egy jövőbeni droggal saját magánhadsereget akar létrehozni, begyűjtött drogosokból, alkoholistákból.
In hustle and bustle of urban life, we sometimes don't know our neighbors next door. And in the village, everyone knows each other and lives with the joys, troubles, and worries of a neighbor, like one big family. That's why a person is pulled to their small homeland, to their roots. The one who forgets their roots experiences a burdensome emptiness and dissatisfaction with their achievements in life.
Esen, a young man who has been expelled from his village, escapes with the daughter of one of the most powerful men in the village. Whilst being pursued, he is forced to fight for her hand in a battle that results in the destruction of a sacred totem tree. This puts the whole village in jeopardy, and it is up to Esen to redeem himself and save them all.
A boy and a girl will indulge in a peculiar fight ...
A body-builder's internal monologue grows more intense as he flexes in front of a mirror.