A young photographer's home is haunted by it's former residents.

A woman and her child are kidnapped by her lover and plans revenge on him.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

A crafty child who wants to see his mother again after her death, finds a way to do it.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

Одиннадцатилетний Томми живет со своим отцом Ренато и сестрой Виолой, которая при всякой возможности подтрунивает над ним, но все же служит надежной эмоциональной опорой и Томми, и его отцу. Жизнь, общество, отношения между людьми Ренато воспринимает как игру, где он должен победить. Именно так он пытается воспитать сына. Несмотря на неизбежные трудности, им хорошо втроем. Неожиданное возвращение Стефании, матери семейства, которая, как выясняется, уже неоднократно уходила из дома, нарушает привычное течение жизни.

Главный герой картины, который зарабатывает на жизнь нелегким трудом рикши пытается честно выполнять свою работу. Его отец тоже был рикшей, но погиб под колесами грузовика. Вот так живут на окраинах перенаселенных городов - смерть ходит рядом. В каждом районе есть своя банда, и чужаков здесь не уважают. Мальчика-рикшу избили и отобрали его повозку, чтобы не отбивал клиентов в чужом районе. Но нужны деньги, и, поскольку в одиночку не выжить, он примыкает к местной банде.

Проклятая фальшивая пятисотфранковая банкнота меняет владельцев. Люди цинично передают её из рук в руки, из магазина в магазин, пока она не попадает в руки одного честного человека, который и не подозревает, что купюра-то поддельная! Именно в судьбе этого человека фальшивка сыграет роковую роль...

A young man talks to his psychiatrist about strange visions he has been having in his dreams.

Accio and Manrico are siblings from a working-class family in 1960s Italy: older Manrico is handsome, charismatic, and loved by all, while younger Accio is sulky, hot-headed, and treats life as a battleground — much to his parents' chagrin. After the former is drawn into left-wing politics, Accio joins the fascists out of spite, but his flimsy beliefs are put to test when he falls for Manrico's like-minded girlfriend.

Шикарный мюзикл с Фрэнком Синатрой в роли отчаянного ловеласа Джои, любителя блондинок и брюнеток, толстых и худых, молодых и не очень. Скрываясь от очередного обманутого мужа в маленьком городе, он становится постановщиком ревю и соблазняет и спонсора постановки Веру Симпсон и главную звезду Линду

Captain Kirk. T.J. Hooker. Denny Crane. Big Giant Head. Alexander the Great. Henry V. Priceline’s Negotiator. These are but a handful of the innumerable masks worn by William Shatner over seven extraordinary decades onstage and in front of the camera. A peerless maverick thespian, electrifying performer, and international cultural treasure, Bill (as he prefers to be called), now 91 years young, is the living embodiment of his classic line “to boldly go where no man has gone before.” In unprecedented fashion, You Can Call Me Bill strips away all the masks he has worn to embody countless characters, revealing the man behind it all.

Снег отправился из леса в город — узнать новости.

This spaghetti western presents a fictitious version of the often filmed legend of Pat Garrett and Billy the Kid. Billy becomes innocently an outlaw while protecting his mother, but then turns into a trigger happy killer. When he falls in love he tries with the help of Pat Garrett, a fatherly friend, to change back. However, circumstances force Billy to become violent again and it is Garrett who is credited with the killing.

This is not a film by Khavn. A crime-thriller retro-road movie based on the Kuratong Baleleng Rubout Massacre of 1995.

When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.

When two rival crews head into the desert to shoot a reality show based on a buried Navajo treasure, they discover that truth is not only stranger than fiction, it's more dangerous. Something wants them from digging deeper and from escaping the desert alive.

A pair of Chicagoans meet-cute one chilly evening leading to an all-night affair and a quaint morning after... well mostly quaint 💕