A young photographer's home is haunted by it's former residents.

A woman and her child are kidnapped by her lover and plans revenge on him.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

A crafty child who wants to see his mother again after her death, finds a way to do it.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

A young father and his two children struggle to find harmony after his wife leaves them for another man.

Follows a young cyclo driver on his poverty-driven descent into criminality in modern-day Ho Chi Minh City. The boy's struggles to scratch out a living for his two sisters and grandfather in the mean streets of the city lead to petty crime on behalf of a mysterious Madame from whom he rents his cyclo.

Medtem ko si prizadeva hitro kaj zaslužiti, dobi mladi Norbert od svojega prijatelja Matriala ponarejeni bankovec za 500 frankov. Denar porabi v trgovini s fotografskim materialom, lastnik pa se odloči bankovec spet posredovati nekomu drugemu. Nič hudega sluteči lastnik je pošteni dostavljavec Yvon Targe, ki ne sluti, da je bankovec ponarejen. Ko skuša kupiti hrano, ga aretirajo. Pozneje skuša ovaditi in tožiti fotografa, vendar so pomočnika v trgovini Luciena že podkupili, da molči glede tiste transakcije. Zaradi škandala je Yvon slednjič ob službo. Da bi lahko vzdrževal družino, se kot voznik avtomobila udeleži nekega ropa. Podvig pa se na žalost izjalovi in Yvon mora za tri leta v ječo. Med služenjem kazni njegov otrok umre za davico, žena pa ga zapusti. Poblazneli Yvon se preda tatvinam in nasilnemu kriminalu, nazadnje pa zagreši še hladnokrvni umor.

A young man talks to his psychiatrist about strange visions he has been having in his dreams.

Accio and Manrico are siblings from a working-class family in 1960s Italy: older Manrico is handsome, charismatic, and loved by all, while younger Accio is sulky, hot-headed, and treats life as a battleground — much to his parents' chagrin. After the former is drawn into left-wing politics, Accio joins the fascists out of spite, but his flimsy beliefs are put to test when he falls for Manrico's like-minded girlfriend.

An opportunistic singer woos a wealthy widow to boost his career.

Captain Kirk. T.J. Hooker. Denny Crane. Big Giant Head. Alexander the Great. Henry V. Priceline’s Negotiator. These are but a handful of the innumerable masks worn by William Shatner over seven extraordinary decades onstage and in front of the camera. A peerless maverick thespian, electrifying performer, and international cultural treasure, Bill (as he prefers to be called), now 91 years young, is the living embodiment of his classic line “to boldly go where no man has gone before.” In unprecedented fashion, You Can Call Me Bill strips away all the masks he has worn to embody countless characters, revealing the man behind it all.

This spaghetti western presents a fictitious version of the often filmed legend of Pat Garrett and Billy the Kid. Billy becomes innocently an outlaw while protecting his mother, but then turns into a trigger happy killer. When he falls in love he tries with the help of Pat Garrett, a fatherly friend, to change back. However, circumstances force Billy to become violent again and it is Garrett who is credited with the killing.

This is not a film by Khavn. A crime-thriller retro-road movie based on the Kuratong Baleleng Rubout Massacre of 1995.

When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.

When two rival crews head into the desert to shoot a reality show based on a buried Navajo treasure, they discover that truth is not only stranger than fiction, it's more dangerous. Something wants them from digging deeper and from escaping the desert alive.

A pair of Chicagoans meet-cute one chilly evening leading to an all-night affair and a quaint morning after... well mostly quaint 💕