A two-part feature directed separately by Shimizu and his colleague Keisuke Toyoshima. Unrelated to each other, both have a common goal: to bring ghosts and aliens together in pure, referential and absurdistic delirium, including neo-Nazi specters, zombie yakuzas and nasty aliens.
Wasteland is a five-part anthology film that deals with isolation, mental illness, and the subjectivity of reality. Each of the five parts can be watched individually, but when viewed in sequence, each story brings out a more interesting and distinct context to its respective pieces.
Seven seemingly unconnected fairy tales - glued together only by folklore, mood, color and light - make up this Czech collection of visual poetry. The original piece of literature, written by Karel Jaromír Erben in 1853, contained twelve tales.
L'Amore ('Love') is a 1948 Italian drama anthology film that consists of two parts, The Human Voice (Una voce umana), based on Jean Cocteau's 1929 play of the same title, and The Miracle (Il miracolo), based on Ramón del Valle-Inclán's 1904 novel Flor de santidad.
Three vignettes about the lives of young Chileans and their passions and frustrations over one of the century's most important rituals: football.
Comprised of eight unrelated episodes of inconsistent quality, this anthology piece of American propaganda features some of MGM Studios' best directors, screenwriters and actors; it is narrated by Louis Calhern. Stories are framed by the lecture of a university professor. In one tale a Boston resident becomes angry when the census forgets to record her presence. Another sketch chronicles the achievements of African Americans while still another pays tongue-in-cheek tribute to Texas.
8 shorts centered around 8 themes directed by 8 famous film directors involved and sharing their opinion on progress, on the set-backs and the challenges our planet faces today.
Every episode has one dialogue with two characters in one place. The six dialogues are for beginners who should still learn from the realities of how we rule out people around us not only reasonably but smoothly.
In this anthology film centered around the theme of "Eros," five seperate stories are presented by five top Korean directors. The main characters from each segment are connected with each other in one way or another.
On a train journey, Saki meets Mrs De Ropp, an oppressive aunt and guardian to an unruly brood. Inspired by the meeting, he imagines a tale of repressed children who find solace in their childish wonder, and are saved by their imagination.
As Boys On Film reaches the end of its teenage years, we take a look at those unique boys who go one step further, who excite, invigorate, and always impress, who break boundaries, shape their worlds and are more than what they appear. Volume 19: No Ordinary Boy includes ten complete films: Scott T. Hinson's "Michael Joseph Jason John" also starring Eric Robledo; Abhishek Verma's animated "The Fish Curry"; Ben Allen's "Blood Out Of A Stone" starring Alex Austin and Oisín Stack; David Färdmar's "No More We" starring Jonathan Andersson and Björn Elgerd; Jannik Splidsboel's "Between Here & Now" starring Francesco Martino and Peder Bille; Amrou Al-Kadhi's "Run(a)way Arab" also starring Ahd and Omar Labek; Dean Loxton's "Meatoo" starring Calum Speed and Warren Rusher; Jake Graf's "Dusk" starring Elliott Sailors, Sue Moore, and Duncan James; Leon Lopez's "Jermaine & Elsie" starring Marji Campi and Ashley Campbell; and Marco Alessi's "Four Quartets" with Laurie Kynaston.
TV movie "Triptych of love" was created by short stories by famous Slovak writer Ladislava Nádaši - Jégeho. Historical themes in his works have an ambition to bring over to look attractive environment and time bygone era strong dramatic stories and exciting human destinies. Renaissance short stories from the collection "Italy" are a variety of views from different backgrounds, linking theme of many forms of love, its tones and semitones, from bitterly ridiculous after tragic. Screenwriter Ján Števček that dramatically processed three Jégeho stories.
The Best of Boys in Love is a wildly diverse collection of films that mixes styles, settings, and stories ranging from "elegant gay romance" (Frontiers), to a musical send-up of Hollywood, to an "exquisite period piece" (Village Voice) set in New Zealand. The DVD features seven audience favorites selected from our collection of award-winning gay short films.
“Urban Motives 4.1” is an anthology film consists of 5 short movies by 5 Azerbaijani directors. The first, by Anar Abbasov, is about a relationship between a man and women who live next door; second, by Ru Hasanov, is about a life of a musician who is different from others with his mentality; third, by Teymur Ismayilov, tells a story of a young worker who has his own dreams; fourth, by Jafar Akhundzade, is about traumas caused by war; and the last one, by Vugar Islamzadeh, is a story about a criminal group and an officer who wants to take revenge.
"Day and Night" is an omnibus release by William Kwok-Wai of 3 short films consisting of 3 Malaysian filmmakers Ho Yuhang, Charlotte Lim and Yeo Joon Han, reflecting their personal feelings about the health of Malaysian society. "TRESPASSED" by Ho Yuhang is about a girl who misses her father slowly becomes entirely possessed by grief. It seems as if an outside force has taken control of her emotions. "BITE" by Charlotte Lim is about a school girl, meticulously observed by a patient camera in a small, yet sensitive story. Perhaps a lesson in life, for it isn't as innocent as it seems and "BEDSIDE MANNERS" by Yeo Joon Han is about a man who lies in bed, paralyzed. He can still see and hear and has to suffer the stupid talk of a bunch of idiots. Satire on all sorts of things in Malaysia.
On a day in April 1996, four stories play out in the confines of a flat in the heart of Oslo.
This film contains three short stories about life in Australia in the 1950's.
A four-part film done in the unique style of each director, Matusbayashi Urara gives a portrayal of a struggling actress named Machiko who lives in Kamata. Machiko is the central axis of the movie as the film comically depicts what it means to be a "woman" and an "actress" in society through showing the patterns of life as conducted by her and the people that surround her.