In 1992 the Universal Exhibition in Seville was held in Spain. Chile participated in this exhibition by displaying in its pavilion an ice floe captured and brought especially by sea from Antarctica. In these true facts is based the fantasy narrated in Dreams of Ice. Filmed between November 1991 and May 1992 on board the ships Galvarino, Aconcagua and Maullín, in a voyage that goes from Antarctica to Spain, in this documentary film in which dreams, myths and facts converge towards a poetic tale turned into a seafaring saga, in the manner of the legends of the seafarers that populate the mythology of the American continent and universal literature.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
An experimental ethnographic documentary that criticizes the colonizer view of anthropology.
H*ART ON dives off the deep end of modern art. A film about the yearning to create, to mould everyday emotions into a meaningful life and, most of all, to live beyond one's death. A struggle that gets to the existential core of each of us. How do you find meaning in everyday fear, love, sex and loneliness?
Scientists demonstrate the wonders of magnified objects.
Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.
"After two years of massive didacticism in black-and-white [Hapax Legomena (1971-72)], I am surprised by Tiger Balm, lyrical, in color, a celebration of generative humors and principles, in homage to the green of England, the light of my dooryard… and consecutive matters." - HF
A recollection of almost 40 years of career. A giant image-jukebox, from early 70s autoportrait to films for Alain Bashung / Elli Medeiros, private karaokes to “video sculptures” applied to John Travolta or Maria Callas, and much much more…
Witnessing my daughters passage though childhood with a 35mm Russian movie camera.
A letter to a loved one from abroad. The reaction to a piece of news and the doubts generated by it in the filmmaker lead him to compile images and sounds, questioning memory and poor communication.
This experimental film follows the work of two scientists who test a new device that uses specialized circuitry to transfer data between computer networks and living plants. Neither science nor fiction, this documentary highlights the human labor of scientific procedures, attentive to the future they are producing – in which humans will disappear.
Footage from summer of 2018 that explores the passing of time regarding the little things in life.
Taking a cue from Franz Kafka's "Letter to My Father," this highly personal film follows Czech director Jan Nemec as he attempts to engage in a dialogue with his deceased mother. While alive, Nemec's mother had a troubled relationship with her son; this rumination seems to be Nemec's public platform for coming to terms with unresolved familial issues. The director embellishes his film by linking personal events with 20th century history.
First part of the collaborative project "Brise-Glace" showing the diverse travels on the icebreaker "Frej". Directed by Jean Rouch.
It compiles more than twenty years of passionately recorded “pictures from life” captured on super 8, that Vukica Djilas shot from 1970 to late 1990s.
A two-minute poetic micro-manifesto of ecological and social warning about the endangerment of people and the world's nature in the 1960s.
Water runs under a bridge A church looms overhead A couple films each other on the shoreline Walking into a sea of chaotic filmic decay Super 8mm Kodachrome shot by my parents in 1985, and buried by myself in late summer of 2018.
Light painting and nature imagery are captured in 13 shots of different points of luminescence, on the 13th anniversary of Schwartz’s mother’s passing, and as a homage to Rainer Werner Fassbinder’s personal 'In a Year with Thirteen Moons' (1978).