Fresh out of juvenile prison, Tommy has sworn off the drugs. But when the going gets tough, the only support he finds is from his best friend Sule - who has "the master plan": one last drug deal to finance their own auto body shop.

The Rastreadoras de El Fuerte are a group of mothers of disappeared persons in northern Sinaloa who, in the absence of the authorities, twice a week go out with picks and shovels in search of the remains of their children; a testimony of the abandonment of the State, the aggressions of the drug traffickers, the indifference of society and the pain, but also of the strength and courage that keep these women together, and of their empowerment to mobilize society in community organization.

Rio Branco, Acre, an Amazon city near the border with Peru and Bolivia, has been suffering the violent impacts of recent changes in trafficking routes, which have arrived with violence in the Brazilian Amazon. In this scenario, the lives of three young childhood friends intertwine and ultimately, they find themselves in a common tragedy.

Oliver flees from abuse of his family and seeks refuge in the violent streets of Caracas, where survival is only possible in an environment of corruption, crime and sniffing glue to escape hunger, like other children in the same situation. Soon, the child becomes part of the clashes between drug gangs and corrupt policemen.

After Annunziata (Angela Molina) opens up a hostel with her friend Antonio (Daniel Ezralow), she is saved from being raped by a Camorra boss as the gangster is suddenly killed. The killer escapes before Annunziata is able to see who it was. Following this murder are several others, and always with the same “signature” — a syringe in one of the testicles of the victims. As the gangsters continue to be killed off, the identity of the killer – or killers – slowly becomes obvious.

Commissioner Mendoza must join forces with the honorable civil guard, to stop the activities of a network of drug traffickers with international contacts that intend to act in Spain.

The personal and social tragedy of drug addiction with its evil accompaniment, drug traffic. Over the side of the silent liner in the darkness slips the package of smuggled narcotics, introducing us to the complex problem which involves all races and classes of man. We see many aspects of addiction - the addict preparing an injection, a group waiting tensely for their dope peddler; agents preparing and adulterating the illegal product; the police catching a pusher red-handed. International and national authorities are working from two angles - suppression of the illicit traffic; and where possible, rehabilitation of the addict.

A stranger arrives to the small town of Passo Fundo, south of Brazil. And he's on a manhunt of a killer that turns in a giant drug conspiracy running by an international conglomerate.

In recent years, the Netherlands and Belgium have become major drug trafficking hubs in Europe, with almost 80% of the continent's cocaine passing through Rotterdam or Antwerp. This has led to the rise of the “Mocro Mafia,” criminal networks of Dutch people of Moroccan origin. These gangs began by trafficking hashish from Morocco but now use the same routes for the more profitable cocaine trade, sourced from Latin American cartels. Consequently, the “Mocro Mafia” has become one of the world’s richest criminal organizations, generating an estimated fifty billion euros annually in Antwerp alone—10% of Belgium’s budget.

Roach and Starbuck, two hardcore punks from Montreal, try to form their own political party, but run out of time due to Canada's electoral process. Instead, they decide to campaign for political office as independent candidates in a rich Montreal district called Outremont.

Gilles Groulx's first film shot in 1955 with a camera borrowed from his brother and edited during his spare time when he worked as an editor at the Radio-Canada news service a few years before he joined the NFB. Silent film, presented as its author left it, where the soil and the dialectic of Groulx's work are already there: documentary realism, the social space to be explored, daily life, the relationship between individual and society, social disparities, the consumer society, seduction and happiness.

This film takes us inside the world of cricket and the daily life of Montreal's Parc Extension - one of Canada's poorest yet most vibrant immigrant neighbourhoods.

Ladies of good families and social standing come to have their afternoon tea with their daughters who will someday follow in the same tradition. A charming portrait of a time that is slowly disappearing.

A woman recounts her life in Los Angeles dealing in cocaine & prostitution.

The narrative unfolds from the point-of-view of a single character named Roach. As part of the filmmaking process, he's been given a camera to document his world. The footage he gets is urgent, because there's a war against squeegee kids. This documentary is from the point of view of the kids themselves, in order to provide alternative voices. Roach's camera is positioned behind "enemy" lines: living in derelict buildings, squeegeeing for money, being hunted by police.

Giovanni, Francesco and Salvatore have passed the age of 80 and are proud to still consider themselves communist or socialist comrades. All three left their impoverished villages in southern Italy during the post-war years and, once settled in Montreal, maintained close links with parties of the Italian left, while militating in progressive Canadian unions and parties.

This documentary focuses on immigrant teens between the ages of 12 and 17 who share the story of their migration and their adaption to life in Canada through theatre. Young but wise, these children describe their experiences with emotion and authenticity.

Murat is a very successful police officer. When Pinar and her friends, who belong to a wealthy family, are detained for drugs, Murat is taken to the traffic branch. But Murat, this time, catches Pinar for exceeding the speed limit. Pinar is released again thanks to her father's influence.

Montreal — one of the few remaining affordable cities in North America — is now in the midst of an unprecedented housing crisis. An intimate portrait of socio-political resistance, this multilayered film explores the human impact of real estate speculation on the cities of tomorrow.