A girl is being projected on a screen while a pair of disembodied lips (“God”) rambles about sex. At the same time, a boy and a man look at the girl. As the scene unfolds, the girl reaches out of the projector screen, takes hold of the male figures, and makes them disappear between her legs.
After a tragic incident strikes a happy town, their beloved governor knows just how to fix it.
Manual Man follows a progression of men whose bodies transform into furniture and appliances after reading various instruction manuals.
A one-eyed pirate captain tries repeatedly to win a treasure, always with a new team of one-eyed pirates like him.
Renaud is 85 years old and lives in Paris with his trusty wheelchair/caregiver. He's a loner, stuck in his ways, uncomplainingly trapped for years now on the top floor of a building in Montmartre. He has everything he needs at home anyway; he makes toys and gets his meals and his favorite newspaper, and all's right with the world. But what if a new neighbor appeared on his landing to shake up his routine?
A wandering through the primal emotions of birth, motherhood, body, nature, metamorphosis and dance.
At the end of the eighth day the Creator has taken refuge in a dark dungeon . Obsessed with transcending he manipulates life to the extreme and tries to engender the perfect being that will immortalize him
The Colours of My Father: A Portrait of Sam Borenstein is a 1992 short animated documentary directed by Joyce Borenstein about her father, the Canadian painter Sam Borenstein. It was nominated for an Academy Award for Best Documentary Short. In Canada, it was named best short documentary at the 12th Genie Awards.
Norman McLaren instructs Grant Munro on the movements he is to make. The film technique for Two Bagatelles is pixillation, where the actor is animated frame by frame, as in the film Neighbours/Voisins.
Exploration of the connections between sex, love and technology.
Everything you always wanted to know about pornography (but were afraid to ask).
A boy looking for his cat to the edge of time, where who's dead disappears and who's alive let fly. Childhood illusions dissolve on the wheat field and make landscape.
The Ravens was the couple's first sand animation film and the prelude to a unique work.
The disappearance of her sock at a local laundromat sends a fragile Rita over the edge. Hellbent on finding it, she searches deep and gets sucked into a washing machine, entering an otherworldly cycle from which she may never escape.
As the world experiences its final winter, desperate measures to hold onto the season awaken a radical labor consciousness.
A man's street race through hell and back parallels the Black experience in America.
A dissatisfied marriage, a secret crush, and workplace fantasies come to a head in a diner run by a mole with a hot ass.
Searching for the root of generational trauma, the director takes a camera into his estranged grandfather’s funeral.
Footage of Québec City locations and the artwork of well-known Quebec animator Frédéric Back are used to tell the tale of Champlain’s life in New France – from his first explorations and settlement to his death in 1635.