Gripped by the blind faith of her father, Reverend Pearson, Leni accompanies him on his evangelical mission. A banal accident forces them to stop at El Gringo's garage. When the Reverend becomes obssessed with saving the soul of Chango, the mechanic's son, Leni realises the time has come to take her fate into her own hands.
An army cadet accompanies an irascible, blind captain on a week-long trip from Turin to Naples.
In this sequel to Scenes from a Marriage (1973), we revisit the characters of Johan and Marianne, then a married couple. After their divorce, Johan and Marianne haven't seen each other for 32 years. Marianne is still working, as a divorce lawyer. Johan is quite well off and has retired to a house in the Orsa finnmark district of Sweden. On a whim, Marianne decides to visit him. Johan's son from a previous marriage, Henrik, lives nearby in a cottage with his daughter Karin, a gifted cello player. The relationship between father and son is strained.
The large-scale textile artwork “Historjá” by Marakatt-Labba made a huge breakthrough when it was shown at documenta 14 in Kassel. The embroidery, depicting motifs from Sámi history, is also the starting point of Thomas Jackson’s documentary, which tells us about Sámi culture, whose history has been marked by a struggle against the majority population. The struggle has concerned the right to land and way of life, but also underlying this are two views of mankind and its relationship to nature. In Historjá – Stitches for Sapmí, historical events and mythological images are woven together with how climate change threatens contemporary reindeer herding and thus the existence of Sámi culture.
The story of Giancarlo Siani, a journalist killed by the Neapolitan Mafia in 1985.
One dark night during the early phases of WWII, the Italian Royal Navy submarine Cappellini sinks an armed merchant ship sailing with lights out. At that moment, its commander Salvatore Todaro makes a decision that was destined to go down in history: to save the 26 shipwrecked Belgians who otherwise would have drowned in the middle of the Atlantic Ocean and disembark them at the nearest safe harbor. To make room for them on board his submarine, he is forced to navigate on the surface of the water for three days, visible to the enemy forces and endangering his life and that of his men.
Antonio, a former shipyard worker, leads a mild and peaceful life: he plays bowls with friends, takes care of his elderly mother, has an ex-wife with whom he is on excellent terms and Emilia, his only and beloved daughter When Emilia announces to him one day that she has decided to get married, Antonio is filled with joy, he can finally fulfill his dream by giving her the reception they have always dreamed of together being able to count on the savings of a lifetime.However, the bank of which he has always been a client seems to be hiding something, the employees are suddenly elusive and the director inexplicably changes constantly.The task of paying for his daughter's wedding will prove increasingly difficult and Antonio will discover, against his will, that those who keep our treasures don't always keep our dreams as well.
A playboy has the tables turned on him when he finds himself being used as a plaything by an undesirable woman.
It is evening. Tarek is seventeen years old and is on his way to see his friends, who have asked him on the telephone to pass by the park first and buy a few grams of dope: nothing much, just enough for some fun. The boy buys the stuff in the dark park, but when he emerges finds that someone has seen him: a policeman in plain clothes, sitting in his own car. The man could simply confiscate the hash, intimidate him a little and then let him go, or he could decide to take him to the station and call his parents. But he opts for neither of these things. He tells the young man to get in the car and starts the engine. Where does he want to take him? The policeman is ambiguous, mysterious. What does he want from the teenager? Tarek is in check, he can’t just leave. The policeman makes him stay with him the whole night, driving around in apparently aimless fashion, stopping first in one place, then in another.
Salvo was five when his father Vincenzo was arrested, practically before his eyes. Seven years later Salvo lives with his uncles and his cousin a controlled and peaceful existence in the Turin area, but his father returns and claims his son for four days. Vincenzo has to carry an important load to Bari and brings Salvo (nomen est omen) with him as insurance: a child is better than a gun, he says, because his presence in the event of a possible police detention can have a distracting effect . This however is not the only reason why Vincenzo wants Salvo with him, and the "Salv-atore" child will prove to be a potential vehicle of redemption for that messed up father, but not entirely devoid of feelings and attentions.
These are the years of the First World War and Dr. Stefano Zorzi spends his days in the Exemption Clinic in a large city of Northern Italy, where he not only takes care of soldiers who arrive from the massacre of the front, but also he fights simulation and self-harm of those who hope to be dispensed, by sending them before the Military Court. If Stefano, in fact, does his utmost to heal soldiers and send them back to fight, Dr. Giulio Farradio makes them ill, or helps them to self-injure seriously enough to be exonerated. The two doctors, who went to university together and were great friends, they not only (secretly) challenge each other on a professional level, but also on the sentimental one: they are both linked to Anna, a courageous nurse with a strong character. But when the great ‘Spanish’ fever epidemic arrived in 1918, the time for love, politics and science ends up getting confused dangerously...
25-year-old philosophy major Marta faces the ugly truth for many young Italians — a complete lack of career opportunities. While babysitting for single mother Sonia, she starts to work as a telemarketer, experiencing first-hand the fanatical and exploitative rat-race culture pushed on employees while quickly rising through the ranks of the company. Around her revolve people like delusional supervisor Daniela, her womanizing boss Claudio, fragile coworker Lucio "2", and well-meaning but inconsistent union rep Giorgio.
In 1958 Angelo, a rich and spoiled boy, enters a religious school, where students are tired of its vice-rector, and the strict rules and old-fashioned teaching methods of priests. Soon, Angelo exerts strong leadership among his peers and incites turmoil among them, helped by intellectual Franco and shy Camma. They expel the prefect from the school, organize a Grand Guignol show, and disappear the corpse of an old professor.
Widower Tom, on the recent passing of his wife Mary, uses his free bus pass to travel the length of Britain from John O'Groats in Caithness to Land's End in Cornwall, their shared birthplace, using only local buses. It's an incident-fuelled nostalgia trip and his encounters with local people make him a media phenomenon. Tom is totally unaware and to his surprise on arrival at Land’s End he’s greeted as a celebrity.
Tangled up with blackmail and crooked cops, the son of a former gangster seeks out his father's old friends, who risk everything to save him.
Captured by a ruthless gang of bank robbers, foes Diabolik and Ginko find themselves facing certain death. While Eva Kant and Altea forge an unlikely alliance to rescue their lovers, Diabolik reveals his mysterious past to the Inspector.
The film is freely inspired by the great actress Monica Vitti, but it is in no way a biopic. It is the story of a woman named Monica, who loses her memory and regains meaning in her life.
After spending time in prison following an assault charge, Connor Bates now works in a library and spends his free time running, swimming, and trying to piece his world back together. When he meets Marilyn Chambers, the wife of a wealthy businessman, they collide into an intense physical and emotional relationship that quickly escalates into idle talk about her husband’s murder.
Poor Eugénie! She's humpbacked and everyone wants to straighten her out, but when success finally comes, she's too tall not to cause disasters. To solve the problem, the help of a sword swallower is urgently needed.
Set during a “beautiful summer” in Turin in 1938, against the backdrop of Fascist-era Italy’s subsequent entry into World War II. sees the 18-year-old Cassell as the uninhibited model Amelia. She introduces her younger friend Ginia to a world of bohemian artists where she will fall in love for the first time.