A veritable feast awaits fans of Ian Anderson's Jethro Tull on this elaborate DVD package, which boasts extensive concert footage and a load of extras. The focal point is nearly two hours of performances, filmed in late 2001 (primarily in London, with additional material from several other locations) and featuring material from the band's entire lengthy career, including such staples as "Aqualung" and "Bouree." The current Tull incarnation (featuring, as always, Anderson on vocals, flute, and sundry other instruments) takes center stage; there are also a couple of numbers with a string quartet, and even a small-club reunion of the lineup that made the group's very first album back in 1968. Interviews with band members, testimonials from rabid fans, photos, and even an option for viewing a Tull performance from three different audience points of view are among the generous helping of extra features.

The “scattered factory” expands. This journey recounts how, among abandoned buildings, mines transformed into tourist attractions, factories in Eastern Europe that have been reconverted to produce Italian cars, and the transformation of industrial cities and towns such as Sesto San Giovanni (the former Stalingrad of Italy) and Lumezzane (the “workshop” city of the Brescia area). The places, the images, the sounds. The director takes note and recounts by blending telephone calls, conferences, poems, old movies, commercials on Yugoslavian TV, Russian ballets, experimental performances. One sole flow that expands into multiple senses and directions. Just like a factory.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

A look at the life and films of the expressionistic movie and television director John Brahm.

The fortunes of three impoverished friends and their families abruptly change after an airplane crashes in a nearby mountain. They rush to the crash site along with all the villagers, not to help the victims but to plunder their valuables. A dead American passenger carried a large amount of money in his briefcase which Mesiong, Ponsoy, and Jamin find and avariciously keep for themselves. But the town mayor gets greedy and with his hirelings abducts the three to divest them of their booty.

A documentary about unemployed people who bought fruit and vegetables at moderate prices at the wholesale market and sold these in the streets of Frankfurt. Since they had no permits they were constantly with their bulky carts on the run from the police. One part of the film was shot at the fairgrounds in front of the wholesale market. Newspaper and lottery ticket vendors, propagandists offering their ware for a few pfennigs, all convey the mood of a time when need made people inventive.

The movie is a fictionalized account of a disgruntled cop who has been wrongly implicated in a torture video that went viral. It begins on his last night of duty, as he is about to leave for abroad for better job prospects.

A grieving young inventor finds solace in repairing an antique typewriter.

A mentally-afflicted young man is accused of murdering his longtime benefactor. The real truth of what happened lies in his mad obsession with his supposed victim's old typewriter, on which he types relentlessly, day and night.

Prang discovers she's pregnant and decides to cheer herself up by going to a haunted house and takes part in a ouija board summoning. Not a lot happens except the board spells out a name. Prang likes the name and decides to give it to her daughter. As soon as she is born, Prang starts realising that something’s wrong, her friends start to die and it seems her daughter is somehow involved.

Little People. Big Era, is a captivating social drama that explores the complexities of family, love and career against the backdrop of China’s rapid development over the past decade. The story revolves around Anna, a resilient woman from a small fishing village who embarks on a journey to seek financial security and wealth in Guangdong province.

Sanae is a thirteen-year-old girl who lives with her mother and six-year-old sister. She has not recently been able to be open with her fisherman grandfather. Sanae is awoken by the sound of hard rain one night. As she dozes, the rain changes into the flow of the river and she finds herself lying in a fishing boat when she opens her eyes. She hears, from far away, the strains of a harmonica which her grandpa loves... Next morning Sanae is informed that her grandfather has passed away. Frictions are revealed between Sanae and those around her. In her confused state, she runs out of the house leaving for the river where her grandpa's boat is moored...

Grabado en vivo en el Gewandhaus zu Leipzig en mayo de 2017, este lanzamiento presenta un delicioso concierto de la Gewandhausorchester Leipzig y el director Andris Nelsons. Para el programa, el director ha elegido obras de Antonin Dvorak, incluida la Othello Concert Overture, y su famosa Sinfonía n. ° 9 en mi menor: “From the New World.