The Symphony of Haruhi Suzumiya or The String Performance of Haruhi Suzumiya (涼宮ハルヒの弦奏 Suzumiya Haruhi no Gensou), was an event featuring several songs and background music used in the The Melancholy of Haruhi Suzumiya anime. All of the songs are performed by the Tokyo Philharmonic Orchestra, and conducted by Phillip Chu, on April 29, 2009.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

Re-re-repeat A rhythmic dialogue between sound and image: exploring space, corporeal phenomenology and chance outcomes, which alter perceptions of time and memory.

The four old friends meet on the grave of the fifth of them, Perozzi, who died at the end of the first episode. Time has passed but they are still up for adventures and cruel jokes, and while they recall the one they created together with the late friend, new ones are on their way, starting right there at the cemetery.

Stand-up comedian Max Bernal lives with his father Stan while struggling to co-parent his autistic son Ezra with his ex-wife. When forced to confront difficult decisions about their son's future, Max and Ezra embark on a cross-country road trip that has a transcendent impact on both their lives.

A construction film collected from archival footage of the twenties and thirties of the last century, preserving memories of the construction of a new life and way of life: the launch of the metro, hard work in production, cultural life and recreation. By combining two parallel stories - the state film chronicle and diary entries - an attempt is made to revise historical archives and customary knowledge about time. The collective image of a hero from the crowd is brought to the fore.

Miraculous holders from another world appear in Paris. They come from a parallel universe where everything is reversed: the holders of Ladybug and Black Cat Miraculouses, Shadybug and Claw Noir, are the bad guys, and the holder of the Butterfly Miraculous, Hesperia, is a superhero. Ladybug and Cat Noir will have to help Hesperia counter the attacks of their evil doubles and prevent them from seizing the Butterfly's Miraculous. Can our heroes also help Hesperia make Shadybug and Claw Noir better people?

In 2008, during the last month of summer before high school begins, an impressionable 13-year-old Taiwanese American boy learns what his family can't teach him: how to skate, how to flirt, and how to love your mom.

A young alcoholic ambient musician locks himself in his apartment on a dangerous seven day bender as he attempts to finish his upcoming album.

Morbius Jr, now an OId Man, is nearing the end of life, when he finds the last hope for all Morbkind. However, as he fights to protect the future of Morbheads, he finds himself facing off against an unlikely of enemy... HIMSELF.

With his wife out sick, a struggling father brings home a lifelike AI, only to have his self-aware new help want everything her new family has to offer... Like the affection of her owner and she'll kill to get it.

An endearing outlier, Brian lives alone in a Welsh valley, inventing oddball contraptions that seldom work. After finding a discarded mannequin head, Brian gets an idea. Three days, a washing machine, and sundry spare parts later, he’s invented Charles, an artificially intelligent robot who learns English from a dictionary and proves a charming, cheeky companion. Before long, however, Charles also develops autonomy. Intrigued by the wider world — or whatever lies beyond the cottage where Brian has hidden him away — Charles craves adventure.

The film takes place a few years after the events shown in Bummer. Kostyan "Kot", who lost all his friends, the woman he loved and was nearly killed in the first installment of the film tries to begin a new, peaceful life. But is it possible to do? Has Russia changed and do "bratki" on black "bummers" no longer control business? Can he escape his past?

Four years after the events of Halloween in 2018, Laurie has decided to liberate herself from fear and rage and embrace life. But when a young man is accused of killing a boy he was babysitting, it ignites a cascade of violence and terror that will force Laurie to finally confront the evil she can’t control, once and for all.

A film director fades away from the industry after the failed love with the heroine of his movie. After being rehabilitated, he learns that some people conspired his fall and decides to take revenge.

Compulsive spenders Albert and Bruno are in debt up to their necks. While seeking help from community workers to get their lives back on track, they run into a group of young green activists. Lured by the free beer and snacks rather than by the ideals of eco-activists, Albert and Bruno find themselves joining the movement without much conviction.

After reluctantly moving to the German Alps with her father and his new family, Gretchen discovers that their new town hides sinister secrets, as she's plagued by strange noises and frightening visions of a woman pursuing her.

Six college friends blowing off steam on a camping trip, find themselves caught up in a cat and mouse hunt with an Alien monster. Not knowing what to do or who to trust, they struggle to protect themselves. Reluctantly, they join forces with another, seemingly friendly, alien, Ava, who orbits the Earth and appears to them in the form of an avatar. Having only one chance at stopping the monster, they must race to locate and repair the Ava’s earth sent robot, before it slaughters them one by one.

Are even the best and brightest revolutionary movements doomed to inevitable compromise, betrayal and failure? That question haunts this documentary, a biography of Angolan-born Mário Pinto de Andrade (1928–1990), a key figure in African revolutionary and anti-colonial struggles.