Badavara Bandhu is a 1976 Indian Kannada language drama film directed by Vijay. It stars Rajkumar and Jayamala. The movie is also notable for the negative character played by K. S. Ashwath.The movie saw a theatrical run of 25 weeks and was declared a Blockbuster at the box office.
Joana visits her snail vivarium every day. Her work has developed into a way of seeing life and understanding the world, although she has to work every day because nature doesn't undestand sundays.
A woman falls in love with a man, but is wronged by him and his brother. She then tries to exact revenge on him, his brother and his new lover.
Amateur filmmaker Kemal Mutlu captures scenes of everyday life with plans of making a film. He lives with his housemate Nuri in a small flat in Istanbul. One day,Nuri's friend from orphanage, Izzet, comes to visit unannounced. Just out of prison, Izzet's colorful character grabs Kemal's attention, and he decides to make a film about him. Unfortunately, it soon turns out that underneath his friendly exterior, Izzet is a psychopath. When he is refused entry into a bar, he gets in by force and kidnaps actress Oznur Kula. Kemal is happy to have found an actress to star in his film, however things soon get out of control as Izzet's sick plans unfold.
Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.
It is a cine comedy following "The Lady from the town". Olga is getting ready to go to a meeting of the district women activists, where she will relate her own experience in the struggle against conservative concepts. During a warm atmosphere, Olga sings the first lullaby to her newborn nephew: "Once upon a time there was an Olga who posed as a lady.Time passed by and the lady has become one of us, a comrade from the country"
Working-class dude gets a gig as a waiter doing banquet service, and loses his moral compass through his contacts with decadent rich folk.
C.V. Chandrasekhar is a master of the Tamil Nadu dance form of Bharatanatyam, which distills centuries of traditional Indian temple dance. In this dazzling program, Chandrasekhar draws on his 60-plus years of study to create a peerless performance. Here, he performs numbers from his extensive repertoire, including "Natabhairavi," "Jayadeva, Thillana," "Nattukurinji," "Purandara Dasa," "Ahri Bhairav," "Miscrachapu" and other works.
After a violent bank robbery, the trio of hoods make their way across East L.A. carrying a blood-soaked bag of money. When word gets out, they must fend off gangs and crooked cops alike as they strive to keep the loot and stay alive.
John is driving through the most godforsaken area of Norway, when he accidently gets a flat tire. By his attempt to change the tire he realizes that that his car wasn't equipped with one. But as he takes a peek at the ditch next to the road, he sees a whole bunch of spare tires. The world's nicest guy stops to offer help. The problem is that John really do not want help, and he knows an accident rarely comes alone...
To fully appreciate the western comedy The Marshal's Daughter, one must be aware that its star, a zaftig, wide-eyed lass named Laurie Anders, was in 1953 a popular TV personality. A regular on The Ken Murray Show, Anders had risen to fame with the Southern-fried catchphrase "Ah love the wi-i-i-ide open spaces!" Striking while the iron was hot, the entrepreneurial Murray produced this inexpensive oater, which cast Anders as Laurie Dawson, the singing daughter of a U.S. marshal (Hoot Gibson). Teaming with her dad to capture outlaw Trigger Gans (Bob Duncan), Laurie briefly disguises herself as a masked bandit. Amidst much stock footage from earlier westerns and a plethora of lame jokes and dreadful puns, The Marshal's Daughter is a treat for trivia buffs, featuring such virile actors as Preston S. Foster, Johnny Mack Brown, Jimmy Wakely and Buddy Baer as "themselves."
Fern CJ, a model and influencer, begins to receive strange postcards through her door with no address, and no sign of anyone posting them.
Mikoto was once a warrior God who rebelled against the Lord of Hell. He banished Mikoto, inserting her soul into the body of a high school student, condemning her to live among humans exterminating demons.
An Amish community rocked by a school shooting, survivors of 9/11, victims of the "troubles" of Northern Ireland and others share their views on how forgiveness has helped to alleviate their grief and resentment in this emotional documentary. Filmmaker Martin Doblmeier explores the spiritual, physical and psychological benefits of forgiveness and includes interviews with Elie Weisel and Vietnamese Buddhist leader Thich Nhat Hanh.