In this retelling of his dad's relationship with his best friend, GRAB MY HAND is Camrus Johnson's gift to his grieving father and a message to all to cherish every second you have with the ones you love while you still can.
The 15th and scary psychic documentary!! Includes six tapes; "Meat dishes", "Travel to Germany", "Husband going out", "road kill", "Dam" and "Spirited away village".
Carl-Ivar Nilsson was an actor in the series "Hem till byn", but he carried a big secret that was revealed to a shocked family 1985.
Germany, 1929. Helmut Machemer and Erna Schwalbe fall madly in love and marry in 1932. Everything indicates that a bright future awaits them; but then, in 1933, Adolf Hitler and the Nazi Party rise to power and their lives are suddenly put in danger because of Erna's Jewish ancestry.
Rome, 2000 years ago was the world's first ancient megacity. In a world where few towns had more than ten thousand inhabitants, more than a million people lived in Rome. How did they manage without all the technologies of our modern cities? How did they bring in enough food to sustain the population? How did they house them? How did they maintain law and order? How did they make this city work?
A café in Chicago, 1942. On a rainy night, veteran reporter Homer Howard tells an increasing audience the story of Roxie Hart and the crime she was judged for in 1927.
The story of a mine and the men who work it, particularly one miner, who has problems both at work and at home.
In the last days of summer, Léna arrives in Arles and waits for Marius, an old boyfriend with whom she has renewed her relationship.
The prestigious composer Virgilio Delise, suspected of being involved in the death of his stepfather, unexpectedly runs away. Doria, an ambitious insurance detective, will stop at nothing to prove his guilt.
Paris, at night. This is where Jeni, Wenceslas, Christine, Pascal and the others live. Homeless, they haunt the streets and bridges, and corridors of the metro; on the edge of a world where society no longer offers protection. They face us and they talk.
Zhang Xiaomei (Jin Zi), is a prostitute living in Beijing. When relationship problems with her boyfriend erupt, she flees to the resort city of Beidaihe and takes a room in a small hotel where she contemplates committing suicide. There she meets a young poet. The next morning, she wakes and learns that the poet has slit his wrists. When the police arrive, she meets Deng Jianguo (Cheng Taisheng), a middle-aged officer who questions her over the poet's death. Their relationship soon grows increasingly complicated as Deng learns of Xiaomei's plans to commit suicide. Over the course of several days, he takes her to eat seafood dinners, extolling the virtues and health benefits of the diet, including a claim that it makes him a more potent lover. When Xiaomei tries to commit suicide in a nearby town, she is thwarted by Deng who brings her back to Beidaihe and proceeds to rape her. Xiaomei eventually leaves the seaside town for Beijing again.
Viktor, a former employee of the developer company, leaves monotonous life and goes to rural areas of Serbia with the desire to find his peace and freedom.
A compelling personal journey with David Stratton, as he relates the fascinating development of our cinema history. David guides us from his boyhood cinema experience of Australia in England, where he saw the first images of this strange and exotic landscape via the medium of film, to his migration to Australia as a ‘ten pound pom’ in 1963 and onto his present day reflections on the iconic themes that run through our cinematic legacy. All of this reflects a passionate engagement in a uniquely Australian medium. Parallel and at the heart of the series is the story of an industry whose growing pains David has witnessed over a lifetime. Alongside David, the protagonists of this history are the giants of Australian cinema – both behind the camera and in front of it.
Executive produced by Rosario Dawson, LA WOMAN RISING presents 50 Los Angeles women revealing their truth, what motivates them to wake up each morning. Director Nana Ghana gracefully captures the morning rituals and untold stories of uncertainty, struggle and success. Considered a love letter to the real and diverse women of Los Angeles, Ghana's documentary is a distinct celebration of the female voice.
Martin and Rachel are tucking in their ten-year-old son, Jonah when the boy refuses their hugs or kisses. Humoring their kid and thinking it's just a phase or a way of "testing" them, the parents give Jonah some space, instead lavishing their affection on their younger boy, Lester. But from that night forward, Jonah seems to have changed his personality. Previously affectionate and childlike, he's now formal, cold and disdainful of affection -- he's become a grown-up in temperament, though at school and with his brother, he still seems very much like a child. The change in Jonah's behavior towards his parents vexes Martin, and it also exposes the chasms between him and his wife. Despite professional intervention (which finds no signs of mental illness in Jonah), Martin is bewildered at Jonah's rejection of his love and must come to terms with the uniqueness of his child and perhaps his own emotional needs.