Recorded live at the London Astoria 2 on 14 January 1994. For some unknown reason, the performance of "Sunday" was edited out of this video (and all the other "Live" videos). Also, on the opening screen in the video, there is a mistake: The date is listed as 14 February 1994 (it is actually 14 January)
Music: Carl Stone. Colored pen-and-ink drawings, like topological maps of biomorphic objects, grow and evolve from the red star. Once the master image is formed, this continuously throbbing, pulsating sight is used to ring changes based on years of optical work. Music and picture work together to create a mood of ecstatic tranquility. The bright colors, beautiful music, surprise at the end, etc. make this a good film for young children. Awards: Sinking Creek Film & Video Festival, 1973; Washington National Student Film Festival, 1974; Brooklyn Independent Filmmakers Exposition, 1974; Vanguard Int'l Competition of Electronic Music for Film, 1974; Humboldt Film Festival, 1974. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.
Hyun, a best-selling writer, has found himself in a slump for a long time. In the meantime, he accidentally meets Yu-jin, an aspiring young writer. Hyun gets confused when Yu-jin confesses his love to Hyun. A 19-year-old student and Hyun’s son, Sung-kyung, who is skeptical about his life, meets Jung-won, a young married woman living next door. Sung-kyung has a good feeling for this freewheeling woman. A pure-hearted man, Soon-mo, who is Hyun’s best friend and also the publisher, meets his friend’s ex-wife.
Western saga based on the legend of frontier folk hero Tom Horn, including his role in the trackdown of Geronimo in the 1880s with his mentor and pal, Al Sieber, the fabled Indian scout, his later days as a Pinkerton detective, and the way he was used by both sides in turn-of-the-century cattle wars, leading to his tragic death.
The 'super kelinchak' has found her place as a wife and mother yet is as feisty as the mother-in-law who taught her how to become the perfect daughter-in- law...
The gang attends a radio station amateur show.
Agents across the globe take turns spying on and double-crossing one another in an attempt to locate a valuable formula encrypted in the music code.
Five surreal short stories make up this Mexican anthology film.
A subtle and brilliant sexual awakening of a boy, who is torn between following his wishes or away from them, even though the world that opens before it is too powerful to be ignored in this way.
“Freud established that jokes were structurally akin to dreams in their use of condensation, displacement, representation by opposites, punning and ‘nonsense’. All of these strategies are much in evidence in (Land’s) marvelously duplicitous ON THE MARRIAGE BROKER JOKE… [...] so clever and original a filmmaker as to make most others – not to mention his critics – seem flat-footed by comparison. ON THE MARRIAGE BROKER JOKE harks back to Bunuel’s early work. Not only is it structured like a dream and filled with sexual imagery, but like Un Chien Andalou, it smacks of being an insider’s joke played upon the avant-garde. Where Bunuel used the insights of psychoanalysis to satirize Christianity, Land– with an almost equal perversity – reverses the process and uses Christianity to send up Freud.” – J. Hoberman, American Film
Ng Kau Sau was once Queen in badminton, she gave up herself after being expelled from the sport. One day she met a brunch of terrible weirdoes: the Drunken Master who was lying on the ground, one-armed Lam Chiu, visually-impaired Ma Kun, and the scar-faced boss Lau Dan who suffered from loss of hearing. They were the most notorious robbers 10 years ago, but they decided to be good men after they got out from jail and formed the "Lau Dan Badminton Club". Sau was impressed by them and decided to join Dan and practice seriously and go to the competition together.
Avinash wants to quit his marketing job at a top cigarette company, but it comes with consequences
Perception explores the breach of experience that divides us all by glancing into the lives of three individuals: Clarissa, a young idealistic photographer who chooses to live as a homeless person on the streets of New York, supporting herself meal by meal by selling her photography from a blanket in Central Park; Ralph, a successful real estate salesman who struggles for balance against the cut-throat nature of his business; and Tobias, a perpetual student who gets fired a lot. Perception journeys through the same season of time from each character's point of view, detailing how presumption and mistaken intention leads to great misunderstanding. A moment, revisited from another point of view, takes new dimension--and the line between protagonist and antagonist blurs.
How far are you willing to go to save the people you love? This is the question Christian is forced to answer when he is smuggled into Syria in a desperate search for his son Adam. It's a deadly and soul-searching journey into a brutal, war-torn country. Gradually, Christian realises that he must be willing to sacrifice everything he believes in to be reunited with his son.