Suzumiya Haruhi no Gekisou (涼宮ハルヒの激奏, The Extravaganza of Haruhi Suzumiya) was a live concert event held at Omiya Sonic City on March 18, 2007 that featured songs from the anime as well as interviews and skits performed by the voice actors.The MCs for the event were Minoru Shiraishi and Megumi Matsumoto.

Two recap specials that focus on Team Urameshi's matches in the Dark Tournament and four separate volumes focusing around one of the main characters; Yusuke, Kurama, Hiei, or Kuwabara.

Drowning in debt, child support and bills all while white knuckling it through sobriety, Francis is coming undone. When his roommate, Shelly, goes missing, Francis is thrown headlong into her private world; a slip stream of money, violence and terrifying allegiances.

Show of solo singer Niall Horan from his latest album: Flicker. Recorded at Studio 1 in Dublin, this intimate and sensitive performance shows a side of Niall barely seen and explored, all with the participation of the incredible orchestra.

With the Gyaos re-emerging, Gamera's ties to humanity have been severed with his bond to Asagi broken. Nagamine and Asagi investigate while an orphaned girl named Ayana discovers a new creature she names Iris. Nagamine and Asagi must reach Ayana before she takes her revenge on Gamera, who she blames for the death of her family.

Vakarų Teksase riba tarp dorų žmonių ir įstatymų laužytojų jau seniai yra išnykusi. Du broliai: Tobis – išsiskyręs tėvas, besistengiantis dėl savo sūnų ateities, ir Taneris – ūmaus charakterio buvęs kalinys, kuriam vieni niekai nuspausti šautuvo gaiduką, susivienija, kad apvogtų vieną Vakarų banką, kuris dėl įsiskolinimo nori atimti brolių šeimos žemes. Kai akivaizdu, jog gyvenimas pagal įstatymus nežada šviesios ateities, broliai savo kelią į ateitį skinasi kitaip. Tačiau preciziškas keršto scenarijus sklandžiai pildosi tol, kol bylos imasi neskrupulingas Teksaso reindžeris, prieš išeidamas į pensiją siekiantis įvykdyti paskutinį teisingumą.

Three years after the events of the first film, the four brothers are trying in various ways to preserve the covenant they made to themselves to stay away from a life of theft and crime, but one event in their lives changes all that, and introduces them to new worlds for them, and puts them in very dangerous confrontations with A number of professional criminals.

Praėjus daugeliui metų ir užaugus net kelioms naujoms kartoms po visų mylimo Cezario valdymo, beždžionės yra dominuojanti ir harmoningai gyvenanti rūšis, o žmonės yra priversti slėptis nuošalyje. Naujam tironiškam ir negailestingam beždžionių vadui kuriant savo didingą imperiją, viena jauna beždžionė leidžiasi į šiurpią kelionę, kuri privers suabejoti viskuo, ką ji žinojo ir buvo mokyta apie praeitį, ir priimti sudėtingus sprendimus, kurie nulems tiek visų beždžionių, tiek žmonių rytdieną. 2017-ųjų metų filmo „Karas už beždžionių planetą“ tiesioginiame tęsinyje ir ketvirtoje „Beždžionių planetos“ atnaujintos franšizės dalyje paprasta šimpanzė kartu su jauna mergina pamėgins nulemti beždžionių ir žmonijos ateitį.

"Loro", in two parts, is a period movie that chronicles, as a fiction story, events likely happened in Italy (or even made up) between 2006 and 2010. "Loro" wants to suggest in portraits and glimps, through a composite constellation of characters, a moment in history, now definitively ended, which can be described in a very summary picture of the events as amoral, decadent but extraordinarily alive. Additionally, "Loro" wishes to tell the story of some Italians, fresh and ancient people at the same time: souls from a modern imaginary Purgatory who, moved by heterogeneous intents like ambition, admiration, affection, curiosity, personal interests, establish to try and orbit around the walking Paradise that is the man named Silvio Berlusconi.

One day a mysterious box arrived and a curse began to spread all over. The source of the box is 'Jukai Village'. The village is hidden in Jukai Forest, a suicide spot that once you enter it, you can never come out.

Akemi Yoshikawa discovers that her whole office is stuck in a time loop, repeating the same stressful work week over and over. Together with her colleagues she has to find out how to break the loop.

In the year 2898 AD, around 6000 years after Kurukshetra war, Ashwatthama gears up for his final battle of redemption at the sign of hope in a dystopian world and Bhairava, a wisecracking and self-interested bounty hunter, tired of the perilous life becomes the hurdle in the process.

Two girls with the same name but very different personalities share an apartment in this sequel to Nana. The rising fame of Nana Osaki's band, the Black Stones, is beginning to take a toll on the best friends' relationship. Meanwhile, Nana Komatsu struggles to make sense of her love triangle with Black Stones' guitarist Nobu and rival group Trapnest's bassist Takumi.

Amanda, 24, lives mostly isolated and has never had any friends, even if it's the thing she wants the most. Amanda chooses her new mission as to convince her childhood friend to believe that they are still best friends.

Ava is recovering from demonic possession. With no memory of the past month, she must attend a Spirit Possessions Anonymous support group to figure out what happened. Ava's life was hijacked by a demon, now it's time to get it back.

Insulted by Rosario, a rich businessman, Jai Kishen a Matchmaker teaches him a lesson by getting his daughter married to Raju, a Coolie, who poses to be a millionaire. They sense something fishy and Raju's deceptions are discovered. In an attempt to cover it up, he cooks up a story of having a filthy rich twin. One lie leads to another and things start to go awry culminating in a comedy of errors.

A bourgeois couple, like so many others. It is clear that after a few years of marriage a bit of boredom may come, and it is their case: especially boredom in bed.

Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.