A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.
The sixth night of the 29th edition of the G1 Climax featuring B Block matches. Taking place at the Korakuen Hall in Koraku, the show is headlined by Tomohiro Ishii vs. Jon Moxley.
This is a short film featuring a district in Yerevan, Armenia, where the legacy of the Soviet Union still occupies the minds and daily lives of the residents living in these huge unfinished monolithic structures built to write the letters CCCP.
Dans un futur proche, un passeur insensible et endurci par la vie guide une jeune femme pieuse et son enfant à travers la frontière pour les mettre en sécurité, sans savoir que leurs destins sont inéluctablement liés sur cette terre inhospitalière.
This documentary explores Life and Art of Queen bassist John Deacon.
From the team's previous work, director Kudo is now convinced of the existence of parallel universes. But now, a new video posted convinces the group to learn the truth about a mysterious woman with a swollen face.
Norberto has spent a lifetime with María. They are humble, from the neighborhood, and from time to time robbers. But Norberto needs to take a turn to feel alive, free, and to be herself. An unexpected confession will jeopardize his entire life.
Shivayya, who suffers from autism, impulsively marries Lalitha, a young widow, against the customs of his village. They move to the city to escape from the wrath of the societal judgement.
Brent Carver stars as the swashbuckling Pirate King in the famous Stratford Festival's rollicking production of the Gilbert & Sullivan classic that pits British bobbles against unlikely pirates on the Cornish coast. Sullivan regarded this operetta - a hit ever since its first production in New York in 1879 - as the best comedy he composed. He even said of his collaborator, "The libretto is ingenious, clever, wonderfully fun in parts and sometimes brilliant in dialogue - beautifully written for music, as is all Gilbert does." Indeed, audiences will find the music every bit a match for the lyrics, with the genius of the score lying in its parody of grand opera. Filmed in 1985 at the world-famous Stratford Shakespeare Festival in Stratford, Ontario.
An agoraphobic young woman must remotely aid a mysterious girl being pursued by a pair of unstoppable killers.
The Light Ahead is possibly the greatest of Edgar G. Ulmer’s shtetl films. Here, the director counterpoints his pastoral Green Fields to criticize the poverty and superstition that oppress a pair of star-crossed lovers. Made on the eve of World War II, The Light Ahead is at once romantic, expressionist, and painfully conscious of the danger about to engulf European Jews. Impoverished and disabled lovers Fishke and Hodel dream of life in the big city of Odessa, free from the poverty and stifling old-world prejudices of the shtetl. The benevolent and enlightened bookseller Mendele helps them, turning small-town superstitions to their advantage. Based on Mendele Mokher Seforim's story of love frustrated by small-town ignorance, this luminous allegory of escape marries Edgar Ulmer's masterful direction with superb acting by members of New York's Artef and Yiddish Art Theaters.
This spaghetti western presents a fictitious version of the often filmed legend of Pat Garrett and Billy the Kid. Billy becomes innocently an outlaw while protecting his mother, but then turns into a trigger happy killer. When he falls in love he tries with the help of Pat Garrett, a fatherly friend, to change back. However, circumstances force Billy to become violent again and it is Garrett who is credited with the killing.
While living rough on the streets of London's East End, a young man named Dink encounters the mysterious Dee and they begin a relationship. When tenderness gives way to cruelty, they become consumed by darkness.
A teenager exacts his revenge on the bully responsible for making his life a living hell.
Ce film constitue l’un des outils pédagogiques les plus efficace pour comprendre et faire comprendre cette idée. « Un revenu, c'est comme l'air sous les ailes de l'oiseau ! ». C'est ainsi que commence le film. Est-ce que ce revenu devrait être inconditionnel pour chacun ? Est-ce possible, un droit civique économique ? Le film est captivant, il fait réfléchir, il touche et met le doigt sur ce qui est raisonnable. Il permet de voir la situation de la société et le devoir de l'argent sous un jour nouveau. Un thème d'une actualité brûlante.