On the night of a double murder, a mysterious patron of a roadside diner has a date with the Devil.
Sofia, a woman in her mid-20s battling depression, stumbles upon a peculiar mask on the roadside and brings it home. Soon, strange things begin to happen. An irresistible urge to put on the mask develops and the lines between what is real and not begin to blur.
A young man receives a parcel wrongly addressed to his apartment. This triggers a series of life threatening events for him and his friends.
The movie examines the tumults in the lives of the people residing in the Belli Moda estate. Indira is the heiress of her father's estate, named Belli Moda. A young man, Mohan, is engaged to her and is desirous of owning the Belli Moda, once Indira's father passes away. Mohan returns from the US, only to discover that his fiancee's mother has died in labor, leaving behind a son - the new inheritor of Belli Moda. This shatters Mohan's dreams of the estate and he bitterly refuses to marry Indira. One day, Mohan meets with a car accident and is severely injured. He is nursed by Indira, and presently, Mohan falls truly in love with her and proposes for marriage. However, this time, Indira refuses to marry him and breaks his heart, for he only cared about her money.
Nina Conti puts ventriloquism masks on audience members to explore love and relationships.
As a result of a successful conspiracy against Menshikov, Peter II is prematurely recognized as an adult and is in a hurry to be crowned in Moscow. The Dolgoruky brothers gather for this celebration. There were eight of them - all-powerful and influential representatives of the ancient Rurikovich family - and among them the beautiful Ekaterina, the daughter of the huntsman Alexei.
An animated animal couple tries to resolve their problems.
A subtle reflection on the creative process of painter André Masson, and on creativity in general. It is at the crossroads of the documentary and the poem. It exalts the work of Masson and demonstrates lucidity, dedication and patience necessary for any creator. It superimposes the image a text inspired by the work of Masson, divided into eight parts, directs the eye to the heart of the artist's creative work.
A collection of arctic animals (seals, walruses, polar bears, penguins) float by on ice floes and on shore, performing various musical numbers.
Michael Wong is walking in a circle, he is not only facing a complex human relationship as well as inharmonious relationship with some terrible persons. Those affairs push Michael to the death.
In Ukraine, on the 26th of April 1986, a catastrophe shook the whole of Europe, and the world experienced a fatal day that became engraved in its history – A major nuclear accident at Chernobyl turned an entire city into a post-apocalyptic ghost town. Tens of thousands of lives were ruined. Today, nature has begun reclaiming the area of the exclusion zone surrounding the old power plant. But the consequences and the suffering are still felt today. Chernobyl is a lesson for the present. It warns us about the risks of our ever-evolving modern society. But Chernobyl taught us more importantly about the cost of lies. By highlighting the flaws in the Soviet Union system, it revealed how they can lead to disaster, and how the way we tell information about what really happened can cause harm. The past cannot be undone, but we can learn from it.
Newlyweds Oscar and Karla want to spend their honeymoon at home. Upon arrival to their apartment, Karla suddenly decides to take a trip, and he discovers by chance that his ex-girlfriend lives in the same building.
On their way home from Brooklyn, psychiatrist Vic, daughter Julie and sister Stacey run short of gas. They leave the highway to search for a petrol station - but end up erring around in South Bronx. A youth gang led by the sadistic Ice stops their car and starts terrorizing them. Without fuel, the 3 women soon have to flee by foot and defend their life with all means possible.
Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.
Traveling cowboy gets involved in political issues in a town he passes through. Also a romance.
Mid-summer heatwave. Nikos and Alain, two male prostitutes and a female pimp, Monica, get tangled in a peculiar relationship after meeting in a dark street called POUTANA. They fall in love, play with guns and talk about card games, money and theatre castings. Is this a game of role playing the three of them have invented to pass their time in a remote, empty summer house? Have they been reading Jean Genet? Whether a mirror image of the characters’ reality or an elliptic depiction of their distorted, dream-like perception of it, I Afroditi Stin Avli, by juxtaposing disparate literary and art references, leads its isolated characters towards dissolution. And yet, in its strange language, it presents this dissolution as a triumph.
An Italian businessman, Mario comes to the country and opens his shoe company in a small village. A middle-aged female worker falls in love with Mario, but she is not the only one whose life will be changed.
THE GET LOST LOSERS follows the most cantankerous rock band in Hollywood as it prepares for a super-clutch industry showcase and one last shot at fame. Official Selection: Montauk Film Festival & Culver City Film Festival. Winner at FOTA, The Canadian Cinematography Awards and The Studio City Film Festival.