The Second World War. French authorities ban political parties and unions. In Algeria, the leaders of political and trade union organizations were arrested and interned in "surveillance" camps with more than 2,000 French and foreigners: communist activists, trade unionists, brigadists, Spanish republicans and other opponents of the Vichy regime. The Djenien Bourezg camp is one of these camps, located in southern Algeria and is one of the most formidable. An old activist for the Algerian national cause returns to the scene. He blows away the ashes that cover this part of history. And through it, we discover the hard fight of the camp inmates for respect and human dignity, under a fascist command.
Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.
The first rule is that there are no rules. For the bare-knuckle combatants competing in Musangwe fights, anything goes - you can even put a curse on him. The sport, which dates back centuries, has become a South African institution. Any male from the age of nine to ninety can compete. We follow a group of fighters as they slug it out in the ring. Who will be this year's champion?
A homeless man searching for his lost dog forges an unexpected bond with a young boy.
A popular writer with lack of inspiration (Szabolcs Thuróczy) and his never-seen son meets unexpectedly. From there they have to deal with living with the other in joy, in emtions and with the imagination of the child, this tales goes beyond reality.
It's true, there's nothing good on TV. 'TELE-VISION' is a different story, however. This season we're skinning into your living room to grab the remote and tune you into our finest backcountry ski flick yet. A strange "El Nino" year forced us to climb further, dig deeper and flat out try harder in order to create a film worthy of "A Powderwhore Production". Mission accomplished. 'TELE-VISION' is our continuing tradition of filming the top telemark skiers in the world playing in untracked powder mixed with big lines, humor, flight time, spills, and all the required deep face shots of a good ski porn. So put on your snuggie and top off the bowl of cheetos while you enjoy the program!
Rob Ralston is forced to go to "town" for supplies, and "Injun" Jim, a sneaking rascal, announces that he proposes to jump his claim. This arouses the official ire of Fred "the star wearer," and he soundly trounces the half-breed rascal. Now Fred has an intrepid sweetheart. Sally, who is a well-spring of information and is naturally hated by law-breakers. "Injun" Jim gets reinforcements and carries off the girl as a hostage. Fred senses they are making for the mine, so he girds on his guns and goes in the same direction. The desperadoes arrange to "dynamite" Sally, but she cuts the fuse in two by a well aimed shot after they have sought safety at a distance. This saves her sweetheart Fred, who rushes to her rescue, and they both retreat to a cabin. The dynamiters are obstinate and place another cartridge, so that the cabin will be blown to pieces. The daring Fred picks up the keg of powder and rushing out rolls it down on Injun Jim and his fellow mischief-makers. They are so dazed ...
Behind the scenes footage of I'm Dangerous Tonight. Footage shot by Stan Giesea and Eric H. Lasher
Footage from 1964-1968 that did not find its way into the Walden reels is joined in this classic period piece. Mostly centered in New York, it also includes travel footage and appearances by David Wise, Salvador Dali, Allen Ginsberg, Jack Smith, Shirley Clarke, Jane Holzer and more. Mel Lyman plays his banjo on the roof.
After being thrown out of their apartment, the Stooges try a scam to get some money: find a hotel, slip on a cake of soap, and sue the owners to get a huge settlement. In their attempts they come across an old lady who is on the brink of losing her hotel if she doesn't pay the interest on her note. Taking pity on her, they immediately start fixing up the place, turn it into a swanky nightclub, and go all out to impress important columnist Waldo Twitchell on opening night.
Dramatized documentary about the days of Norwegian pirates starting around the year 1807 when Norway went into extreme poverty.
Five women celebrate their reunion in an Alpine hut, but their past blurs the atmosphere.
20 years to the day, and the murders are starting again. Murders so GHASTLY, so HORRIFYING, so utterly DEGENERATE, that it can only be the work of a ZOMBIE CANNIBAL RAPIST. Phineas Hogweather is an investigative journalist. He is also the witness to MURDER. After stumbling upon a live webcam attack by what appears to be the Necro Files Zombie from 20 years ago, Phineas hooks up with occult authority Professor Blackthorn. The two reluctant heroes chase the bloodthirsty creature around the globe and back, culminating in an explosive climax that pits the Zombie against the Pentagon's deadly Killbot 9000.
Images set to a tape recording that slain San Francisco City Supervisor Harvey Milk made in November 1977 to be played in case he was killed.
Come and Swallow is the newest film in the big swallow universe. Being a piss take on the original “The Big Swallow (1901)” and “Come and See (1985)”. When the young boy (Josh Killoh) has his village burned down and destroyed by an army of troops, a few soldiers (Angus Rhind, Finlay Doney and Quillan Hepburn) pose to take a photo with the boy. As the camera man (Finlay Esslemont) prepares to take the photo, the boy suddenly decides that he has had enough of this tyranny and swallows all the soldiers.