Blaise Dietz (Patty Duke Astin) plays the wife of police officer Blaise Dietz (Frederic Forrest), who wants to join a special investigative unit. Forrest is denied this position on the basis of information concerning his wife. The information, which reveals a dicey extramarital affair, was culled from a department surveillance file that was supposed to have been destroyed by court order. Blaise battles through legal channels to expose the police force's illegal actions, even as she and her husband suffer the innuendoes and cold shoulders from his fellow officers.
After the death of the family's matriarch, her husband and son must confront not only the corruption in society around them but the corruption within themselves.
A glimpse of London in 1963, viewing monuments, buildings, parks, museums, and the bustling life of the city.
The daily life of four trans men in their adaptation processes with their fears and desires.
A mysterious knock in an instant destroys the usual life that four lonely, calm people lead.
Industrialist Jean is living a jet set life in late sixties Paris. He comes to the aid of a frightened young woman (Nicole) who is under the domineering control of her abusive boyfriend, Klaus. Although married, Jean develops a romantic relationship with Nicole. However, he may have gotten himself involved in more than he bargained for.
Ricardo is an actor, driver, teacher, painter and a dancer at Sensible Soccers' shows. One day he forgets his signature dance move. Will he ever get it back? A film between documentary and fiction that immortalises a dance move present in the collective imaginary.
A short, diaristic film; A series of impressions, animations and playful vignettes in color and B&W. Early/ Outtake footage of Menken's Lights can be seen here, as well as camera techniques she'd expand upon in later films.
One can determine a line in Tscherkassky’s oeuvre which turns around a game with filmic presentation, with degrees of recognisability — with the only-just and the not-any-more. Just to see desire. An example of this is Erotique. One sees swirling pictures, parts of a woman’s face, red lips, eyes in cyclical fragments of movement. Often it is difficult to tell which part of the body one actually sees (whoever wants to can see/imagine/think sexual organs and sexual acts.) The gaze gets hung up on partial objects, no integral, whole body to think about. No body, whose representation was always one of the problems in cinema.
Ernest Borgnine tours the country in his Luxury coach bus, The Sunbum.
The first sequence of About Swimming is significant. Immersed in a pool, Dominique, an open water swimmer, performs an automatic routine that is nevertheless executed with care, elegance, and discipline. Her career is on the rise: she just qualified for the Olympic Games. As she prepares to fulfill one of her lifelong and every professional athlete’s dreams, she receives the news that she is pregnant. The present, which was supposed to be prosperous, has become an uncertainty for the swimmer. Only water - whether in the intensity of the sea, a swimming pool or in her bathtub at home - seems to guarantee Dominique a moment of serenity. The strength of the film directed by Manuela Aguilar and Berenice Vigna lies in the affectionate and calm view on the protagonist, who is seen in a limit situation where her family and sense of duty seem to prevail over her own desires.
A Cold Day In Hell features Hunter Hearst-Helmsley vs. Flash Funk, The Rock vs. Mankind and The Nation Of Domination vs. Ahmed Johnson. The Undertaker defends the WWE Championship against Stone Cold Steve Austin. Plus, Vader faces Ken Shamrock in a No Holds Barred match and more!
An oddly routed parade.
In 1984, two friends from small-town Pennsylvania win an MTV contest and the chance to party with Van Halen for 48 hours.
Villagers are fed up with mischief of Gopal (Gopya) and complain about him to village Church Priest, who tells Gopa that to put an end to all his mischief he should get married. But Gopya tells him that is impossible as their fortune teller has told his family that his father will pass away when he gets married. Gopya lives has a step mother who considers him as her own son and wants him to get married. Gopya meets Gopi and both get attracted towards each other but his father tries to bring obstacles in it.
Antonio Garisa is Juan Fernández Arriaga, a typicall spanish man fifty years ago. He's married and has five girls, but he is unhappy because all he wanted was a boy (in spanish argot, "ir por la parejita" means trying to have a couple of children, girl and boy). He only has women and they have only girls. During the film he prays, he tries to have a boy to give him his surname "Fernández". Garisa is one of the best actors of Spanish Comedy, maybe too understimate because the kind of cinema made in Spain during Franco's government.
It's the last bus ride of the school year. Walker, recovering from a recent traumatic event, meets a deeply troubled kid named Noah. The two form a unlikely friendship that eventually leads to something dangerous.