Two teenagers are very keen on making love with a girl. The girl cares about money. The boys dont have any. Dissapointed they turn to the streets and wind-up in the middle of an armed robbery. The teenage boys wait for the robbers and steals their loot. Happy they rush back to the girl. Without knowing what the bags of the loot contain.
Dancer in the Dark on Lars von Trierin vuonna 2000 ensi-iltansa saanut musikaalielokuva. Trier on myös elokuvan käsikirjoittaja. Tuottajana on Vibeke Windeløv. Pääosassa on Björk, joka myös sävelsi elokuvan musiikin. Muita päärooleja esittävät Catherine Deneuve, Vladica Kostic, David Morse, Cara Seymour ja Peter Stormare. Elokuva on kolmas osa Trierin trilogiassa, jonka aikaisemmat osat ovat Breaking the Waves ja Idiootit.Elokuva sijoittuu Yhdysvaltoihin vuoteen 1964. Elokuvan päähenkilö on Selma Jezkova (Björk), tšekkiläinen maahanmuuttaja, joka on muuttanut Yhdysvaltoihin poikansa Gene Jezkova (Kostic) kanssa. Selma työskentelee tehtaalla. He asuvat asuntovaunussa kaupungin poliisin Bill Houstonin (Morse) ja hänen vaimonsa Linda Houstonin (Seymour) tontilla. Selman ystävä on Kathy (Deneuve), jota hän kutsuu Cvaldaksi. Selmaa tavoittelee ujoa mutta periksiantamatonta Jeff (Stormare), joka myös työskentelee tehtaassa.
Set in the neurosurgical ward of Copenhagen's Rigshospitalet, the city and country's main hospital, nicknamed "Riget", a number of characters, staff and patients alike, encounter bizarre phenomena, both human and supernatural. This film is assembled from firsr season episodes of the Danish TV miniseries The Kingdom I. It does not include episodes from seasons 2 or 3.
An old villager deeply in love with his cow goes to the capital for a while. While he's there, the cow dies and now the villagers are afraid of his possible reaction to it when he returns.
15-vuotias Heidi Schreck ansaitsi rahaa collegeopintoja varten voittamalla väittelykilpailuja perustuslaista ympäri USA:ta. Tässä hauskassa, toiveikkaassa ja koskettavan inhimillisessä esityksessä Heidi matkii itseään nuorena tutkiakseen neljän sukupolven naisten yhteyttä perustuslakiin, joka on muokannut heidän elämäänsä.
Amerikassa ikänsä asunut saksalaissyntyinen Leopold Kessler (Jean-Marc Barr) matkustaa Saksaan tarkoituksenaan avustaa Saksan kunnostamisessa toisen maailmansodan jälkeisen tuhon keskellä. Kessler-setä (Ernst-Hugo Järegård) hankkii Leopoldille arvostetun työpaikan Zentropa-rautatieyhtiöltä makuuvaunukonduktöörinä. Matkustajat pitävät hyväntuulisesta, reippaasta ja työlleen omistautuneesta Leopoldista. Junan kyydissä Leopold tapaa yhtiön omistajan kauniin tyttären, Katharina Hartmannin (Barbara Sukowa), johon hän alkaa pikkuhiljaa rakastua. Yhtiön omistajat ja amerikkalaiset käyttävät Leopoldia pelinappulanaan, ja Leopold ei halua valita puolta heidän välisessään poliittisessa sodassa.
Daniel lives with his grandmother and, after a year of high school, goes to live with his mother in the south of France; a harsher environment which rapidly changes his perception of friends, work, and women.
An IT company hires an actor to serve as the company's president in order to help the business get sold to a cranky Icelander.
With his first Dogma-95 film director Lars von Trier opens up a completely new film platform. With a mix of home-video and documentary styles the film tells the story of a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.
Jessica Fletcher, lecturing at a writers' conference, finds herself called on to solve the killing of a guest speaker, an arrogant Russian author who'd written a nonfiction, tell-all book about his tenure as head of the KGB.
In 1969, with Sven Nykvist as cinematographer, Ingmar Berman made The Fårö Document, a film that ended with a rather pessimist view of the island’s future. One of the scenes in the film is of a school-bus and its young passengers. To these and to the realities ten years later Bergman returns in the long documentary Fårö Document 1979.
Entinen poliisi Fischer palaa vanhalle työpaikalleen asuttuaan 13 vuotta Kairossa. Fischerin mentori ja idoli pyytää häntä selvittämään murhia.
Márta, a 40-year-old neurosurgeon, falls in love. She leaves her shining American career behind and returns to Budapest to start a new life with the man she loves. But she waits for him at the Liberty Bridge in vain - he does not appear at their rendezvous. Márta starts to search for him desperately, but when she finally finds him, the love of her life claims that they have never met before.
A social misfit, Willard is made fun of by his co-workers, and squeezed out of the company started by his deceased father by his boss. His only friends are a couple of rats he raised at home, Ben and Socrates. However, when one of them is killed at work, he goes on a rampage using his rats to attack those who have been tormenting him.
This fictionalized story, based on the family life of writer James Jones, is an emotional slice-of-life story. Jones is portrayed here as Bill Willis, a former war hero turned author who combats alcoholism and is starting to experience health problems. Living in France with his wife, daughter, and an adopted son, the family travels an unconventional road which casts them as outsiders to others. Preaching a sexual freedom, his daughter's sexual discovery begins at an early age and betrays her when the family moves to Hanover in America. Her overt sexuality clashes with the values of her teenage American peers and gives her a problematic reputation. Meanwhile, her brooding brother copes with his own interior pain regarding his past, only comfortable communicating within the domestic space.
The war against terrorism has gone private. War has always been a profitable business, so having private corporations field their own armies to fight against terrorism is just good business. Who else could protect those innocent bunnies from the religiously fervent turbaned camel fanatics. It falls upon a small cadre of seasoned furry rabbit soldiers to take the battle to the camel's home turf.Derived from a popular Vietnam-conflict based manga series called Apocalypse Meow , this sequel series uses animal characters to tell the story of the war against terrorism fought in distant countries. Non-human cast of characters notwithstanding, this compelling and painstakingly-researched work places an emphasis on factualism in order to accurately portray the weapons and tactics used by soldiers.
Franssou, a charming Parisian English teacher, who shares part of her life with a boring middle-aged lover, dreams of another life. So, when she unexpectedly inherits 50,000 euros, she grasps the opportunity and goes to the French Riviera in order to take it easy in luxury. In the four-star hotel where she rents a room she comes across Stéphane, a strange guy who is in the process of arranging Elton John's next coming to the place. Intrigued by the noisy ostentatious fellow, she follows him until she finally comes into contact with him. She knows Stéphane is at bay and decides to take advantage of it.
A young, mentally ill man, a visual artist in crisis Victor Marse (Lars von Trier) meets two nurses (Eliza and her girlfriend) during his stay in a sanatorium. These nurses are obvious lesbians. Victor lives with Eliza and her son. He imagines another woman when he is roaming at a coast. He pretends committing a suicide but Eliza does not react to it. Every moment, he stays in front of a blank canvas and thinks. Meanwhile he dresses into Nazi clothes or into women dresses, then he leaves to go to the cinema, and abuses and probably kills a small girl. His masochistic affair with Eliza lasts; he is close to shooting her with a gun but instead she takes out a whip. Victor goes along the streets then he lies naked in front of the canvas on which he has left his bloody fingerprints. After this he drives a funeral car to his work - he is employed in a garden where orchids are grown. Eliza is now the past and in the end, Victor might be dead as someone drives a cross into the ground.
Nicoline, a criminal psychologist, begins work at a prison where one of her new cases, Idris — an apparently reformed sex offender — is preparing for release after five years of confinement. Despite her professional misgivings, she becomes infatuated with her charismatic, manipulative patient.