DVD compilation of three werewolf-themed episodes from various Scooby-Doo series; Scooby-Doo, Where Are You!: Who's Afraid of the Big Bad Werewolf, Scooby-Doo and Scrappy-Doo: Where's the Werewolf, and A Pup Named Scooby-Doo: The Were-Doo of Doo Manor.

Durante una visita ad una pittoresca cittadina del New England Scooby-Doo e la Banda del Mistero incontrano il fantasma di Paul Revere e un serpente marino sputafuoco. Grazie ai loro nuovi amici, gli Harlem Globetrotters, risolveranno il mistero…

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

Multishow ao Vivo: Vanessa da Mata is a live album and DVD from Brazilian singer Vanessa da Mata, produced by the channel Multishow. Multishow ao Vivo was recorded live at the historic town of Paraty, and brings in the repertoire songs that marked the career of da Mata.

La gang decide di passare Halloween a Crobb Corners, una suggestiva cittadina in cui i festeggiamenti si fanno in grande. Purtroppo, però, la Mystery Inc. si trova nel bel mezzo di una disputa tra cittadini e il sindaco causata dall'apparizione della leggenda del luogo, lo spaventapasseri Cornfield Clem, il quale minaccia il paese.

A documentary about the legendary and influential comedian, actor and writer, who went out from the BBC to conquer Hollywood, but sadly the system quickly withdrew its support when they couldn't contain his talents. This portrait is spiked with many comments from people who knew Feldman privately or had dealt with him professionally. His early death sadly rendered him all but forgotten by the public. The compilation consists of interviews, some film clips and photos as well as various audio clips from him.

Nel novembre 1998, un doppio omicidio si verifica nel complesso di appartamenti Ogawa appena costruito nel cuore di Mifune City. L'assassino, Tomoe Enjou, è fuggito in preda al panico. Con suo grande stupore, non viene inseguito dalla polizia e la notizia dell'incidente non viene riportata dai media. Dopo che Shiki Ryougi difende Tomoe da un gruppo di teppisti, lei gli permette di usare la sua residenza come nascondiglio. Tuttavia, alcuni giorni dopo, Tomoe è scosso nello scoprire che sua madre è viva, anche se è convinto di averla uccisa. Per coincidenza, Mikiya Kokutou sta indagando su una soffiata che la sua collega Touko Aozaki riceve riguardo all'omicidio nel complesso di appartamenti unico. Mentre scopre più informazioni sull'incidente, Mikiya si interessa particolarmente a Tomoe. Decidendo di indagare ulteriormente su di lui, Mikiya scopre presto l'inquietante verità dell'inquietante complesso Ogawa.

Experience high speed chases and unbelievable motorcycle mastery. Ghost Rider returns for more incredible high speed antics on the streets and freeways of Stockholm Sweden. With real police chases, crazy stunts, and close calls that make even the most experienced riders flinch. He even rides a snowmobile with no tracks down a snow-less street at high speed. A radical motorcycle video that gets your adrenaline pumping and satisfies your need for speed.If you haven't seen Ghost Rider in action before then make sure you also pick up Ghost Rider - The Final Ride. You will be in awe of the speed and technique of this motorcycle master.

(Secondo cortometraggio). Groot scopre una civiltà in miniatura che vede il piccolo come un enorme albero.

Three stories take place over the course of a single day in Cairo. Lila, a retired actress, is looking for Sameh, her last co-star. Salma, is dating Wael and is in Wael's friend's apartment, after their marriage breaks down. Hazem is a young drug dealer on the run from Alexandria to Cairo and picks up an old man with Alzheimer's disease. The six characters find themselves at decisive points of their lives, which although disparate, are brought together by destiny, and are brought out through pitch-perfect performances by Egyptian cinema's legends.

Moscowin Kavery (English: Moscow's Kaveri ) is a 2010 Tamil romantic drama film written and directed by cinematographer Ravi Varman, making his directorial debut, besides handling the cinematography. The film, which has lyrics written by Vairamuthu and music scored by Thaman, stars Rahul Ravindran and Samantha in the lead roles with Harshvardhan, Santhanam and Seeman essaying supporting roles. Releasing on 27 August 2010, after nearly three years of production, the film was ultimately panned by critics.

A woman is taking an old elevator up to her new apartment that she has just moved into. The oddly old and ringing phone inside the cabin is freaking her out. Over the line she is told about nightmares that are about to become true.

Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.

Proseguendo con la storia da dove si era interrotta il primo film, incontriamo nuovamente Nana Komatsu mentre si reca ad un grosso evento musicale la cui star è il gruppo dei Blast, la cui voce è Nana Osaki, che finalmente ha ottenuto il successo tanto ricercato. Nonostante il momento felice Nana Komatsu sembra stranamente giù di morale, non più la ragazza spigliata e sempre allegra di un tempo. Tramite il lungo flashback che ricopre l'intera durata della pellicola si scopre quanto accaduto durante gli ultimi tempi alle due giovani. Nana Osaki, costantemente impegnata nel miglioramento e nella promozione della sua band, torna a stare con Ren, il chitarrista dei Trapnest, e tramite i contatti con questa band riesce a far incontrare Takumi e Nana Komatsu (sua grande fan).

Based in Kancheepuram, Surya/Arjun makes a living as a con-man on the North Zone, and is assisted by his girlfriend, Baby; while the South side is presided over by Pashupati. When a Kolkata-based contractor hires the latter to kill District Collector Jaianand/Kishan, Surya decides to defend him - this results in his finding out that Jaianand is his look-alike. Jaianand's terrified fiancée, Shanupriya, then hires Surya to not only protect but also impersonate Jaianand - a move that will drastically change everyone's lives - especially when Kishan refuses to let anyone take his place

Filmed in 35mm and in black and white, this short silent film was produced by the English film pioneer R. W. Paul, and directed by Walter R. Booth and was filmed at Paul's Animatograph Works. It was released in November 1901. As was common in cinema's early days, the filmmakers chose to adapt an already well-known story, in this case A Christmas Carol by Charles Dickens, in the belief that the audience's familiarity with the story would result in the need for fewer intertitles. It was presented in 'Twelve Tableaux' or scenes. The film contains the first use of intertitles in a film.

Barnet, a bandit, and the eight men of his band lie waiting in a Texan village. Having confined the people of the village to their homes, they rob the stagecoach which arrives in town carrying a cargo of US $ 100,000 in gold. After the robbery, the bandits take refuge in a deserted mine but a post officer, Dove Williams, is on their track.

Early Balkan footage.

The Yorkshire rock band Vaquelin's music video to their debut single "Voice Cracks & Blackjacks".

Skinside Out features paint on skin, carried out in an expressionist mode on both of the filmmakers' bodies. The emphasis is on the pleasure of looking -- at the edge of repulsion -- and the implications of making public an essentially private gesture. The film posits painting as a gendered, bodily act, whose location shifts continually within a context that's always changing. Images filmed in the studio are juxtaposed with footage of a construction barge along the Hudson. By examining both in relation to surface, the work paradoxically looks for what lies within, while questioning who and where we take ourselves to be.