Year 2006: Bebek, Alen, and Tifa come together to pay tribute to their old band, one and only - Bijelo Dugme (White Button). They performed in Toronto, Atlanta, Chicago, and New York City, in front of thousands.
Four twenty-something women, crammed into a small Manhattan apartment, have dead end jobs (or no job) and overdue rent. They discover cash and self esteem when they set up an illegal bookie joint in their kitchen. Suddenly they can pay their bills; they imagine joining the middle class; they even make corporate donations to charity. The film also explores their relationships with men, most of whom are unfit for anything lasting, and with their mothers, who appear in surreal, imagined conversations with their daughters.
Jeeves tries to keep his young master out of trouble.
Vikas comes from a poor family, and is attending college so that he can complete his studies, get a job, and financially look after himself and his dad. He meets with wealthy Asha at this college, and after a few misunderstandings, both fall in love. Vikas' dad passes during the exams, and Vikas leaves to attend the funeral, and is unable to complete his studies. Asha feels sorry for him, and arranges to get him employed with her dad, which he does so, not knowing that his employer is Asha's dad. Asha's dad wants her to get married to Ashwini, and he soon announces their engagement. Ashwini finds out that Asha is in love with Vikas, and arranges an accident for Vikas.
Machine Soul is a documentary film about Finnish Electronic musicians. It is a glance at the methods, rituals and philosophy behind the music, but most of all at the burning passion that drives the artists forward year after year. Electronic music is discussed from the point of view of the artists. What are their early influences? How did their style develop? What has been the role of their environment? It is a form of music that is often perceived as cold and lifeless by outsiders, but in the eyes of the artists it is a multifaceted and soulful way of life. The movie is not an overview of the Finnish Techno scene nor a chronicle. Many of the artists are virtually unknown in Finland, but have a large fanbase outside their home country. Machine Soul is a homage to the pioneers and newcomers of the Finnish Electronic music scene.
Based on the novel by L. P. Hartley, The Hireling is a dissection of antiquated but hardly dormant British class distinctions as a lonely socialite and her chauffeur become more than friends.
After his plane crashes in the middle of a desert, fighter pilot Denny Myers is not clear if he is behind enemy lines...
A humble car mechanic decides to give his son, who has brought home an excellent school report, a golden watch. Unfortunately the jewellery shop where they go and buy the watch is held up and the boy gets killed. The man spends the rest of the movie trying to take his revenge...
A metropolitan nightmare unfurls as a nervous cellist (Eleanore Pienta) cracks under pressure at an audition—and again, and again, and ... (courtesy of Film Society of Lincoln Center).
A pilot must safely land a 747 on which deadly nerve gas has been planted.
LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.
Tragedy doesn’t come any more Dickensian in tone or Shakespearian in scope than this dark social drama of the disintegration of a little family of four. A series of small debts triggers the swift domino effect that unleashes chaos on a well-meaning working class dad who has the bad judgment to speak truth to power.
Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.