Jules Winnfield (Samuel L. Jackson) in Vincent Vega (John Travolta) sta gangsterska morilca po naročilu, ki naj bi po ukazu mafijskega šefa Marsellusa Wallaca (Ving Rhames) prevzela ukradeno aktovko. Poleg tega je Wallace naročil Vincentu, naj nekaj dni pozneje, ko bo sam zunaj mesta, odpelje njegovo ženo Mio (Uma Thurman) na večerjo in zabavo. Butch Coolidge (Bruce Willis) je ostareli boksar, ki ga je Wallace podkupil, da bi načrtno izgubil dvoboj. Honey Bunny ter Pumpkin (Amanda Plummer in Tim Roth) sta mlad zaljubljeni par nepomembnih nepridipravov, ki skupaj ropa v lokalih. Življenja vseh čudaških likov se prepletejo v divje zabavno, nelinearno kriminalno zgodbo o naključjih in pomenljivih podrobnostih.

Fight Club ni le prispodoba o (samo)destruktivnem begu posameznika iz ujetosti potrošniškega nesmisla, temveč (tudi) parabola upora zoper nezmožnost poistovetenja s prvobitnim moškim/očetovskim principom — odraža se v sprevrženi percepciji psihosocialnih norm in nevrotični konfrontaciji ter boju (dobesedno "z golimi pestmi") s samim seboj. Dodajmo še patološke predstave o ljubezenski zvezi in vlogi ženske, metaforični upor maskuliniziranega segmenta potlačene moške dominantnosti, ki v ničemer ne najde prave identifikacije in opore, zato njegov dezorientirani razcepljeni um primanjkljaj kompenzira tako, da ustvarja namišljene alegorične osebnosti — ter izvrstno igralsko zasedbo (Edward Norton, Brad Pitt, Helena Bontham Carter) — pa dobimo enega najbolj izvirnih (in vplivnih) produktov ameriške literature in kinematografije zadnjih desetletij.

Režiser temačnih miselnih izzivov Memento, Insomnia in Vitez teme se poglobi v najbolj srhljive dele človeškega uma, kamor s pomočjo futuristične tehnologije kuka pretkani Dom. Preko sanj vdira v misli drugih ljudi in krade dragocene podatke, zato postane najbolj iskan zločinec na planetu. Da bi zaživel normalno življenje, se odloči za zadnjo akcijo, kjer spominov ne namerava ukrasti, temveč želi namestiti nove in tako izvesti popoln zločin. Toda v nepredvidljivem svetu človeških misli ni pravil in omejitev, zato nepričakovani sovražnik nalogo spremeni v smrtonosno past, polno prevar in preobratov.

At an elite, old-fashioned boarding school in New England, a passionate English teacher inspires his students to rebel against convention and seize the potential of every day, courting the disdain of the stern headmaster.

Dramski triler režiserja Todda Phillipsa spremlja legendarnega stripovskega zlikovca v izvirni samostojni zgodbi o izvoru, kakšne še nismo videli na velikih platnih. Mučna in tragična pripoved se vrti okrog umsko trpinčenega komika Arthurja Flecka, v fantastični predstavi Joaquina Phoenixa, ki si prizadeva, da bi se uveljavil v razdeljeni družbi velemesta Gotham, ki ga zapostavlja in odriva na socialni rob. Živi sam z duševno bolno materjo, podnevi dela kot najeti klovn za oglaševanje lokalov in si želi postati zvezda komičnih stand-up predstav, vendar so vse šale ponavadi le na njegov račun. Ujet v krogu životarjenja med apatijo in krutostjo Arthur sprejme slabo odločitev, ki povzroči verižno reakcijo nasilja in smrti. Bolečina ga naposled pahne v soočenje s svojim drugim jazom, poznejšim Batmanovim največjim sovražnikom: Jokerjem.

Donnie Darko (Jake Gyllenhaal) je problematični najstnik, ki ima veliko težav sam s sabo, z družino in s šolo. Trpi za paranoidno shizofrenijo in ko (za nekaj časa) preneha jesti tablete, se mu prikaže ogromen zajec, ki mu napove konec sveta v roku 28 dni.

When a car bomb explodes on the American side of the U.S./Mexico border, Mexican drug enforcement agent Miguel Vargas begins his investigation, along with American police captain Hank Quinlan. When Vargas begins to suspect that Quinlan and his shady partner, Menzies, are planting evidence to frame an innocent man, his investigations into their possible corruption quickly put himself and his new bride, Susie, in jeopardy.

A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.

Enigmatic gangster Silien may or may not be responsible for informing on Faugel, who was just released from prison and is already involved in what should be a simple heist. By the end of this brutal, twisting, and multilayered policier, who will be left to trust?

On a golden afternoon, young Alice follows a White Rabbit, who disappears down a nearby rabbit hole. Quickly following him, she tumbles into the burrow - and enters the merry, topsy-turvy world of Wonderland! Memorable songs and whimsical escapades highlight Alice's journey, which culminates in a madcap encounter with the Queen of Hearts - and her army of playing cards!

Describing herself as a 'street queen,' Johnson was a legendary fixture in New York City’s gay ghetto and a tireless voice for LGBT pride since the days of Stonewall, who along with fellow trans icon Sylvia Rivera, founded Street Transvestites Action Revolutionaries (S.T.A.R.), a trans activist group based in the heart of NYC’s Greenwich Village. Her death in 1992 was declared a suicide by the NYPD, but friends never accepted that version of events. Structured as a whodunit, with activist Victoria Cruz cast as detective and audience surrogate, The Death and Life of Marsha P. Johnson celebrates the lasting political legacy of Johnson, while seeking to finally solve the mystery of her unexplained death.

It’s Christmas Eve, and Ewa has plotted to pass the hours until morning with her former lover Janusz, a family man, by making him believe her husband has gone missing. During this night of recklessness and lies, the pair grapple with choices made when their affair was discovered three years ago, and with the value of their present lives.

After her husband dies, Alice and her son, Tommy, leave their small New Mexico town for California, where Alice hopes to make a new life for herself as a singer. Money problems force them to settle in Arizona instead, where Alice takes a job as waitress in a small diner.

Galindo works in a bank. One day he convinces the other employees in the bank to plan a hold-up in the bank they are working. They prepare everything carefully. However, real robbers come just before the fake ones.

From "The Dub Room Special": 1.Approximate (3:56) 2.Cosmik Debris (5:14) 3.Room Service (5:58) Not For Broadcast 4.Stinkfoot (5:44) 5.Inca Roads (9:55) 6.Pygmy Twylyte (3:53) 7.Room Service (5:18) Song Selection 8.Dog Meat (4:10) - Dog Breath and Uncle Meat 9.More Trouble Every Day (13:07) 10.Montana (4:50) 11.George Duke Solo (7:40) 12.Florentine Pogen (8:15) 13.Oh No (4:54) 14.Pygmy Twylyte (9:46) 15.Stinkfoot (8:48) 16.Inca Roads (8:41)

Nothing is as it seems when a woman experiencing misgivings about her new boyfriend joins him on a road trip to meet his parents at their remote farm.

A story based on the life of a struggling Long Island single mom who became one of the country's most successful entrepreneurs.

While dining out with friends, Sy suggests the difficulty of separating comedy from tragedy. To illustrate his point, he tells his guests two parallel stories about Melinda ; both versions have the same basic elements, but one take on her state of affairs leans toward levity, while the other is full of anguish. Each story involves Melinda coping with a recent divorce through substance abuse while beginning a romantic relationship with a close friend's husband.

Graduate student Harry Bailey was once one of the most visible undergraduate activists on campus, but now that he's back studying for his master's, he's trying to fly right. Trouble is, the campus is exploding with various student movements, and Harry's girlfriend, Jan, is caught up in most of them. As Harry gets closer to finishing his degree, he finds his iconoclastic attitude increasingly aligned with the students rather than the faculty.

Tom, a mute man is on retreat to an isolated lakehouse where he meets Al, who is mourning the recent death of his husband. Starting off rather friendly, Tom and Al’s rapport slowly changes as the former befriends a mysterious woman named Nina, for whom Al can’t shake his negative suspicions.