Since 2013, Nixon Newell has travelled the world as a professional wrestler. This is the story of her goodbye to independent wrestling.
This is a strange little movie. It's partly a road movie. It's partly a documentary. It's partly a backstage pass. It's a strange little movie that takes a look at an extraordinary group of people - The Kelly Family. It's a strange little movie shot during the course of their winter tour of 2002 / 2003 on the roads of mainland Europe through Germany, Holland and Belgium. It's a strange little movie about life, about love, about loss... about the future. Actually, mostly it's a movie about the future, about the road ahead, about the next concert, about the next song... about the music. In fact above all it's about the music, because this is the Kelly Family and first last and always it's about the music.
An adaptation of Fyodor Dostoyevsky's "Le Eternel Mari", a somber story of marital infidelity, revenge and near madness, and starring Raimu in his last film appearance.
During a desultory night on the town, two men talk about their experiences with women. One of them disparages his ex-wife, while the other is enamored of the prostitute he was with earlier in the evening. Without realizing it, both men are talking about Janine.
The story of Carla and Marta, the daughter who is seriously ill. In Barcelona, Carla discovers a special mirror, which is an open door to the past: it keeps the reflection for several years instead of returning it immediately. Carla offers her daughter the mirror and it will change their lives forever.
Grigory Bozovkin, in his youth, beat up a man out of jealousy and was put under investigation. By escaping from the prison cell with the passport of the deceased, Grigory thereby severed all ties with the past. But one day he met Natalya and fell in love with her. And now, awaiting the expiration of the statute of limitations for what he committed.
Based on a play by Hisashi Inoue, it focuses on the sufferings of the survivors of Hiroshima. The film takes place during 4 days in the summer of 1948, as the ghost of her father visits Mitsué (Rié Miyama). He had somehow learned that she has fallen in love, and tries to convince her to start her new life. But Mitsué obstinately refuses his warm and humorous encouragements : « People were killed in my place. I do not have the right to find happiness », she says.
Karthik, is from a middle-class family and is doing his MCA final year. He is an outstanding student with high ambitions. He works part-time in a courier company and takes care of his expenses. He also yearns for beautiful classy girls. Anbu Selvi is from a rural landlord's family and is doing her B.Com in Trichy. Her pranks and her outgoing personality makes her father Rathnam fear that she might bring disrepute to the family name and so he decides to give her in marriage to his friend's son, Karthik.
Theatrical version of episode 11 of Ultraman Taro TV series : ZAT is on the case of a series of vampiric murders. While investigating, Kotaro meets a mysterious orphan girl, Kanae, who is always holding a bunch of red flowers. While he is out, Kenichi and Moriyama are attacked by a mysterious plant...
In the tradition of Sunday Too Far Away, this independent film is based on the classic Australian play by John Power. Pic tells the story of a group of miners living in a camp in outback Australia. They swear, brawl, gamble, and drink heavily. Central to the story is the conflict between Tarzan, the authoritarian group leader and cocky loud-mouth wisecracking Pansy. This results in a bare-knuckle punch-up for the movie's denouement.
When two tough guys leave a bar to fight, their search for the right spot becomes an adventure.
Miss Sidley, an experienced, no-nonsense teacher starts to lose her bearings when she suspects one of her students, Robert, is not quite human. In a momentary reflection in her eyeglasses she thinks she may have seen Robert changing into a monster. She soon discovers that not only does Robert change, but he may not be the only one of his kind. Sidley must get rid of them before it's too late.
Assistant District Attorney Jeffery Powell has just sent an innocent man to prison for the murder of a gambler. Powell is in love with, Marion Courtney, but he's unaware that Marion is the sister of the innocent man he sent to prison. Marion gets herself committed to a women's prison to get proof from inmate, Evelyn 'Duchess' Thane, that her brother is innocent. Powell learns of Marion's plight and believes she's in love with the man he sent to prison.
A cult called Wakwak headed by Papa Mundo is ready to kill and be killed to fight for their beliefs. It is a religious battle for their leader, clad in priest's robes, who they believe has supernatural powers to extinguish life out of anyone. Outnumbered, Lt. Cary Altamonte's group fights for the safety of the civilians. The situation unfolds in a battle of faith.
Fear of Blushing bursts forth with irrepressible hand-painted color, corroded emulsion and a menacing soundscape of looped voices, distorted instrumentals, samples & rhythm. Fleeting visions and voices erupt out of the ominous abstraction in unusual juxtapositions, suggesting a cinematic free-association marked by anxiety, pleasure and shame. Best appreciated in the immediate; the 7200 painted frames fly by at an average of 12 per second.
After a job goes sideways, four thieves bounded by honour meet back at the place it all began, the local boozer. Drink, drugs, jokes, reminiscing about old times and even politics, you would think this was a standard night in any South London drinking establishment however beneath the banter lies a dark secret that will test the loyalty of these four friends to the limit to see if there really is honour amongst thieves.
When a one-night stand turns Ajay into a vampire, he decides misery really does love company and tries to suck his friends Teague and Floor into a life of bloodlust.
Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.