Divpadsmit gadus vecais Zains iesūdz tiesā savus vecākus par to, ka dāvājuši viņam dzīvību, kaut nespēj sniegt pat mīlestību. Zēnam nav dokumentu, tādēļ nav arī juridisku liecību par viņa eksistenci. Viņš ir sadūris kādu cilvēku, par nodarījumu izciešot piecu gadu cietumsodu, un vēlas panākt taisnību tiesā pret saviem vecākiem. Tiesas prāva ir ietvars, kas atklāj viņa skumjo dzīvesstāstu. Zaina rīcība ir atainota kā simbolisks žests visu to bērnu vārdā, kuri nebūtu izvēlējušies dzīvot, ja viņiem ļautu izvēlēties.
Hector Valentin returns to France from Canada when he inherits a small sawmill. He has difficulties restarting the run-down operation which has inefficient workers and is hampered by the dirty tactics of its bigger...
This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.
A disc jockey, a pimp and an Italian tourist escape from jail in New Orleans.
Tonny is released from prison - again. This time he has his mind set on changing his broken down life, but that is easier said than done.
Kad komisārs Živs ir pārliecināts, ka uzveicis sen meklēto ļaundari, Fantomass nolaupa profesoru Lefēvru, kas viesojas Romā. Neiztiekot bez starpgadījumiem, komisāram ar īpašas ierīces palīdzību izdodas atbrīvot slaveno zinātnieku. Živs, Fandors un Elēna turpina dzīties pakaļ Fantomasam no zinātnes konferences gaiteņiem līdz vulkāna krāterim. Vai neģēlim izdosies aizlaisties?
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Frans Zwartjes and his wife explore their new home, and the sexual tension they've brought with them to it.
A small-time conman has his loyalties torn between his estranged mother and his new girlfriend, both of whom are high-stakes grifters with their own angles to play.
Dissatisfied with his new work at the Goethe-Gesamtschule, Mr. Müller is tired of early mornings and correcting exams. Meanwhile, director Gerster strives to be a symbol of the new company. To do so, her attempts to improve the school's image involve revoking the partnership from the Schillergymnasium with a Thai school. In a last-ditch saving grace, Mr. Müller, Mrs. Schnabelstedt, and the 10b must take a trip to Thailand.
A troubled young man is drawn to a mythical place called Midian where a variety of friendly monsters are hiding from humanity. Meanwhile, a sadistic serial killer is looking for a patsy.
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
Chronophotographic short film, possibly species Protophormia terraenovae, c. 1904-1905.
Cindy finds out the house she lives in is haunted by a little boy and goes on a quest to find out who killed him and why. Also, Alien "Tr-iPods" are invading the world and she has to uncover the secret in order to stop them.
They get ready to kiss, begin to kiss, and kiss in a way that brings down the house every time.
Trešā filma kinofilmu sērijā par suni Bēthovenu. Ņūtonu ģimenes galva Ričards apņēmies mājiniekiem sagādāt neaizmirstamu ceļojumu ar kemperi. Bēthovenu, kuru uzticējis pieskatīt Ričarda brālis Džordžs, nav paredzēts ņemt līdzi. Tomēr suns slepus piebiedrojas ceļiniekiem un ne vien sagādā galvassāpes un lielus tēriņus Ņūtoniem, bet arī paglābj visus no neganta zagļu pāra Tomija un Viljama, kuri kaļ plānus nozagt Ņūtoniem DVD ar slepenu programmu. Lai gan sākumā Bēthovens šķitis par apgrūtinājumu, beigās viņu iemīl ne vien mazā Sāra, bet visa Ņūtonu ģimene.
The last remaining production of Le Prince's LPCC Type-16 (16-lens camera) is part of a gelatine film shot in 32 images/second, and pictures a man walking around a corner. Le Prince, who was in Leeds (UK) at that time, sent these images to his wife in New York City in a letter dated 18 August 1887.
The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather.
In the sleepy suburbs of Miami, seemingly normal Egyptian immigrant Fuad Ramses runs a successful catering business. He also murders young women and plans to use their body parts to revive the goddess Ishtar. The insane Ramses hypnotizes a socialite in order to land a job catering a party for her debutante daughter, Suzette Fremont, and turns the event into an evening of gruesome deaths, bloody dismemberment and ritual sacrifice.
Alleged silent black-and-white short film shot at Apsley Gate, Hyde Park, London. It was claimed to be the first motion picture until pre-dating footage shot by Louis Le Prince was discovered. It was never publicly shown and is now considered a lost film with no known surviving prints or stills.