A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.
Jeffery hasn't been the same since the loss of his wife who died during childbirth. Now crisis returns to his life, as his only child is diagnosed with leukemia, sending him into a tailspin. He turns away from his faith, feeling that life is no longer worth living. As God brings reminders of His goodness into Jeffery's life, will that be enough to guide him back to what matters most?
Kogarashi Monjiro is a lone samurai who agrees to take responsibility for a murder that his friend committed so that he can stay with his dying mother, with the expectation that his friend will confess and get him pardoned once she dies. Monjiro is sentenced to an island for prisoners. When he discovers that his friend's mother has died over a year ago, Monjiro seeks to escape with a group of prisoners in order to get his revenge.
훗카이도에 거대한 운석이 떨어지고 삿포로에는 곤충처럼 생긴 괴생물 집단이 출현한다. 가메라는 괴생물 집단과 싸우지만 거대한 괴생물 ‘레기온’으로부터 치명적인 공격을 받고 쓰러진다. 마음의 교감을 통해 가메라에게 힘을 주던 아사기와 어린이들은 죽은 듯 움직이지 못하는 가메라의 힘을 되돌리기 위해 마음을 하나로 모으는데…
Robert Lepage directed this Canadian comedy, filmed in black and white and color and adapted from Lepage's play The Seven Branches of the River Ota. In October 1970, Montreal actress Sophie (Anne-Marie Cadieux) appears in a Feydeau farce at the Osaka World's Fair. Back in Montreal, her boyfriend Michel (Alexis Martin) watches the October Crisis on TV and sees Canadian Prime Minister Trudeau declare the War Measures Act. The Canadian Army patrols Montreal streets. Sophie learns she's pregnant and phones Michel. However, Michel is immersed in politics, while Sophie rejects the amorous advances of her co-star (Eric Bernier), becomes friendly with a blind translator, and passes an evening with frivolous Canadian embassy official Walter (Richard Frechette) and his wife Patricia (Marie Gignac). Meanwhile, in Montreal, Michael plots terrorist activities. Commenting on East-West cultural distinctions, the film intercuts between Quebec (in black and white) and Japan (in color).
Moscowin Kavery (English: Moscow's Kaveri ) is a 2010 Tamil romantic drama film written and directed by cinematographer Ravi Varman, making his directorial debut, besides handling the cinematography. The film, which has lyrics written by Vairamuthu and music scored by Thaman, stars Rahul Ravindran and Samantha in the lead roles with Harshvardhan, Santhanam and Seeman essaying supporting roles. Releasing on 27 August 2010, after nearly three years of production, the film was ultimately panned by critics.
Filmed at an exclusive show at the Saban Theatre in Beverly Hills in April 2011. "Songs from the Small Machine" captures Lindsey Buckingham showcasing tracks from his new studio album "Seeds We Sow", songs from across his solo career and Fleetwood Mac classics. His distinctive guitar picking style and instant recognizable voice are joined to his dynamic on stage presence to deliver a show that brings the audience to their feet and leaves them falling for more.
A short film by David Lynch featuring his son Austin, originally filmed for davidlynch.com
February 1954: ten mass graves with over 500 bodies are found in the region of Sofia, Bulgaria. Experts say they were killed and the deaths occurred in 1925. In one of the graves a glass eye is found - the glass eye of the poet Geo Milev.
"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.
At the end of 2005, New York's famed restaurateur, Sirio Maccioni, closed Le Cirque, destination of the rich and famous. During 2006, he and his three sons, open a new Le Cirque, taking four months longer and $4 million more than planned. The film follows this process, the new restaurant's opening, and the emotional impact of two New York Times reviews over the next few months. Maccioni, in his 70s, seems tired, chained to his work for his sons's sake; then, the restaurant opens and his indefatigable charm returns. It's a roller coaster ride. At the film's end, Maccioni, with a small Gucci bag on his hip, receives communion in a church in his home town of Montecatini Italy.
Let’s get SICK’NING for the Holidays! RuPaul’s Drag Race legend Laganja Estanja is here for Hey Qween’s Very Green Christmas Special!
Mid-summer heatwave. Nikos and Alain, two male prostitutes and a female pimp, Monica, get tangled in a peculiar relationship after meeting in a dark street called POUTANA. They fall in love, play with guns and talk about card games, money and theatre castings. Is this a game of role playing the three of them have invented to pass their time in a remote, empty summer house? Have they been reading Jean Genet? Whether a mirror image of the characters’ reality or an elliptic depiction of their distorted, dream-like perception of it, I Afroditi Stin Avli, by juxtaposing disparate literary and art references, leads its isolated characters towards dissolution. And yet, in its strange language, it presents this dissolution as a triumph.
Day 2 HoneyWorks stage for “Capture the Moment” Savor it. Treasure it. Continued growth since 1st fes. Cherished memories. Emotions. A future that is built to last. And this moment is no less precious. Treasure every moment, most importantly this very one. Here, now. In staying true to those ideals, hololive 5th fes. will take place on a three-sided stage – an unprecedented and monumental first for hololive production! Connecting past, present, and future, we aim to hold a performance the likes of which have never before been seen.