Two women – one passive and resigned, the other aggressive and domineering – interact in various locations in New York city. The film explores the dynamic between them before ending with a showdown at the roller-coaster on Coney Island.
Criminals control Mexico and wrestling is now illegal. A retired fighter and a policewoman join forces to stop the perfidious criminal who has kidnapped her son.
Three college freshmen befriend a gangster to get revenge on their seniors. After months of drinking and partying, their choices come back to bite them.
A taped performance of the Encanto Live-to-Film Concert Experience at the Hollywood Bowl. The original cast puts on a miracle of a concert as they sing the favorite songs, accompanied by a full orchestra and 50 person ensemble, and the Hollywood Bowl transforms into Casita!
Will the Kurdish dream of independence and freedom ever become reality?With the rise of ISIS and the central role played by the Kurdish Peshmerga in the fight against them, the question of Kurdish independence has taken on greater urgency. To answer this pressing question, Kurdish author Kae Bahar travels from his London home to his rocky and mountainous homeland, finding a complex mix of Kurdish nationalism and internal division. ‘War or Peace?’ Bahar asks. The answer is not so simple.
Hello, Hello, Terezinha! is a feature-length documentary about the country's biggest communication phenomenon. Politically incorrect, radical, renewing, Chacrinha changed Brazilian television forever and expressed a Brazil that was around it, but was not perceived. The film tells the great adventure of Abelardo Barbosa through the eyes of the presenter. It gathers the nuclei of its constellation - chacretes, fledglings and artists who passed through its programs - to identify their individualities and their emotions.
Jules is a drag artist in London who withdraws into himself and loses his career after a horrific attack. Months later, he recognizes one of his assailants in a gay sauna and quickly realizes he has the perfect opportunity to get revenge.
After being implicated in a terrorist attack, Santi, a taxi driver, is taken hostage by one of the perpetrators.
Äskettäin eronnut kirjailija lähtee idylliselle kirjoitusmatkalle Marokkoon ja löytää yllättäen yhteisen sävelen elämänvalintojaan pohtivan nuoremman miehen kanssa.
Influenced and inspired by Jean-Luc Godard, some young french directors (Jean Eustache, Francis Leroi, Jean-Michel Barjol, Romain Goupil, Luc Moullet) are talking about their problems in producing less expensive and more free films in the french industry of cinema of the 60's.
A desperate young journalist turns to podcasting to salvage her career, but her rush to make headlines leads her to an alien conspiracy.
In a television program Angelica (Angelica), the daughter of a businessman who aspires to be a singer, eventually earning his "crazy dream", which is recording a video clip at the top of Sugar Loaf in Rio de Janeiro, with the Domino Group . The father forbids it to go, so she runs away with her boyfriend to the Sugar Loaf. When her father learns commands Didi (Renato Aragão), Dede (Dede Santana), Mussum (Mussum) and Zechariah (Zechariah) to think in three days or call the police. Trying to find her, the quartet falls into a hole in the Sugar Loaf which is populated by strange creatures, some good, the Grunks, and some bad, the Barks.
A once-esteemed psychiatrist helplessly watches her life spiral into a nightmarish maelstrom of supernatural hysteria and gruesome deaths, all linked to a seemingly unstoppable ancient curse.
After a small-town wrestling star develops a crush on an openly gay classmate, he is stalked by a grotesque creature that invades his thoughts as he navigates his feelings and struggles to live up to his legacy-obsessed family.
Set in the rural socio-political environment of North Malabar, Kotthu follows two party workers Shanu and Sumesh and how certain party workers are honour-bound to their `acquired` political ideology of revenge killing.
Although it is very near Christmas, when everybody should rejoice, a sailor bound for a dangerous expedition takes leave of his wife, and the poor woman is seen following with dim eyes the departing ship, her heart apparently heavy with grief. After having cried and prayed on a cross, the grass-widow returns to the farm to resume her duties and takes a sack of wheat to the next mill. The miller, knowing of the sailor's departure, and finding the lass very agreeable and charming, after having seen to the wheat bag, gives his whole attention to the young woman, and he does not seem to mind very much the clumsy advances made by the workingman. They part after a rather excited confab, and have evidently made an appointment for the evening at the church, for it is a Christmas celebration. We follow the two young people in the chapel, then to a bonfire dance, and lastly we see them both driving away in a country cart.
The paths of a desperate man and an imprisoned young woman cross unexpectedly in the den of a mysterious killer.