A recap of Kimetsu no Yaiba episodes 15–21, with new footage and special end credits. Tanjiro, now a registered Demon Slayer, teams up with fellow slayers Zenitsu and Inosuke to investigate missing person cases on the mountain Natagumo. After the group is split up during a fight with possessed swordfighters, they slowly begin to realize the entire mountain is being controlled by a family of Demon spider creatures.

The four old friends meet on the grave of the fifth of them, Perozzi, who died at the end of the first episode. Time has passed but they are still up for adventures and cruel jokes, and while they recall the one they created together with the late friend, new ones are on their way, starting right there at the cemetery.

On the 20th anniversary of their edgy little 90's cable show Underground Entertainment, the authors, along with many SF, horror and B celebrities in cameos, remember how they pushed the envelope, shocked, entertained, but also introduced the audience to many movies, comics and conventions.

The Driver now carries an arrogant rock star who is visiting a major city (not Pittsburgh as earlier believed). Played by Madonna, this title character wants to get away from her bodyguards in the Driver's BMW. He soon gets tired of her and decides to have a bit of fun.

Mothra's dark counterpart, Battra, emerges to eliminate humanity on behalf of the Earth. Two tiny fairies called the Cosmos offer their help by calling Mothra to battle the creature. Unfortunately a meteorite has awoken a hibernating Godzilla as a three way battle for the Earth begins.

Since he was a kid, Yazid has one big passion, pastry making. Raised between foster homes and group homes, the young man will try to make his dream come true: to work with the greatest pastry chefs and become the best.

Topper Harley is found to be working as an odd-job-man in a monastery. The CIA want him to lead a rescue mission into Iraq, to rescue the last rescue team, who went in to rescue the last rescue team—who went in to rescue hostages left behind after Desert Storm.

Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

In a housing complex, a college prep student is spying on his neighbor, a former peace activist, who now leads an ordinary life as a housewife, having a secret affair with an ex-lover.

Vietnam vet Frank Vega now runs an East L.A. community center where he trains young boxers to survive in and out of the ring. But when his prize student falls in with the wrong crowd and turns up dead, Frank teams up with his pal Bernie to take matters into their own fists and prove that justice never gets old.

When their bus is crippled on the side of a deserted road, a team of high school athletes discover an opponent they cannot defeat – and may not survive.

A reformed criminal's attempt at going straight is derailed when he reunites with his sanity-testing twin brother on a road trip for the score of a lifetime. Dodging bullets, the law, and an overbearing mother along the way, they must heal their severed family bond before they end up killing each other.

For the past four years, San Francisco cop Jack Cates has been after an unidentified drug kingpin who calls himself the Ice Man. Jack finds a picture that proves that the Ice Man has put a price on the head of Reggie Hammond, who is scheduled to be released from prison on the next day.

Donald and Goofy are trappers in the frozen south (Antarctica) with different approaches. Donald sees a penguin and dresses as one to lure her to the chopping block; Goofy baits a trap with fish (then acts like a walrus to capture one that steals his bait bucket).

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

After reluctantly moving to the German Alps with her father and his new family, Gretchen discovers that their new town hides sinister secrets, as she's plagued by strange noises and frightening visions of a woman pursuing her.

Young women in Nazi-occupied countries are packed onto a train and shipped off to a prison camp, where the sadistic commandant uses them as rewards for his lesbian guards and perverted and deviate troops.

When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.