The success of the Conchy virtual assistant (which was developed by Javier) has earned him a favorable spot in the parents chat room - until something unexpected ruins it all.
Between light and darkness stands Olfa, a Tunisian woman and the mother of four daughters. One day, her two older daughters disappear. To fill in their absence, the filmmaker Kaouther Ben Hania invites professional actresses and invents a unique cinema experience that will lift the veil on Olfa and her daughters' life stories. An intimate journey of hope, rebellion, violence, transmission and sisterhood that will question the very foundations of our societies.
Three ordinary air hostesses from Mumbai embark on a journey to pursue their dreams but find themselves caught up in unexpected misfortunes.
Fearless alpine climbers Ueli Steck and Dani Arnold enter into a death-defying rivalry to set speed records on the Swiss Alps' great north faces.
Šeštasis franšizės filmas siaubo kupinas gaudynes su kaukę dėvinčiu žudiku perkelia į Niujorką. Keturi išgyvenusieji Vudsboro miestelio žiaurias žmogžudystes norėtų pradėti naują gyvenimą, tačiau Niujorke galioja naujos taisyklės. Niujorkas ką tik gavo dar vieną priežastį niekada nemiegoti.
Iranian director Jafar Panahi, who has been barred from leaving the country, arrives at a village on the Iran-Turkey border to supervise a film based on a real-life couple seeking passports to Europe being shot in Turkey, but both his stay and the production run into trouble.
The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.
A married couple who received a divorce settlement lose their memories in an accident. With amnesia, they fall in love again, so their families try to restore their memories to finalize the divorce.
Nors ir vieniša 12-mečio paauglio motina, Telma gyvenimu nesiskundžia. Žinoma, ji daug dirba ir yra nuolat užsiėmusi. Tiek daug, kad vieną rytą, lydėdama savo sūnų Luisą į mokyklą, užsižiūri į telefoną ir nepastebi, kaip vaikas iššoka į gatvę, kuria tuo metu važiuoja automobilis. Ligoninėje, jau sužinojusi, kad Luisas paniro į komą, Telma galėtų padaryti bet ką, kad tik atsuktų laiką atgal. Deja, moteriai tenka susitaikyti su nauja, kaltės pilna realybe. Vieną dieną po sūnaus pagalve ji randa sąsiuvinį, kuriame vaikišku Luiso braižu surašyti dešimt dalykų, kuriuos jis norėtų padaryti, jei pasauliui grėstų neišvengiama pražūtis. Telmą pamažu apsėda įkyri mintis, kad, norėdama susigrąžinti sūnų, šiame sąraše esančius norus privalo išpildyti ji. Išgyvenusi tai, apie ką svajojo Luisas, ji galės jam papasakoti savo įspūdžius, kuriuos išgirdęs berniukas supras, koks nuostabus šis pasaulis ir užsinorės sugrįžti.
Garan is a part of a group of international hitmen who are contracted to take out the most dangerous killer in the world, only to find out that they're the ones being hunted.
Alana discover the truth about her origin: she’s not an ordinary human being. She may be the gift for humanity and become its protector as Sri Asih. Or a destruction, if she can’t control her anger.
In the year 2898 AD, around 6000 years after Kurukshetra war, Ashwatthama gears up for his final battle of redemption at the sign of hope in a dystopian world and Bhairava, a wisecracking and self-interested bounty hunter, tired of the perilous life becomes the hurdle in the process.
A New York drug dealer is kidnapped, and his wife must try to come up with the money and drugs to free him from his abductors before Christmas.
Criminal mastermind Mason is about to execute the score of a lifetime when his lover and key member of his crew, Decker, takes the team down and reveals she’s an undercover Interpol agent. Heartbroken, Mason escapes and retires from the life of crime until his younger brother Shawn is out of his league taking on a big bank heist all on his own. Mason has no choice left but to come to the rescue, while Interpol brings Decker in hoping to unnerve him. Before the SWAT teams storm the bank, Mason must use every tool in his arsenal to not only escape with the prize, but also the love of his life.
The film follows a young boy who sets out on a mission to try and track down his long lost parents.
At the height of the Oyo Empire, the ferocious Bashorun Ga'a became more powerful than the kings he enthroned, only to be undone by his own blood.
Nina, a former NATO special operations agent living in hiding, has to use all her deadly skills to rescue her son who has been kidnapped by ruthless gangsters. Finding Max is a double opportunity for her. A chance to feel the adrenaline rush again, and an opportunity to get back into the life of the son she had to abandon years ago.
1969 m. jaunuolis Judas Krendalas svajoja palikti savo gimtąjį Ladlou miestą, esantį Meino valstijoje, tačiau netrukus atranda miestelyje slypinčias grėsmingas paslaptis ir yra priverstas susidurti su tamsia šeimos istorija, kuri amžinai palaikys jo ryšį su Ladlou. Judas ir jo vaikystės draugai turi kovoti su senoviniu blogiu, kuris Ladlou apėmė nuo pat jo įkūrimo, o įgijęs galią, blogis ketina sunaikinti viską, kas jo kelyje.
Lija Sidnėjuje stengiasi išlaikyti nesėkmingą arbatinę. Grįžusi namo ruoštis sesers vestuvėms, mergina priversta išklausyti būrėjos, kuri žada, kad verslas taps sėkmingu, o Lija sutiks mylimąjį, jei iki sesers vestuvių nueis į penkis aklus pasimatymus.