As the Twelfth Doctor nears regeneration, he stumbles on his first incarnation, also refusing to change. It takes a captain, a glass avatar and a familiar face to convince the Doctors the universe still needs them.
Depicts the day that Naruto Uzumaki became the 7th Hokage.
Capturing Avatar is a feature length behind-the-scenes documentary about the making of Avatar. It uses footage from the film's development, as well as stock footage from as far back as the production of Titanic in 1995. Also included are numerous interviews with cast, artists, and other crew members. The documentary was released as a bonus feature on the extended collector's edition of Avatar.
Dołącz do bezprecendensowego, widowiskowego koncertu w Casa Madrigal, podczas którego oryginalna obsada głosowa nagrodzonego Oscarem® filmu Walt Disney Animation Studios „Encanto” spotka się ponownie w sali Hollywood Bowl. Przy udziale Stephanie Beatriz, Adassy, Caroliny Gaitán, Jessiki Darrow, Diane Guerrero, Mauro Castillo, Angie Cepedy i Olgi Merediz, a także gości specjalnych, w tym legendarnego kolumbijskego supergwiazdora Carlosa Vivesa, „Nasze magiczne Encanto w Hollywood Bowl” przeistoczy legendarną salę koncertową w świat filmu animowanego, który stał się światowym fenomenem. To doświadczenie muzyki filmowej na żywo zapewni Tobie miejsce w pierwszym rzędzie na tej jedynej w swoim rodzaju muzycznej ekstrawagancji świętującej świat, postaci i piosenki disneyowskiej animacji „Encanto”.
Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.
When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.
Awatar Jamesa Camerona. Pokazuje on ciekawe fragmenty pracy na planie.
Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.
The deconstruction of the Avatar scenes and sets
Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.
Dane ‘Marbles’ Marbeck can see ghosts, thanks to a homemade drug: his late father’s neurological medication mixed with marijuana. Officer Jayson Tagg, a wannabe super-cop on the trail of a serial killer, ends up murdered. So when Marbles’ mum plans to sell the family farm, and the only way of buying the house off her is taking the money offered by Tagg in exchange for his help, Marbles accepts. The unlikely duo of stoner medium and ghost cop struggle to reconcile their differences while they navigate their way through ghouls, perverts, a mysterious hooded figure, and an unexpected shot at love. It becomes clear the only way Marbles and Tagg will solve the case with their souls intact is to confront their deepest regrets and overcome their prejudices.
Kijów. Nina (Ksenia Chyżniak), młoda, przebojowa prezenterka, dowiaduje się, że ma raka. Lekceważy jednak zalecenia lekarza i postanawia ukrywać informację o chorobie przed mężem i współpracownikami.
In the early 1920's of China, seven former soldiers band together to defend a helpless village against a group of vicious bandits in this Hong Kong remake of Seven Samurai.
In the summer of 2015, former US Marine and world record weightlifter Janae Marie Kroczaleski was publicly outed as being transgender. The reaction was universal: her sponsors abandoned her, she was disowned by her parents and banned from competing. This film follows Janae as she attempts to find her place in society. Initially wanting to strip off the muscle and become a much smaller looking woman, she found herself unable to lose the muscle she so desperately gained. She now finds herself living one day as an alpha male and the next day as a delicate girl. Will Janae be able to handle her muscle relapses? Will her passage from being a male bring her the peace she's looking for? Will society accept a 250lbs muscular woman? Is her path personal redemption or physical and psychological disaster?
Podczas grupowego skoku spadochronowego jeden ze skoczków w tajemniczy sposób znika. Pozostali członkowie zaczynają doświadczać zjawisk paranormalnych i muszą odkryć naturę tej nadprzyrodzonej siły, aby walczyć o swoje życie.
Kiedy 40-letnia Amelia zostaje potrącona przez ciężarówkę w noc swoich urodzin, budzi się w 2002 roku. Znowu ma 18 lat i może jeszcze raz przeżyć najlepszy dzień w swoim życiu. Dostaje też szansę zrealizowania idealnej wizji swojej przyszłości. Ale kiedy uświadamia sobie, że utknęła w pętli czasu, aby raz za razem przeżywać ten sam dzień, postanawia odkryć, co powinna naprawić, aby dosłownie zostawić przeszłość za sobą i wrócić do teraźniejszości.
Sung-hyeon reunites with first love, Jin-hye at a class reunion.
This Best Short Subject Academy Award winning film begins in the spring of 1940, just before the Nazi occupation of the Benelux countries, and ends immediately after the Japanese attack on Pearl Harbor. It chronicles how the people of "Main Street America", the country's military forces, and its industrial base were completely transformed when the decision was made to gear up for war. Original footage is interspersed with contemporary newsreels and stock footage.
In 1947 when the maps of India and Pakistan were being drawn, an oversight ensured that the village of Paglapur didn't find a place in either country. Over 60 years later, Paglapur is isolated, and in need of help. The residents seek help, but as a direct result of being left off the map, they find no one willing to accept Paglapur, and its problems, as their jurisdiction. The villagers decide they need to draw media attention to Paglapur, and in so doing, gain acceptance and help from those who had previously denied them.