A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.
NecroPhiladelphia splatter punks celebrate Christmas with old pagan customs and putrifaction passion.
Four soldiers from different European countries (Germany, Greece, Italy and Yugoslavia) find themselves up against a common enemy.
In the cut-throat world of High School Speech & Debate, if you aren’t a winner, you’re a loser
Spencer and Bru break into his HQ and capture notorious drug lord Manuel Santiago of a DEA Agent. Santiago's angered assistant, Mason Lee, takes the school hostage where Kelly is teaching and Jessica is one of the students in attendance in retaliation to Santiago's capture. Alison, knowing a way in, joins Spencer and Bru in the rescue.
A group of friends meet after some years apart and decide to go on a treasure hunt.
A stalker tackles three women in London. First 23-year old likable schoolteacher Zoe Haratounian, who beats off a thief and gets declared a local heroine by the press, gets scary anonymous letters, but because she runs off from the police station when the desk officer cheerfully calls her 'our poster girl' to a colleague when recognizing her on a press cutting, it takes days before the police can even send over PC Andrew Stadden, a detective in training. She breaks up with her 'not sensitively supportive' hunky boyfriend, gardener Fred, who even gets investigated as a suspect and only has his soccer mates Maurice 'Moz' 'Hack' ...
It’s cross and double-cross in these further adventures of Ryuzen, the wayward priest played by Katsu Shintaro as he tries to help a woman who may be the heir to a fortune get what is rightfully hers. Matsuo Kayo, who first rose to international stardom as ‘the supreme ninja’ in “Shogun Assassin” gives an outstanding performance in this clever and exciting caper tale set in the samurai era. Ryuzen agrees to help her, but is he just in it for himself, and is she really who she claims to be? When they come up against Boss Tobei it’s a virtual free-for-all as everyone struggles to walk away with a fortune in gold!
Project manager Kevin returns to his childhood on the island of Sylt on a vacation with his daughter, motivated by closing a big deal there, since his company plans to build luxury apartments on a piece of land.
Six college students go into the wetlands to find their missing professor after he takes off in search of the mythical and deadly monster known as the 'Swamp Freak.'
The head of a gang of criminals in Arizona tries to kidnap a girl, but is hindered in his intentions by a handsome mining engineer and a federal sheriff.
In a playful critique of the mechanisation of the body and the militarisation of the workplace, Zhou Tao collages choreographed chants that take place in morning group meetings – a form of taking attendance at the beginning of a workday – for shops and companies in Shanghai and Shenzhen.
Kyōko is a woman with a promiscuous past who is sexually unsatisfied with her marriage. Her frustrations lead her to have hedonistic dreams, such as her mother and grandfather having sex together. Seeking to rejuvenate her marriage, she throws a wild party. The ploy is a success.
A "captured" Japanese newsreel. Civilian defense shows an aircraft spotter painting spots on aircraft and a fire prevention HQ that already burned down. Kitchen Hints shows the construction of a sandwich from bread and meat ration cards. Poisonalities in the News shows Yamamoto walking on stilts and boasting of plans for the White House, contrasted with the room reserved for him: an electric chair. A submarine, launched 3 weeks ahead of schedule, is still being built. A plane's new landing gear is a little man on a tricycle. A minesweeper uses a giant broom.
When Anus Magillicutty's woman stops a would-be assassin, Anus is forced to interrupt his life of guzzling beer and women to dispose of the corpse. What starts as a simple chore quickly escalates into a darker plot of deceit and revenge where it seems even Satan himself is after Anus.
“Children of the Street” examines the gritty reality of four children living on the streets of Mexico City. Filmed during September and December of 2001, this dramatic and moving documentary follows Marcos, Erika, Antonio and Juan as they get high, visit their families, and struggle to survive in the world’s largest metropolis.