On his journey towards becoming a film director, Cole discovers an insight that flips his perspective on his way of living.
People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.
When a rich woman's ex-husband and a tabloid-type reporter turn up just before her planned remarriage, she begins to learn the truth about herself.
When an army commando finds out his true love is engaged against her will, he boards a New Dehli-bound train in a daring quest to derail the arranged marriage. But when a gang of knife-wielding thieves begin to terrorize innocent passengers on his train, the commando takes them on himself in a death-defying kill-spree to save those around him — turning what should have been a typical commute into an adrenaline-fueled thrill ride.
Tom steals an egg from a mother duck's nest, but soon the resultant hatchling runs away from the cat and into a mouse hole, where it finds an able protector in Jerry.
Ean has a critical mission to return to the future to save everyone. However, she becomes trapped in the distant past while trying to prevent the escape of alien prisoners who are locked up in the bodies of humans. Meanwhile, Muruk, who helps Ean escape various predicaments, is unnerved when he begins sensing the presence of a strange being in his body. Traveling through the centuries, they are trying to prevent the explosion of the haava.
Lontoo, 1929. Frank Webber, Scotland Yardin kiireinen etsivä, tuntuu olevan enemmän kiinnostunut työstään kuin tyttöystävästään Alice Whitesta. Alice tuntee itsensä sivuutetuksi ja suostuu treffeille tyylikkään ja hyväkäytöksisen taiteilijan kanssa, joka kutsuu hänet hienoon asuntoonsa.
A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.
Owen, a young man is dissatisfied with his life. He heads into the forest to escape and learns a lot during his time there.
Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.
Fantaghiro and Romualdo are preparing their marriage when the Black Queen disgusted by their deep love captures Fantaghiro's father. Romualdo and his soldiers go on their journey to free him. But the insidious Black Queen transforms herself into Fantaghiro, makes Romualdo her slave by kissing him and captures the rest of his army. Fantaghiro follows Romualdo although she promised him to stay home, finds the camp deserted and enters the near castle of the Black Queen. When she asks for a duel to free her people she is very surprised to face Romualdo who has forgot her completely due to the magic of the Black Queen.
"I'm not what I believe to be, I have to go behind my face". Olivier de Sagazan is a painter/sculptor. In 1996 start with performance art, over 100 performances in USA, China, India and Europe. In his existential performative series « Transfiguration », he builds layers of clay and paint on his own face to transform, disfigure and take apart his own figure, revealing an half human and animal who is seeking to understand his real nature. At once disquieting and deeply moving, this new body of work reveal the puppet and the puppeteer that we have inside of us. As he says: « We are living in a collective hallucination. Art can be a knife to open this masks and illusions and observe them by the distance through the creative process.
On a farm owned by Eve Trent and her sister Mary, young archaeologist Angus Flint discovers a large and inexplicable skull, which he soon deduces belonged to the D'Ampton Worm, a mythical beast supposedly slain generations ago by the ancestor of the current Lord D'Ampton. The predatory Lady Sylvia Marsh soon takes an interest in both Flint and the virginal Eve, hinting that the vicious D'Ampton Worm may still live.
The relationships of three men are examined through their use of technology.
Crazy old Professor Gangreen has developed a way to make tomatoes look human for a second invasion.
The director Misha Tumelya and animators Sasha Dorogov and Alexandr Petrov presented this short to Roy E. Disney as a tribute for the 60th anniversary of Mickey. A little over two minutes in length, the cartoon shows a young boy in black silhouette going to a line that divides the screen image in half. It is like a mirror with the young boy on one side and the classic black and white Mickey Mouse in black silhouette on the other side.
Ichiro Miki is a child living in the industrial district of Kawasaki, where his parents' constant struggle to make ends meet often leaves the schoolboy alone. Constantly teased by a bully nicknamed Gabara, his only friends are toy consultant Shinpei and fellow classmate Sachiko. Ichiro turns to escapist dreams of Monster Island where he befriends the equally bullied Minilla.
Kim Marsden inherits a cattle station near Alice Springs after the death of her father. Kim becomes convinced her father was murdered. She sends for a legendary local bushman called the Sundowner, who was one of her father's best friends.