Story of two young siblings compassion for each other and how they overcome obstacles in life.

Letni dzień. Dorosłe dzieci odwiedzają swoich starych rodziców w rodzinnym domu. Syn i córka rzadko przyjeżdżają, a są tu teraz z powodu rocznicy śmierci najstarszego syna, który utopił się przed piętnastoma laty. Miłość, niechęć i rodzinne sekrety stanowią delikatną więź między nimi. Na ekranie jeden dzień z japońską, doświadczoną przez życie radością i smutkiem rodziną.

An old postman has spent his whole life delivering mail to the mountain of Hunan and is about to retire, his only son due to take over his duties.

Po śmierci ludzie mają jedynie tydzień na wybranie tylko jednego wspomnienia z całego swojego życia, które mogą zabrać ze sobą do wieczności.

A boy lives with his Grandma and Mr. Lin, the tenant who looks after him and Grandma. But when Grandma passes away, the boy's uncle returns to Taiwan and discovers that ownership of the apartment was transferred to other people.

W 1808 roku, na wyspie słynnej z powodu wielkiego młyna na niej się znajdującego, ma miejsce seria tajemniczych morderstw. Rząd wysyła na wyspę specjalnego wysłannika, który ma złapać zabójcę, jednak cała wioska twierdzi, że za morderstwa odpowiedzialny jest duch.

Tantra and Tantri are inseparable. When they secretly steal eggs from the family’s sacrificial offering, Tantri always gets the whites and Tantra the yolks. One day, however, the yolk is missing, as is Tantra. Her brother gravely ill and in hospital, Tantri starts slipping into magical parallel worlds, approaching the inevitable farewell through costumes, body paint and dance. When at one point Tantri’s mother washes the paint from her face, it is as if tenderly to expel the illusion that things can remain as they are. In long dream sequences and against the background of the Balinese philosophy of sekala – the seen – and niskala – the unseen – Andini relates how one ten-year-old girl deals with parting and grief.

In his new film, an intriguing and delicately crafted drama, Malmros portrays the poignant story of a man, who grew up in very modest circumstances in the early years of the 20th century, but whose diligence, intelligence and willingness to endure hardship helped him to become a leading brain surgeon. A success story on the face of it, but a story about a man - who is none other than the director's father - a man of powerful emotions. The film explores the nature and origin of the guilt that repeatedly deprived him of happiness.

19-year old Ah Loong is in charge of a street stall selling pirated VCDs. Ah Loong is an incurable romantic with a unique hobby – he loves to read and write poetry. Quite content to carry on being the Romeo of the slums, Ah Loong's life takes on a sudden change one day when a 16-year old Malay schoolgirl arrives at his stall in search of Wong Kar-Wai films.

Sześcioletni Yusuf (Bora Altas) rozpoczyna edukację w pierwszej klasie szkoły podstawowej. Jego ojciec Yakup (Erdal Besikçioglu) jest pszczelarzem, który zbiera miód w lesie. Dla Yusufa położony w górach las, kryje wiele fascynujących tajemnic i chłopiec czerpie wielką satysfakcję towarzysząc ojcu. Podczas wyprawy Yusuf opowiada ojcu swój sen, który ma być ich wspólną tajemnicą. Tego samego dnia Yusuf czytając na głos w trakcie lekcji, nagle zaczyna się jąkać. Jakiś czas później, Yakup odkrywa zniknięcie pszczół, aby zarobić na utrzymanie rodziny, decyduję się udać w odległe góry. Podczas nieobecności ojca, Yusuf zupełnie traci głos. Dni mijają, a Yakup nie wraca, syn i matka Zehra (Tülin Özen) są coraz bardziej zaniepokojeni. "Miód" jest ostatnia częścią trylogii Semiha Kaplanoğlu.

Rok 1702. Młody samuraj Aoki Sozaemon (Okada Junichi), opuszcza dom rodzinny i przenosi się do Edo (obecnie Tokio) w poszukiwaniu Kanazawa Jubei (Asano Tadanobu), mężczyzny, który zabił jego ojca.

Rawang, an immigrant from Bangladesh living in awful conditions, takes pity on a Chinese man, Hsiao-kang, who is beaten up and left in the street. Rawang lovingly nurses him on a mattress he found. When he is almost healed, Hsiao-kang meets the waitress Chyi. His love for Rawang is put to the test.

A documentary about Barão Vermelho, one of Brazil's most famous rock bands during the 1980s, following its steps through archive footage and interviews with all of its remaining members and associated parties.

Kie Hirano is an ordinary OL who often daydreams. Mitsumasa Kodai at the same company as Kie Hirano, but he is an elite salaryman. He is the eldest son in the Kodai family and he is also telepathic. Mitsumasa Kodai got his special ability to read other people's mind from his British grandmother. Mitsumasa becomes attracted to Kie's warm heart and her dreamy temperament. They begin to date and enjoy their days together, but Mitsumasa Kodai's mother calls.

A 30-something slacker finds his carefree life turned upside down when he falls for his sister's teenage babysitter.

A boy from a small town has never kissed a girl. One day he and his friends decide to go to the 'big city' to see if they have more luck there. In the city, the boys get much more than they bargained for.

A popular high school girl finds out that a boy she slept with is HIV positive.

In order to to see his idol, Jimi Hendrix, a twelve year old boy attempts a journey from his Quebec village to Woodstock.

While he loses his clandestine work, and because he believes that Maroussia and him will no longer be able to love each other as well, Frank leaves to earn as much as she: twelve thousand, just what it takes to have a year before them. No more no less.

She was a muse, model and performer – a star, dazzling and intense. Lady Shiva managed to rise from street prostitution to the top. She lived in the fast lane and died tragically young. Her dream was to become a singer. With her companions, we trace her life during a vibrant time that kindles a yearning and provokes until today. The story of a woman’s meteoric fate and a great dream. An irrepressible desire for freedom in all its beauty and destructive force - and a stirring friendship and love.