The special is hosted by Tony Danza and Annie Potts celebrating 50 years of William Hanna and Joseph Barbera's partnership in animation. This is the first animated project to be broadcast in Dolby Surround sound system.
For the first time in her career, global superstar Billie Eilish is releasing a visual record of her formidable live performance. Featuring intimate and unforgettable moments between Billie and her audience, this compelling concert film takes viewers on a visually captivating journey from beginning to end, to the heart of Eilish's record-breaking sold-out Happier Than Ever, The World Tour.
A study of the underground music scene in the former Eastern Bloc city of Timisoara, Romania, in the first decade following the fall of the Communist regime.
Prawdziwa historia dwóch małych chłopców w wieku 5 i 7 lat, którzy porzuceni przez matkę w 1948 roku uciekli do lasu. Przeżyją tam siedem lat i stworzą więź, która połączy ich na zawsze. Kilkadziesiąt lat później dwaj bracia porzucają wszystko, aby się odnaleźć. Jednak przeszłość i tajemnice dopadają ich nawet na drugim końcu świata.
There was an important event in the Khudyakov family - the eldest daughter gave birth to a son. However, the young mother flatly refuses to name the child's father. In order to give his grandson a middle name, Khudyakov instructs his son to find the father of the newborn.
Wile E. Coyote hopes to stop and catch the Road Runner using a huge, boulder-throwing catapult. But no matter where Wile E. positions himself, the catapult drops the boulder on him.
Out of work, Woody complains about his not having any living quarters. A slick talking con man convinces him to buy some "magic beans" promising they will guarantee him a home. Sure enough, Woody climbs the resulting beanstalk and finds a huge castle at the top. Unfortunately, the castle is already occupied by a sleeping giant who Woody eventually outwits, turning his castle into a series of apartments with the giant as a bellboy and Woody as his manager.
The story of the person who became the captive of surrealistic madness.
It is 9 April 2023, 4:20 p.m. sharp. A soundscape of artillery, gun salvos and death cries brings the halls of the Backstage-Werk in Munich to life. The visitors in the packed hall look eagerly at the first world war scenery that has been erected on stage shortly before. The hooded musicians climb onto the stage and bring the audience at the Dark Easter Metal Meeting to the boil for the second year in a row. 50 minutes of brutal death metal paired with melodic black metal rain down on the audience like a drumfire. At 5:10 pm the spectacle has come to an end, leaving an oppressive, queasy feeling in the stomach. This was probably one of the most impressive shows Kanonenfieber have ever played.
Johan Ten Berghe joins the Dutch army when the Dutch East Indies unilaterally declare independence as Indonesia. He initiates his naive driver Twan in life in the East, having grown up there as son of colonial official Hendrik, now missing. Their adventures intertwine with Johan's childhood memories, especially concerning his native best friend, Oeroeg, who joined the rebellion, as well as their nanny and later de facto stepmother. Conflicting loyalties become tangible in extreme situations
Johan Carl Joensen, a Danish colonial manager in Greenland, drives his dog sled in Copenhagen’s Fælledparken. (stumfilm.dk)
“Poussières de Juillet”, produced in 1967 by Hachemi El-Chérif, is taken from a poem by Kateb Yacine. "We made a film on the return of the ashes of Emir Abdelkader, to Algeria. It was the opportunity to make a film on the ancestors with M'hamed Issiakhem. He designed glass plates on the basis of my texts. Then we had actors collaborate. It was a film which cost us a total of 300 dinars, proof that we could do work for television without too much money. We won two first international prizes at the Belgrade festival. We left the original of the film with the Egyptians in Alexandria and they lost it. We kept a copy but over time I wonder what happened to it, because there is no not even had a screening, they say it still exists, but I don't know in what state." Kateb Yacine, July 28, 1986, interview with Arlette Casas.
A revenge story in a post-apocalyptic wasteland.