Ichijoji is a street punk who stumbles across Mari and her cat. Mari and Ichijoji immediately fall in love but are chased by both yakuza and corrupt cops.

A documentary film depicting five intimate portraits of migrants who fled their country of origin to seek refuge in France and find a space of freedom where they can fully experience their sexuality and their sexual identity: Giovanna, woman transgender of Colombian origin, Roman, Russian transgender man, Cate, Ugandan lesbian mother, Yi Chen, young Chinese gay man…

It is the summer of 1968 and also in South Moravian Pálavice appear political clashes. The so far peacefully farming Unified farmers' cooperative starts splitting. Some of the farmers have found the cooperative called Vidrupa and want to deal with wine in private trade. Michal Janák, chairman of the farmers' cooperative is a deliberate man and refuses the latent return to the capitalism. As an excellent farmer he continues preparing planting out new vineyards. His adversaries do not agree - the returns will come many years later. Jozka Hrdlicka, an émigré, notices on the Austrian TV the interview with the representatives of Vidrupa and decides to visit his native village. The new suit and the hired car transform the bankrupt and criminal to the successful businessman with wine.

Shota Kadomatsu, a first-year high school student who transferred to a private Takehana Boys' High School surrounded by four girls' high schools just because he wanted to have a girlfriend. However, the class he entered was a group of problem children, Class 1 G, who were isolated from the school building and feared by the teachers. Shota is surprised by the dilapidated classroom and his classmates with strong quirks, but he spends his days happily in love and friendship. However, the evil organization Tennokai, which was supposed to have been crushed by the urban legend of the delinquent group G-Men after a deadly battle, was closing in on them.

Do, Re and Mi in this sequeal tells the tale of a group of gangsters who are planning to rob a bank. So they use this oppurtunity to con them out of it and capture them at the same time. Many comedic memorable moments are carried out through the movie.

Part police thriller and part exploration of the dark side of men's attitudes about women, Hygiene de l'assassin concerns a young female journalist, Nina (Barbara Schulz). Nina has scored a plumb assignment, an interview with Tach (Jean Yanne), a well-known but reculsive novelist who rarely speaks to the press. After he passes along his less-than-charitable views about women (including the belief they should be killed in childhood, before they start to menstruate), Nina concludes the interview, but soon finds herself interrogated by police when Tach is found dead and she is the key suspect.

A mortician seeks revenge against a serial killer who has murdered her sister. However, there is a case of mistaken identity and she begins to target her psychiatrist instead.

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

A lonely man finds himself bedeviled by a malevolent force. But is it real or just all in his mind? (ALTER)

A short film made by Yuri Norstein for the 60th anniversary of the October Revolution, The 25th - the First Day recounts that day using art from the revolutionary period.

Edward Livingston, an English professor at the Travancore Maharaja College. As the defiant students continue to split into warring factions, Livingston sets out to restore order and make the campus a better place for everyone.

Tonho Tiê really likes living free, playing capoeira and drinking. During Carnival he meets beautiful Zulmira; they pledge love and projects for many children. But time passes and Tonho returns to being the womanizer he had always been. Zulmira, daughter of Iansã, cannot stand Tonho's brazenness, and asks her saint-mother to wash her honor with blood.

Migrating by sea from Holland as an eight-year-old, Dirk de Bruyn went on to be a doyen of Australian experimental cinema. But as this intimate film reveals, his work is suffused with the trauma of migration, and the struggle to recognise himself as a ‘new Australian'. In conversation with documentarian Steven McIntyre, Dirk guides us through more than 40 years of his filmmaking: the early years exploring technique and technology, a subsequent phase of unflinching self-examination brought on by upheaval and overseas travel, and more recent projects where he attempts a fusion of personal, cultural, and historical identity. What emerges is an inspiring, rugged, and at times poignant portrait of an artist committed to self-expression and self-discovery through the medium of film.

Four paranormal students get much more than they bargained for at a secluded beach volleyball complex.