One of the world's biggest bands returns to the scene of their Live Aid triumph (one year earlier in 1985) to play all their greatest hits in front of a packed Wembley Stadium.

Live performance from the legendary band, recorded live at Earls Court in London on 20th October 1994, during The Division Bell tour.

Featuring a wealth of previously unseen archive, this film looks at how Bowie continually evolved: from Ziggy Stardust to the Soul Star of Young Americans, to the ‘Thin White Duke’. It explores his regeneration in Berlin with the critically acclaimed album Heroes, his triumph with Scary Monsters and his global success with Let’s Dance. With interviews with all his closest collaborators, David Bowie - Five Years presents a unique account of why Bowie has become an ‘icon of our times’.

Animals Are Beautiful People (aka Beautiful People) is a 1974 nature documentary about the wildlife in Southern Africa. It was filmed in the Namib Desert, the Kalahari Desert and the Okavango River and Okavango Delta. It was produced for cinema and has a length of slightly more than 90 minutes.

James Isaac Neutron, pint-sized kid genius with the wild pompadour and the robot dog Goddard, is a weirdly marvelous creation in this age of brain-dead Saturday mornings. His vocabulary is consistently challenging—even for some adults—and his ideas are insanely intricate and fun, and yet he retains that aura of silliness and ridiculousness so vital to kids' programming. The show's Retroville setting is a perfectly vivid and colorful environment for Jimmy to thrive in. Characters interacting with Jimmy include his pie-obsessed dad Hugh Neutron, his loving 50s-TV-show-patterned mom Judy, and his friends—Far Side-inspired Carl, Ultralord-obsessed Sheen, and Kirsten Dunst-soundalike Cindy. It's a fun ensemble whose actions appeal to the kiddie set but whose words often aim for the parents. You get fart jokes combined with quotes from Shakespeare and words like "exacerbate."

From childhood to fatherhood, Piero learns things the hard way while growing up in a working-class neighborhood of Livorno.

Freshman high-school student Melinda has refused to speak ever since she called the cops on a popular summer party. With her old friends snubbing her for being a rat, and her parents too busy to notice her troubles, she folds into herself, trying to hide her secret: that star senior Andy raped her at the party. But Melinda does manage to find solace in her art class headed by Mr. Freeman.

Eddie Izzard's routine has a loose trajectory from the beginning of the Old Testament and the creation of the world in seven days to Revelations. Along the way, we learn of the search for a career, bad giraffes, Prince Philip's gaffes, toilets in French campsites, the mysteries of hopscotch, becoming one's Dad and tranny bashing.

A look at modern-day life in China's capital centered on a ménage-a-quatre involving a young woman, her boss, her husband and her boss's wife.

The men of Bravo Company are facing a battle that's all uphill… up Hamburger Hill. Fourteen war-weary soldiers are battling for a mud-covered mound of earth so named because it chews up soldiers like chopped meat. They are fighting for their country, their fellow soldiers and their lives. War is hell, but this is worse. Hamburger Hill tells it the way it was, the way it really was. It's a raw, gritty and totally unrelenting dramatic depiction of one of the fiercest battles of America's bloodiest war. This happened. Hamburger Hill - war at its worst, men at their best.

Live concert by Pink Floyd in Piazza San Marco, Venezia, in 1989, performing: Shine On You Crazy Diamond, Learning To Fly, Yet Another Movie, Round And Around, Sorrow, The Dogs Of War, On The Turning Away, Time, The Great Gig In The Sky, Wish You Were Here, Money, Another Brick In The Wall, part two, Comfortably Numb, Run Like Hell.

After the India of Varanasi’s boatmen, the American desert of the dropouts, and the Mexico of the killers of drugtrade, Gianfranco Rosi has decided to tell the tale of a part of his own country, roaming and filming for over two years in a minivan on Rome’s giant ring road—the Grande Raccordo Anulare, or GRA—to discover the invisible worlds and possible futures harbored in this area of constant turmoil. Elusive characters and fleeting apparitions emerge from the background of the winding zone: a nobleman from the Piemonte region and his college student daughter sharing a one-room efficiency in a modern apartment building along the GRA.

Michael Lamb is a Father questioning his calling, in a Reform School in Ireland. When young epileptic runaway Eoin is sent to the school, the two recognise kindred spirits and escape to London together. With the police on their tail and the money running out however, Lamb is forced to make some terrible decisions.

A recently widowed detective still grieving over his wife's death discovers a shocking connection between himself and the suspects in a serial killing spree linked to the Four Horsemen of the Apocalypse.

A revenge-seeking gold digger marries a womanizing Beverly Hills lawyer with the intention of making a killing in the divorce.

Oskar is on the night train heading home after an interview in Stockholm. With a long night ahead of him, he makes eye contact with Ahmad. For the first time, he meets the gaze of someone who feels the same desire as he does.

In the beginning of the 20th. century Italian actor Guido Guidi, more enthusiastic than talented, and his ensemble tour Texas. The mysterious and obviously rich Peppino Garibaldi gives them an offer, they can’t deny: For a large amount of dough they should play “Richard III.” in the Mexican town Vera Cruz. But Peppino is not really interested in cultural affairs: He supports “La Revolución” and “General” Carasco, who utilizes the feastful premiere of “Richard III.” to raid Vera Cruz for Comandante Zapata. But shortly after the Mexican Army shows up with some canons in tow to sort things out. Guidi and Padre Albino, Italian like him, succeed to flee and save Carasco accidentially from the firing squad. Whereas the latter coninues his revolutionary fight, Guidi and Albino start an odyssey through the struggling Mexico, which lets them fall one time in the hands of Carasco the other time in those of Herrera or even in the clutches of “hand-taking” bandidos.

Naive young Karen wants to help her struggling amateur filmmaker boyfriend Christopher raise enough money so he can divorce his wife. Meanwhile, jolly psycho-prankster Otto stalks the building where Christopher is shooting a low-grade adult movie in order to keep himself afloat.

In this witty monologue, Quentin Crisp advises and opines about personal style (with a few digressions).