Nadezhda Reshetova lives in a small provincial town - a young, charming woman, and also the head of the construction department at the local mayor's office. Everyone loves her, and some (like the drunkard neighbor, for example) are even afraid of her. But Nadya has not yet met her fate. She lives with her beloved grandmother and loves to fish: every weekend she goes overnight to the river in her Zhiguli. And then on one of these weekends, Nadya meets the “prince on a white horse.” This is Victor, a businessman from Moscow, a horse riding enthusiast. The acquaintance began romantically and continued like in a fairy tale. Soon the wedding was scheduled.
A woman who is about to die calls the town's priest and hands him a scapulary, saying that she knows of its great powers. Anybody who does not believe in them will end up dead.
Taking its title from an archaic Japanese word meaning "ghost story," this anthology adapts four folk tales. A penniless samurai marries for money with tragic results. A man stranded in a blizzard is saved by Yuki the Snow Maiden, but his rescue comes at a cost. Blind musician Hoichi is forced to perform for an audience of ghosts. An author relates the story of a samurai who sees another warrior's reflection in his teacup.
An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening. Later he has an affair with a young lady, who becomes a maid and does similarly with the young man of the house. The young man seduces a married woman. On and on, spinning on the gay carousel of life.
Bruno Stroszek is released from prison and warned to stop drinking. He has few skills and fewer expectations: with a glockenspiel and an accordion, he ekes out a living as a street musician. He befriends Eva, a prostitute down on her luck and they join his neighbor, Scheitz, an elderly eccentric, when he leaves Germany to live in Wisconsin.
A middle-aged man meets a young woman who is waiting on a canal bridge for her lover's return.
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
A young man attempts to fight the system in an entertaining account of bureaucracy amok and the tyranny of red tape. Restored by the Academy Film Archive and the Instituto Cubano del Arte e Industrias Cinematográficos in 2019.
In occupied Paris, an actress married to a Jewish theater owner must keep him hidden from the Nazis while doing both of their jobs.
Pierre Lachenay is a well-known publisher and lecturer, married with Franca and father of Sabine, around 10. He starts a love affair with air hostess Nicole, which Pierre is hiding, but he cannot stand staying away from her.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Madame Jouve, the narrator, tells the tragedy of Bernard and Mathilde. Bernard was living happily with his wife Arlette and his son Thomas. One day, a couple, Philippe and Mathilde Bauchard, moves into the next house. This is the accidental reunion of Bernard and Mathilde, who had a passionate love affair years ago. The relationship revives... A somber study of human feelings.
Nick is desperate, holed up in a cheap hotel, suffering from an ulcer and convinced that a local mob boss wants him killed. Desperate and terrified, he calls Mikey, his friend since childhood and a fellow gangster. So begins a long night…
Salvatore and Romolo are two young and poor young men that are neighbours and friends. They live with their parents in Piazza Navona, Rome. They are poor but handsome, and both fall in love with Giovanna.
Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.
A shy and mute seamstress goes insane after being attacked and raped twice in one day. She wanders the New York streets at night in a sexy black dress with her attacker's gun strapped to her garter belt, blowing away any man who tries to pick her up.
Larita Filton is named as correspondent in a scandalous divorce case. She escapes to France to rebuild her life where she meets John Whittaker. They are later married, but John's well-to-do family finds out Larita's secret.
Edgard works as a subordinate in the company of millionaire Werneck and is in love with Ritinha, a simple woman who works as a teacher to support her mother and her three sisters. One day, Peixoto, Werneck's son-in-law, makes him a proposal to marry Maria, the boss's daughter. The reason is that Maria was abused and now is being forced to marry by her family. Edgard hesitates first but accepts the offer. From then on he enters into a great doubt: should he deposit the check and marry Maria or stay with Ritinha, his great love?
A week on St-Martin with vacationing Parisians. Camille surprises her lover Philippe, who's with his wife and children. Lonely Laurette, a secretary, hopes to meet a man. Aziz brings his enthusiastic brother Rafik because his boss had two tickets he couldn't use. Lovers Pauline and the pregnant, cranky Anita find their vacation complicated by an ex-lover of Pauline's. The playboy Jimmy is the hotel M.C., and Carla, free-spirited and sensual, coaches Laurette in the ways of seduction. She is hot and cold to these wiles, alternately attracting and putting off Aziz, hoping Jimmy will try to seduce her, and afraid he might. By week's end, with the help of Camille's diary, we'll know the outcomes.