Pinky and the Pinky Police is a Newfoundland film aired at the Zedric's Film Festival 1984. It won a golden award for best flick.
Three chords, three countries, one revolution...PUNK IN AFRICA is the story of the multiracial punk movement within the recent political and social upheavals experienced in three Southern African countries: South Africa, Mozambique and Zimbabwe.
30 years after their first encounter, Kimiavi goes to find Dervish Khan Esfandiarpur again to witness the persistency of his ‘surreal’ behaviour through time. The dervish dancer may have become an old man but his garden and rituals all remain…
Sonny, an eight year old boy, is sent away from home because his father believes he has characteristics that could lead to homosexuality. After twenty four years of treatment and psychiatric institutions, Sonny returns home for a funeral, and attempts to save his seven year old niece from experiencing a similar fate.
David McDoll (John Savage) ist ein egoistischer und wohlhabender Mann und führt eine Modelagentur. Er lebt einen extravaganten, luxuriösen Lebenstil in einer Villa an der Côte d’Azur und sammelt schicke Nobelkarossen. Doch sein Leben wird urplötzlich und unerwartet auf den Kopf gestellt, als er von seinem Anwalt und Freund (Burt Young) erfährt, dass ihm seine drei Töchtern das Sorgerecht für seine insgesamt sechs Enkelkinder übertragen haben. Alle ziehen bei ihm ein, samt drei kleinen Hündchen. Nun versinkt sein glamouröses Leben im völligen Chaos, aber er entdeckt nach und nach, wie wertvoll ein Leben jenseits des Jetsets mit einer eigenen Familie ist.
A self-portrait documentary of Dusan Makavejev who travels to former Yugoslavia, and charts the changes of the society which parallels to his own life.
"Renee" tells the story of Renee Richards' battle to enter the 1977 U.S. Open as the first transgender tennis player. Simultaneously, it follows her today as she struggles to cope with a life of contradictions and personal conflict. Through interviews with tennis legends, family, friends and experts from the transgender field, a story of perseverance, breakthrough and hardship unfolds.
Hayseed Egghead arrives in the big city of Bagdad and quickly wins a magic lamp in a carnival coin-operated crane game. The shady character who was playing the game before him covets the lamp, and tries to steal it. Egghead sees a poster: The sultan is having a contest for his daughter's hand in marriage. With his lamp, Egghead thinks he's a sure bet; he conjures up a magic carpet, and he's off. After a couple bad vaudeville acts, it's Egghead's turn, but in the meantime, the bad guy swapped the lamp for a coffeepot. Egghead is thrown out, then sees the bad guy using the lamp; Egghead breaks in, steals the lamp and the girl, and flies off. But she uses the lamp herself to conjure up a real hunk to replace the nerdy Egghead.
Two courting hillbilly dogs go to the big barn dance.
A group of wannabe ghost hunters set out to shoot a pilot in the old Hewitt house which is rumored to be haunted, faking everything, and get more than they bargain for. Eventually, things begin to happen at the house that cannot be easily explained. Is the house really haunted? Can anyone be trusted? We are at our most vulnerable when presented with our greatest desires or confronted with our greatest fears.
Two-disc Blu-ray release capturing the final of "Minori Chihara's Live Tour 2019 -SPIRAL-" held at Nakano Sun Plaza. Also includes backstage footage, interview footage and making-of.
In the year 2035, survivors of a now almost completely evacuated post-apocalyptic Britain compete for a government bounty to retrieve a mysterious bio weapon known only as Unit Eleven.
Two 16mm films simultaneously project images of Le Corbusier’s iconic white Villa Savoye outside Paris, and its doppelgänger, a black copy located in Canberra, Australia. Each film has been printed on 16mm stock as a negative image, or polarity print, thus reversing light and dark. The Antipodean black Villa Savoye is, in fact, an ethnographic institute, dedicated now to the digital duplication of its extensive collections of anthropological films, photographs, slides and sound recordings, as Siegel reveals in a high definition colour video. The work enacts the infinite loop of recorded artefacts—the urgency to document and record “vanishing” rituals and cultural practices becomes instead the contemporary archival impulse to copy vanishing media formats to digital. These concatenated elements extend the artist’s engagement with architecture as a foil, enacting and revealing across constellation-like works, layered sociological and aesthetic concerns.
When a young journalist suspects the disappearance of a beautiful artist is connected to murders that took place 20 years earlier, she uncovers a reality she never could have imagined. Inspired by true events.