With more than 50 million Latinos now living in the United States, Latinos are taking their seat at the table as the new American power brokers in the world of entertainment, business, politics and the arts. As Latinos’ influence in American society has soared, they have entered mainstream American culture, and the proof is in the music. Executive produced by legendary music mogul Tommy Mottola, THE LATIN EXPLOSION: A NEW AMERICA features a dazzling array of artists at the center of Latino cultural power and influence, including Marc Anthony, Emilio Estefan Jr., Gloria Estefan, José Feliciano, Eva Longoria, George Lopez, Jennifer Lopez, Los Lobos, Cheech Marin, Ricky Martin, Rita Moreno, Pitbull, Romeo Santos, Shakira, Thalía and Sofía Vergara. Narrated by John Leguizamo.

A recap of Kimetsu no Yaiba episodes 11–14, with new footage and special end credits. Tanjiro ventures to the south-southeast where he encounters a cowardly young man named Zenitsu Agatsuma. He is a fellow survivor from Final Selection and his sparrow asks Tanjiro to help keep him in line.

A man lurks the night alleys, killing people at random, he feels nothing, no emotion, and no pain; when he meets a graceful widow he must confront what it means to be human.

Lu has a perfect life. Or so she pretends to have. She meets the handsome, short-tempered Argentinian, Diego, who is on a visit to Mexico, and she is confident to get him head over heels in love with her. In order to win a wager with her friends, her life will take a turn when she does the impossible to win him over, including taking a trip to Argentina to look for him.

A young alcoholic ambient musician locks himself in his apartment on a dangerous seven day bender as he attempts to finish his upcoming album.

Μετά από την επταετή του φυλάκιση για φόνο, ο Ράσελ πιστεύει ότι έχει εξοφλήσει το χρέος του απέναντι στην κοινωνία, αλλά τα αδέλφια του νεαρού άντρα που δολοφονήθηκε δεν έχουν την ίδια άποψη. Περιμένουν τη στιγμή που θα αποφυλακιστεί, διψασμένοι για αίμα και εκδίκηση. Λίγο πιο κάτω, στον διαπολιτειακό αυτοκινητόδρομο προς τη Λουϊζιάνα, η Μέιμπεν και η μικρή της κόρη κάνουν οτοστόπ κάτω από τον ανελέητο ήλιο, με όλα τους τα υπάρχοντα σε μία σακούλα σκουπιδιών. Απεγνωσμένες και εξαντλημένες, ξοδεύουν το τελευταίο τους δολάριο σε ένα μοτέλ. Αλλά λίγο πριν το ξημέρωμα, η Μέιμπεν τρέχει στο σκοτάδι με ένα πιστόλι στο χέρι. Ο σερίφης είναι νεκρός, ξαπλωμένος στο έδαφος με τους προβολείς του περιπολικού του να τον λούζουν στο φως. Όταν ο Ράσελ καταφθάνει στο σημείο, τα μάτια του νόμου δεν μπορούν παρά να στραφούν σε εκείνον, ειδικά με το όπλο που έχει χώσει για προστασία κάτω από το κάθισμα του φορτηγού.

Δυσαρεστημένος με το όπλο του, ο Τζίγκεν ψάχνει τον καλύτερο οπλουργό στον κόσμο. Τελικά ανακαλύπτει ότι η Τσιχάρου, η οποία έχει κατάστημα ρολογιών, είναι το άτομο που ψάχνει. Κατόπιν γνωρίζει την Ότο, που έρχεται στην Τσιχάρου για ένα όπλο. Μαθαίνει για τα μυστικά της Ότο και τη μυστηριώδη οργάνωση που την κυνηγά. Μετά την απαγωγή της Ότο, ο Τζίγκεν δίνει μια απεγνωσμένη μάχη για να τη σώσει.

A worn-out, aging shearer who once rained king of the high country, gets on the gear to keep up his numbers. But when the drugs take over he must learn what it really means to be a man, before he loses so much more than his country pride -- MAN.

A high school coach, whose teenage daughter was murdered, takes matters into his own hands by going after the men who kidnap his students for their sex trafficking operation.

A recap of Kimetsu no Yaiba episodes 55–56, with new footage and special end credits. Tanjiro undergoes rigorous training with the Stone Hashira, Himejima, in his quest to become a Hashira. Meanwhile, Muzan continues to search for Nezuko and Ubuyashiki.

A Broadway actress uses her sex appeal to ruin a marriage only to dump her lover for a richer prospect.

Set in the mid sixties and shot with more black than white, ‘SAD?’ is a dark ten minute film that explores the time that we spend alone watching television, and the good and sad effects it can have on you. The film has a timeless, forgotten feel about it, a study of a world and time detached from the norm, a life filled with both laughter and loneliness, escapism and escapees...

When an extortionist threatens to force a multi-suicide unless a huge ransom is paid, only Peter Parker can stop him with his new powers as Spider-Man.

As viable water is depleted on Earth, a mission is sent to Saturn's moon Titan to retrieve sustainable H2O reserves from its alien inhabitants. But just as the humans acquire the precious resource, they are attacked by Titan rebels, who don't trust that the Earthlings will leave in peace.

Στο δρόμο για τον παιδικό σταθμό, ο Χόμερ χάνει την Μάγκι, η οποία πηδά στο ιπτάμενο καροτσάκι του Γκρόγκου για μια υπερδιαστημική περιπέτεια σε όλο τον γαλαξία. Όταν έρχεται αντιμέτωπη με μαχητικά ΤΑΙ της Αυτοκρατορίας, η Μάγκι φέρνει την μάχη στο Σπρινγκφιλντ σε ένα επικό μικρό μήκους επισόδειο, που τιμά τον κόσμο του Πολέμου των Άστρων.

Realizing that she cannot take down Fisk alone, Sayen teams up with an underground resistance group with a plan to expose and end Fisk's unchecked plundering once and for all.

A dystopian coming-of-age movie focused on three kids who find themselves in an abandoned amusement park, aiming to unite whoever remains. With dangers lurking around every corner, they will do whatever it takes to survive their hellish Neverland.

A successful and popular nightclub owner who believes financial independence is the path to equality and success, must act as a go-between for militant-minded brother and the white gang syndicate his brother has attacked and robbed. Their involvements lead to a breathless race course chase, the destruction of a dopepusher and a violent waterfront climax.

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

F, an 18-year-old boy, immerses himself in the world of the Drag Queen where he begins to build his identity despite family and social mandates, which impose on him to be afraid and ashamed of being who he is.