Jürgen a un faible pour Lisie. Et Lisie en pince aussi pour Jürgen. Anton, le petit garçon de Lisie, n'aime pas franchement Jürgen. Mais Lisie installe justement le garçon dans la Passat de Jürgen. Lorsque celui-ci se met à raconter une anecdote moralisatrice, le monde extérieur à la voiture bascule de manière inattendue.
The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times
Television adaptation of Noël Coward's famous play about an unhappily married man plagued by the spirit of his dead previous wife.
A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.
Over the course of her stay at the remote residence, Ana becomes more and more familiar with Holden’s idiosyncratic methods that require the participating artists to abandon their own identities and live emotionally and psychologically as their characters. Captivated by her artistic investigation, Ana immerses herself wholly into the method and starts living as Violeta, until her fiction loses control.
A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.
1973 BBC TV movie adaptation of the book by Lewis Carroll.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
After an assassination attempt, a broke mob wife takes over his husband's dirty work and collects her husband's debt with the help of her best friend - a hairdresser and her step daughter.
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.
Eric Buford (Eric Streit) was willing to do just about anything to break out of his small Southern town. When Andrea Patterson (Andrea Griffin) arrives to oversee the opening of a huge corporate mega store, Eric thinks that he finally has a ticket out of "Small town USA". Eric's plans change when he discovers Food Demon's plot to destroy all of the Mom & Pop businesses on Main Street, including his grandparents' grocery store. Before Eric knows it, he is thrust in the middle of angry mobs, shady land deals and greedy businessmen that consider murder to be all in a days work. After his grandpa is slain before his eyes, Eric joins forces with his fellow Main Street merchants in a quest to save their town. Their mission: Run corporate America out of town on a rail..and live to tell about it.
"a colorful poem of the first copy-motion film... the system registers images directly from a color (xerox) duplicator model 6500... an original, versatil, unique system developed by Darino" –Back Stage
A safe cracker claims he has lost his memory when two criminals come calling for their cut of the bank heist loot.
A true story. 1942. New Zealand is at war. Times are desperate. The Japanese invasion seems imminent. At this perilous moment, confidence trickster Syd Ross completes his sentence and is released from Waikeria Prison. He makes a phone call and finds himself in front of Prime Minister Fraser. Syd tells a tale of sabotage and assassination, of a Nazi plot to take over New Zealand.