这是一种真人逐格动画，与粘土动画不同，只用真人拍逐格动画。 　　两个男人（Grant Munro、Jean Paul Ladouceur）成了邻居，起初，他们相处得很好，一起抽烟、读报、聊天。一朵美丽的小花在他们两家正中间的位置长出来，两人看这朵花都是越看越欢喜，都想占为己有。划 界看归属不成，两人又为得到这朵花开始大打出手，终酿成悲剧。

　　《雨》用诗意的电影镜头，描绘了一场从坠落到停歇的雨水之旅。透过摄影机之眼，我们跟随着雨水——从车水马龙的街市到人潮涌动的人流。短短十几分钟的记录，是活生生的雨滴在悄然坠落，是积水中荡漾的圆晕在绽放，是云朵流淌下的氤氲在默默隐退……这音乐般流畅的印象派风格，给了我们一份来自大自然的馈赠与解说。

Documentary about the life of avant-garde filmmaker Maya Deren, who led the independent film movement of the 1940s.

A dream-like narrative in which a woman (Deren), is washed up on a beach and goes on a strange journey, a quest for personal identity, encountering other people and other versions of herself.

An intimate study of the life of a domestic cat, taking place over a period of months as she gives birth to a litter of kittens and cares for them as they grow.

Pure fantasia, a race to save the world from a fatal heart attack, juxtaposed against a love rivalry between two brothers - a mortician and an actor playing Christ - for the heart of a scientist studying the earth's core.

A young man swims across the rivers and lakes of Britain to a soundtrack of assorted nationalistic music. As he passes people on the banksides including children, lovers and a tramp their thoughts and conversations are also heard. Ultimately, after walking through a wood at night, the boy returns to the water and appears to sink below the surface.

根据坐落于东京三鹰地区的「三鹰之森 吉卜力美术馆」的宣传栏的信息：宫崎骏监督这部新作短篇动画的标题定格为「酵母与鸡蛋公主」，故事讲述了有一位魔女在灌木林深处的水车小屋里生活着，被召唤出来的鸡蛋姑娘被关在水车小屋里，每天负担着沉重的劳务。一天晚上，魔女的酵母突然获得了生命，能够活动了。于是鸡蛋姑娘和酵母为了逃避被煎烤的命运，一起从恐怖的女魔那里逃走了。逃走的这二人会有怎样的命运呢？

A young filmmaker decides to make a movie about his day-to-day activities in an attempt to understand himself and get his life back in order. A precursor to reality television and vlogs.

由罗孚营救是一个关于狗的电影。它不仅是一部关于一只狗它也是一个年轻的婴儿由一个老女人的绑架电影。有了这两个经典的好莱坞成分和一些惊人的对话，（这是无语！），由罗孚营救真的击中神经。重复的镜头提供什么，奇怪的是，早电影院，犬的神勇表现和一个男人穿着睫毛膏的一个有趣的例子一些兴趣。

Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.

3位互不相识的女人在一家时装店相遇。其中一位在偷衣服时被男店主逮到，但当店主抓她时，另外两位女士不仅帮她摆脱困境，甚至打死了男店主。其他女性顾客则对整个过程视而不见，并在罪行结束后泰然离开。当法庭指定一位女性心理专家来为她们做检查时，令人们大吃一惊的是，医生认为她们没有疯，并指出这些暴行其实是男权社会所导致的结果。

This documentary follows two Mohawk girls on their journey to become Mohawk women. Friends since childhood, Kaienkwinehtha and Kasennakohe are members of the traditional community of Akwesasne on the U.S./Canada border. Together, they undertake a four-year rite of passage for adolescents, called Oheró:kon, or "under the husk." The ceremony had been nearly extinct, a casualty of colonialism and intergenerational trauma; revived in the past decade by two traditional leaders, it has since flourished. Filmmaker Katsitsionni Fox has served as a mentor, or "auntie," to many youth going through the passage rites.

Maya Deren’s shortest, two-minute A Study in Choreography for Camera seems like an exercise piece to capture a dancer’s movement on celluloid, which later on developed into her masterpieces such as Ritual in Transfigured Time and Meditation on Violence.

The interconnected circuitry. The aggregated flora. Alternating currents of the visual field.

Ping Ping is 19 and wants to go to Japan to work in a car parts company. She's under the guardianship of her aunt, Madame Tien, who shuffles her between two jobs - working in a pig farm, and cleaning dishes in a rundown restaurant. Tien is also involved in a 'baby factory' scheme, pairing young women with migrant workers and then selling the babies for money. Both survive with each other in a love-hate symbiotic manner, until a truth about her aunt is revealed to Ping Ping.

Set to music by Bikini Kill (an all-girl band from Washington), Girl Power is a raucous vision of what it means to be a radical girl in the 90s. Benning relates her personal rebellion against school, family, and female stereotypes as a story of personal freedom, telling how she used to model like Matt Dillon and skip school to have adventures alone. Informed by the underground “riot grrrl” movement, this tape transforms the image politics of female youth, rejecting traditional passivity and polite compliance in favor of radical independence and a self-determined sexual identity.

Annabelle (Whitford) Moore performs one of her popular dances. For this performance, her costume has a pair of wings attached to her back, to suggest a butterfly. As she dances, she uses her long, flowing skirts to create visual patterns.

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

Presented as loosely autobiographical, Hold Me While I’m Naked centres on the tribulations of an independent filmmaker, frustrated at every turn as he tries to make a film that pretends to artistic merit.