Three ex-servicemen return to Basra, each for a different reason.

The story of Joy Division’s lead singer Ian Curtis, from his schoolboy days in 1973 to his suicide on the eve of the band's first American tour in 1980.

In an unknown first world airport the arrival of an ecuadorian flight is heard. The 'members of the European Union' passby migration, while the 'others', in the other line, wait. In the middle of the claims, a group of ecuadorians is arrested. They are taken to the Room, where they wait to be deported. Seems like everyone hides something, like PROMETEO the young magician with his hands tied like a delinquent who has a 'magical' trunk as luggage. Time passes, a way of being, Ecuador happens in this waiting room. Seems like there is no possible exit. Meanwhile, a different but well-known way of life takes place. The only thing left as a promising way out is illusion.

Based on the stories of Hungarian writer Gyula Krúdy, this iconic film is a lush and sensuous depiction of the life, loves and memories of serial seducer Szindbád.

A family of Irish immigrants adjusts to life on the mean streets of Hell's Kitchen while also grieving the death of a child.

A search for love, meaning and bathroom solitude. Danny goes through a series of shared housing experiences in a succession of cities on the east coast of Australia. Together these vignettes form a narrative that is surprisingly reflective.

Το Όλιβερ! είναι μία ταινία του 1968 του Κάρολ Ριντ, βασισμένη στο μυθιστόρημα του Κάρολου Ντίκενς "Όλιβερ Τουίστ", καθώς και στο θεατρικό "Όλιβερ!" του Λάιονελ Μπαρτ και βραβευμένη με Όσκαρ καλύτερης ταινίας.

Έντεκα ιστορίες ανθρώπων που συνδιαλέγονται πάνω από ατέλειωτες κούπες καφέ και τασάκια γεμάτα τσιγάρα.

Margit and her older sister Katla flee for safety after their mother is burned to death for witchcraft. Finding shelter with Johan and his resentful young son, Jonas, the sisters help form an impromptu family unit that’s soon strained by Katla’s burgeoning sorcery.

Weaving blistering performance footage from Europe, Japan, and the U.S. with a sublimely restrained, intimate glimpse into a world-renowned jazz percussionist’s singular voice and complex cosmology.

Ο πιανίστας της τζαζ, Γουίλι Κόνγουεϊ, επιστρέφει στην μικρή του πόλη στην Μασαχουσέτη για την επανένωση της παλιάς του σχολικής τάξης. Η ζωή του στη Νέα Υόρκη βρίσκεται σε ένα επικίνδυνο σταυροδρόμι κι ενώ κανείς από τους παλιούς του συμμαθητές δεν έχει αφήσει την πόλη του. Όλοι, όμως, ζουν ακόμα με εκείνες τις αναμνήσεις και μόνο ο Μά;ικλ Μόρις είναι παντρεμένος κι ευτυχισμένος.

Η ιστορία της ταινίας ακολουθεί τα ίχνη του Partridge, o οποίος καλείται να αντιμετωπίσει αυτή την φορά την εντονότατη αντίδραση του φίλου του DJ, Pat, ο οποίος απολύεται από τον ραδιοφωνικό σταθμό, εξαιτίας μιας επικείμενης εταιρικής εξαγοράς. Παρά το γεγονός πως ο Pat δηλώνει οτι θα αποχωρήσει από την δουλειά ήσυχα και ωραία, αυτό δεν συμβαίνει, με αποτέλεσμα ολόκληρος ο σταθμός να τελέσει υπό δική του πολιορκία. Ο μόνος ο οποίος μπορεί να του βάλει μυαλό και να τον κατευνάσει, είναι φυσικά όπως μαντεύεις ο Alan Partridge και οι…συνεντευξιακές/διαπραγματευτικές του ικανότητες.

In autumn of 1526, the Emperor, Charles V, sends his German landsknechts led by Georg von Frundsberg to march towards Rome. The inferior papal armies, commanded by Giovanni de'Medici, try to chase them in the midst of a harsh winter. Nevertheless, the Imperial armies manage to cross the rivers along their march and get cannons thanks to the maneuvers of its Lords. In a skirmish, Giovanni de'Medici is wounded in the leg by a falconet shot. The attempts to cure him fail and he dies. The Imperial armies assault Rome. The film is beautifully but unassumingly set, and shows the hard conditions in which war is waged and its lack of glory. It ends straightforwardly with the declaration made after the death of Giovanni de'Medici by the commanders of the armies in Europe of not using again fire weapons because of their cruelty.

Σέξι κωμωδία του δημιουργού της ταινίας Γρανίτα από λεμόνι που αναφέρεται στις απογοητεύσεις, τα προβλήματα και τους έρωτες μιας ομάδας νέων ενός σχολείου.

He’s back! One of Britain’s best loved comedians finally brings his record breaking Tour That Doesn’t Tour Tour to DVD. With his first live tour in seven years, playing to over one million people, this hilarious NEW show, sees Peter back on nights, doing what he does best, live stand-up comedy.

In October of 1980 Muhammad Ali was preparing to fight for an unprecedented fourth heavyweight title against his friend and former sparring partner Larry Holmes. To say that the great Ali was in the twilight of his career would be generous; most of his admiring fans, friends and fight scribes considered his bravado delusional. What was left for him to prove? In the weeks of training before the fight, documentarians Albert and David Maysles took an intimate look at Ali trying to convince the world and perhaps himself, that he was still “The Greatest.” At the same time, they documented the mild-mannered and undervalued champion Holmes as he confidently prepared to put an end to the career of a man for whom he had an abiding and deep affection

In a windswept fishing village, a mother is torn between protecting her beloved son and her own sense of right and wrong. A lie she tells for him rips apart their family and close-knit community.

Local councillor Sidney Fiddler persuades the Mayor to help improve the image of their rundown seaside town by holding a beauty contest. But formidable Councillor Prodworthy, head of the local women's liberation movement, has other ideas. It's open warfare as the women's lib attempt to sabotage the contest.

Hairdresser Nadine Hightower wants to retrieve the risqué photos she once posed for, but when she visits the photographer at his office, he's murdered by an intruder. Nadine talks her estranged husband, Vernon, into going along when she returns to the office, where they stumble across plans for a less than legal construction project. But when Vernon tries to turn the documents into a cash windfall, he and Nadine are pursued by goons with guns.

Ο Τζιμ και η κοπέλα του, Κέλι, ταξιδεύουν στη δασική περιοχή του Willow Creek, ακολουθώντας τα βήματα του Πάτερσον και του Γκίμλιν, που το 1967 είχαν τραβήξει το περίφημο βίντεο με τον Μεγαλοπόδαρο, το μυθικό τέρας. Η Κέλι είναι σκεπτικίστρια και το βλέπει όλο αυτό σαν βόλτα με τον φίλο της και σαν διάλειμμα από την εργασία της ως ηθοποιός. Ο Τζιμ είναι πιστός στον μύθο και με το μυαλό πως θα καταφέρει να τραβήξει κι αυτός τον Μεγαλοπόδαρο, έχει συνεχώς την κάμερα ανοιχτή.