A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.
Experts set out to prove that female great white sharks rule the ocean.
Young Anny returns from school to her circus family, which runs a little venue at the town fair. When Anny suddenly has to fill in for one of the artists, her piano-playing not only enthrals the audience, but also theatre agent Horbes. He casts the whole family for the Apollo theatre in Berlin, where Anny quickly raises to stardom and is offered an engagement from the US.
Two friends Marzouk and Barakat, work with street vendor Batta on her cart in the melon trade. Al-Gayiar who works in the trade of stolen cars admires them, they work with him till they become his competitors. He decides to get rid of them after they've become a treat.
Tanjiro and his sister Nezuko have been apprehended by the Demon Slayer Hashira, a group of extremely skilled swordfighters. Tanjiro undergoes trial for violating the Demon Slayer code, specifically smuggling Nezuko, a Demon, onto Mt. Natagumo. A recap film of Kimetsu no Yaiba, covering episodes 22-26 with some new footage and special ending credits.
Hirek i pozostali Harmidomscy są zachwyceni, gdy podczas tropikalnego wesela, mogą powitać w rodzinie swoją nową babcię, Miłkę; ale uroczystość zostaje przerwana, gdy na wyspie pojawia się nemezis z przeszłości tajnej agentki Miłki.
Informatyczka odkrywa zagrożenie ze strony sztucznej inteligencji i natychmiast staje się jej celem.
Misja kosmiczna wysłana z wysuszonej ziemi na Tytana, księżyc Saturna, w celu zdobycia cennych zasobów wody, nieoekiwanie wchodzi w konflikt z obcymi.
Bergman took one of his favourite plays to Copenhagen for a guest performance, which was even broadcast on Danish TV. In his Copenhagen The Misanthrope, Bergman maintained a dual approach. On the one hand, a production of Molière's play as a theatrical game performed in style and intellectually conceived; on the other hand, an exposure, through physical and psychological intensity, of the emotional tragedy in which Alceste and Celemine are both victims. Expectations were high prior to Bergman's production of The Misanthrope. A reviewer wrote, 'For the first time Molière's connection to the Danish stage is intercepted by a director whose forte is physiological tragedy, Strindberg over Holberg'. Many reviews had expected Bergman to put his very personal stamp on the production. Instead they experienced 'a clean Molière' and were struck by Bergman's faithfulness to the original mise-en-scene and to the classical rhythm of Molière's text.
Antonio and Beba are a pair of panda bears besieged by the classic obstacles of a young couple. Their life together is defined by routine, until one day they are forced to live with their favorite singer.
An impressionistic film about bidding farewell to departing army recruits and the end of freedom.
A young "incel" man embarks on a futuristic jerk-off session.
Theatrical promoter deals with temperamental artists and temperamental investors while putting a show together and holding everything together until opening night.
The film is divided into five parts differing in pictorial and musical structure. The plot, two women and their love for one another, is of secondary importance. An ingenious combination of stereoscopic images and montage of individual pictures make new qualities of perception accessible to the viewer. In the final part of the love scenes pictorial sequences and music build up to a delirious rhythm.
Fed up with the bullying from their classmates, Jorge and Emilio plan a shooting at their school.