Dark Shadows: The Haunting of Collinwood is a DVD compilation of episodes 639 to 694, key scenes from which have been edited together to form a three hour feature. It focuses on Quentin Collins' possession of David Collins & Amy Jennings.
'Skippy' seeks to win the love of celebrities and a women by getting his photograph taken with as many famous people as possible.
"Denied Legacy: Slavery in Brazil in an Incorrect Guide" is a professional analysis of the work "Guia Politicamente Incorreto da História do Brasil", written by journalist Leandro Narloch in 2009, which brings not only factual errors, but problematic interpretations about aspects of the history of Brazil.
Anne Shirley, now a schoolteacher, has begun writing stories and collecting rejection slips. She acts as Diana's maid of honor, develops a relationship with Gilbert Blythe, and finds herself at Kingsport Ladies' College. But while Anne enjoys the battles and the friends she makes, she finds herself returning to Avonlea.
Disguised as an Italian medic, Dolas finds himself on a ship evacuating wounded Axis soldiers to Italy. He leaves the ship disguised as a Nazi soldier, but is found out, declared a deserter and sent to the Eastern Front. However, on the flight to Russia, he is able to escape with a parachute, and finds himself back in Poland, now occupied by Nazis.
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.
A young girl suffers a terrifying nightmare of a vampire with blazing golden eyes. Eighteen years later, it is revealed to be a hellish prophecy when a strange package containing an empty coffin mysteriously turns up at a nearby lake.
An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.
Unable to move on from a breakup, Gabi, a queer Latina freelance editor, impulsively drops into an old job at an underground lap dance party, where she unexpectedly runs into a friend from her past.
A young Iranian boy makes friends with a young girl of the same age against a backdrop of the humdrum daily existence of rural workers.
Alma, Azi Acosta, is a high-end bar girl. She has decided that prostitution is her profession, her life, her means to achieve her dreams and her happiness. She caters to all men who can afford her price. But she favors two men: a rich lawyer and a bank executive whom she calls Tiger Joe and Kabayo respectively. Another regular customer is a student who has professed his undying love for her. Alma's routine life is disturbed when Sheila, Jaclyn Jose, an aging street prostitute, introduces herself to Alma as her mother who sold her to strangers after birth. This meeting will open the door to Alma's past that she has refused to confront. A long-lost ailing mother, the search for a father, and the truths of a painful past will test the values of these two women who have become victims of poverty and men. In the end, Alma and Sheila will make choices that will define them not only as individuals but as women.
Several little boys run along a pier, then jump into the ocean.
In a Mediterranean country plunging into armed conflict, a doctor tries to do his duty against all odds, until the day his destiny is turned upside down…
Starting as a documentary on the sexually liberated culture of late-Sixties Denmark, Sexual Freedom in Denmark winds up incorporating major elements of the marriage manual form and even manages to squeeze in a montage of beaver loops and erotic art. All narrated with earnest pronouncements concerning the social and psychological benefits of sexual liberation, the movie, is a kind of mondo film dotted with occasional glimpses of actual sex.
A two-minute computer animation of a fantastical centipede having a spot of bother with a mischievous segment.
Did the Nazis ever see Charlie Chaplin's 'The Great Dictator'? Yugoslavia, 1942 - The young Serbian projectionist Nikola Radosevic decides to teach the German oppressors a lesson they won't forget. The beginning of a true and astonishing World War II resistance story.
Migrating by sea from Holland as an eight-year-old, Dirk de Bruyn went on to be a doyen of Australian experimental cinema. But as this intimate film reveals, his work is suffused with the trauma of migration, and the struggle to recognise himself as a ‘new Australian'. In conversation with documentarian Steven McIntyre, Dirk guides us through more than 40 years of his filmmaking: the early years exploring technique and technology, a subsequent phase of unflinching self-examination brought on by upheaval and overseas travel, and more recent projects where he attempts a fusion of personal, cultural, and historical identity. What emerges is an inspiring, rugged, and at times poignant portrait of an artist committed to self-expression and self-discovery through the medium of film.