Muromachi Aroan (1336-1573), Ashitaka, Emishi printzipea dena, herriaren aurka egin nahi duen munstro (Nago) batekin borrokatzean zaurituta geratzen da. Zauri horrek madarikazio bat du eta sendabide bila, Nagoren bizilekurantz doa. Hor hiru indar daude borrokan. Basoko animaliak, non Mononoke neska otsoekin bizi den; herritarrak, burdin labeen bidez bizirauten dutenak eta burdin bila basoko zuhaitzak moztu behar dituztenak eta Samuraiak, herria harpilatu nahi dutenak. Animazio japoniarreko pelikula onenetarikoa (edo onena).
The erotic novelist Taeko is writing a morbid story of a family destroyed by incest, murder and abuse. Her assistant, Yuji, sets on a mission to uncover the reality of this story, but the reality might be too much to bear.
A provocative and poetic exploration of how the British people have seen their own land through more than a century of cinema. A hallucinated journey of immense beauty and brutality. A kaleidoscopic essay on how magic and madness have linked human beings to nature since the beginning of time.
A second trial begins in November 1975 against French left-wing revolutionary Pierre Goldman, accused of several armed robberies and the death of two chemists.
A group of women in an isolated religious colony struggle to reconcile their faith with a series of sexual assaults committed by the colony's men.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A murderous lust for the British throne sees Richard III descend into madness. Though the setting is transposed to the 1930s, England is torn by civil war, split between the rivaling houses of York and Lancaster. Richard aspires to a fascist dictatorship, but must first remove the obstacles to his ascension—among them his brother, his nephews and his brother's wife. When the Duke of Buckingham deserts him, Richard's plans are compromised.
Igby Slocumb, a rebellious and sarcastic 17-year-old boy, is at war with the stifling world of old money privilege he was born into. With a schizophrenic father, a self-absorbed, distant mother, and a shark-like young Republican big brother, Igby figures there must be a better life out there -- and sets about finding it.
In this compelling documentary, members of the Thai youth soccer team tell their stories of getting trapped in Tham Luang Cave in 2018 — and surviving.
Traditional Sunday dinners at Mama Joe's (Irma P. Hall) turn sour when sisters Teri (Vanessa L. Williams), Bird (Nia Long) and Maxine (Vivica A. Fox) start bringing their problems to the dinner table in this ensemble comedy. When tragedy strikes, it's up to grandson Ahmad (Brandon Hammond) to pull the family together and put the soul back into the family's weekly gatherings.
Georges Méliès makes a woman disappear, then reappear.
A well-to-do French family living in Calais deal with a series of setbacks and crises while paying little attention to the grim conditions in the refugee camps within a few miles of their home.
A man has a fantastical nightmare involving, among other things, a grinning malevolent moon.
A butcher puts a full-grown live pig into his large box-like machine. Moments later, he draws out a full range of pork products, many already packaged for sale.
It examines the daily life of the residents and cops at a Rio de Janeiro favela one year after the arrival of a Pacifying Police Unit.
Agnès, a bourgeois young woman from Geneva, writes a letter to a friend, telling how she ended up cheating on her husband. Fascinated by the attitudes and gestures adopted by a prostitute to attract clients, Agnès decides to imitate her and seduces the first man she sees, sitting on a garden bench.
Based on a real event that occurred between two deputies, in Chapultepec Park.
To celebrate Yves’ 50th birthday, his friends plan to take him to the sunny paradise of Paros in Greece. But due to a cancelled flight, the holiday will take place in a far less glamorous and much rainier destination: Yves’ family home in Brittany. During the vacation, their bonds are challenged by Antoine’s constant complaining, Yves’ pride, Baptiste’s superstition and Laurent’s jealousy of Jean-Mich’s perfect life and family. On top of that, Antoine’s supposedly harmless joke – offering Yves a DNA ancestry test – has unforeseen consequences…
[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start.
A super strain of genetically engineered mutants are designed to take over the universe, hungry to conquer the galaxy, with an appetite for mankind.