Video installation showing the film "A Clockwork Orange", reduced to its colour.

A man who moved away from his hometown engages in deep conversations with his friends and family while toasting, eating and celebrating life.

The gallery attendant in an art gallery or museum is a fundamental piece in its mise-en-scéne, his main role is to see and be seen. Seems So Long Ago, Nancy implies the spectator in an infinite gesture of circular observation — to observe the observers. A passive lens that fluctuates between the subjects and the neo-classical and post-modern architectural spaces they occupy, in a balance between silence, introspection, noise, repetition, intervals and waiting — small gestures of a fragmented post-modern flaneur.

Do, Re and Mi in this sequeal tells the tale of a group of gangsters who are planning to rob a bank. So they use this oppurtunity to con them out of it and capture them at the same time. Many comedic memorable moments are carried out through the movie.

스펙터 일당은 지부장 라르고의 지휘로 NATO의 공군 조종사인 더발 소령의 여비서 피오나를 매수, 그를 죽이고 그와 똑같이 성형수술을 시킨 하수인을 MOS 핵폭탄 2개가 실린 NATO 연습기에 더빌 소령으로 위장시켜 태운 뒤, 다른 조종사들을 처치하고 핵폭탄을 탈취한다. 탈취에 성공한 스펙터는 7일 이내에 1억 파운드를 내놓으라는 메시지를 보내고, 영국 정보부에서는 핵폭탄을 찾기 위한 썬더볼 작전의 임무를 007에게 명령한다. 더발 소령의 여동생인 도미노에게 접근하는 007. 그는 도미노에게 모든 사실을 알려고, 라르고가 핵폭탄의 탈취 주범임을 확신하게 된다.

A man is hired to compile the definitive history of human existence before the planet is blown up by aliens.

Created to mark the two-year anniversary of Alien: Covenant's home video release, the film is a sequel to the movie in which a Weyland-Yutani team arrives to investigate David's laboratory on Planet 4. One of the explorers enters David's laboratory to document the rogue synthetic's scientific discoveries. After carefully recording the specimens and records within the lab, including dissected Neomorphs and a vial of black liquid, he sets up his camera to analyze an egg-like object in one corner of the room while he continues his visual examination of the room. As the analysis continues, the Egg begins to show signs of life.

미국에서 영국으로 공수 중이던 문레이커가 공중에서 탈취를 당한다. 조사를 맡은 007은 문레이커를 개발, 제조한 장본인인 드랙스가 배후의 인물임을 알아낸다. 드랙스 산업기지에 위장 취업한 CIA 요원 굿헤드와 연합으로 조사하던 중 드랙스가 인간만을 죽이는 독가스로 지구를 깨끗이 청소한 뒤 선택받은 젊은 남녀들로 신인류 제국을 건설하려는 야망을 가지고 있다는 것을 알아낸다. 007과 굿헤드는 몰래 그들 틈에 숨어 드랙스의 우주 기지로 날아간다. 레이더 방해 장치를 파괴하여 지상에 이곳의 존재를 알린 007과 굿헤드는 발사된 독가스 캡슐을 걱정한다.

<콜 미 빌>은 오랫동안 텔레비전과 영화에서 아이코닉한 역할을 맡으면서 유명해진 윌리엄 샤트너에 관한 다큐멘터리이다, 올해 92세인 그는 여전히 모험을 즐기면서, 우주로까지 모험을 떠난 최고령자이기도 하다. 그의 마지막 소원은 그가 환경에 대한 관심을 반영하듯, 바로 나무가 되는 것이다. 이 영화는 그의 삶과 열정, 희망을 탐구하며 그가 유명인이라는 가면 속에 숨겨왔던 한 인간을 재조명하고 있다.

Spaak is a movie about a talented track cyclist who is caught up in the world of drugs.

In this last episode princess Fantaghirò ends up in a parallel dimension fairy land full of kids. Here the princess must fight against a villain called "Nameless".

Vasily Muravin, 50, a teacher at the Moscow Institute of Management, is experiencing a crisis. At work, the place of the head of the department is replaced by the more pragmatic, but limited person Valentin Romanovsky. At home, his wife Lida, who earns at work more than her husband, habitually reproaches him for indecision. It’s hard for Muravin to come to terms with his established attitude to himself, but he is most worried when his wife shows disrespect for his main hobby - playing the guitar. Once, unable to bear the bullying, Muravin suddenly leaves the family (wife and daughter) and from work.

Stefan Pielek a florist wants to commit suicide but has no official permit. He signs an official application, While he waits to get the permit he falls in love with a young girl Ophelia.

Kameen warrior, Brocheet, travels to Rockachie, to find a vial that will rejuvenate his home world with sustainable drinking water, but the dangerous planet and its inhabitants, the Lokkein, won't let it go without a fight.

유명 연예인의 선택을 받아 여자친구가 될만큼 뛰어난 미모를 가진 율이는 원치 않게 촬영 된 동영상이 떠돌기 시작하자 우울감을 감추지 못하고 같은 고민을 가진 슬이와 함께 자살 여행을 떠난다.

Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.